| | Bayside CD Bayside Discography of CDs
 (8 Customer Reviews)
With its self-titled sophomore album, Long Island-based band Bayside delivers another slice of poppy emo-core with delightfully rough edges and a strong sense of melody. The group's roots show through in its strong hardcore influence, which is especially apparent in the from-the-gut vocal performances of Anthony Raneri. With the help of big-time producers Shep Goodman and Kenny Gioia (Mandy Moore) the group refines its songwriting and offers a diverse sonic palette ranging from the jaunty ska-like feel of "Blame It On Bad Luck" to the English folk-influenced acoustic track "Don't Call Me Peanut."
Initial pressings contained a DVD.
This new release includes 11 tracks by the New York band.
Bayside (Emo): Nick Ghanbarian (bass guitar); John "Beatz" Holohan (drums); Anthony Raneri, Jack O'Shea.
Personnel: Anthony Raneri (vocals, guitar); Steve Soboslai (vocals); Jack O'Shea (guitar).
Audio Mixer: Ken Gioia.
Recording information: Sheppard Music, New York, NY (03/2005-04/2005).
Photographer: Chris George. Bayside Music Review Average Rating: (4.8 out of 5 stars)   List All Reviews New with an old twist
After listening to label mates Hawthorn Heights and Silverstein you have a sterotype of this band before you play it. But you will be presently suprised to hear Bayside has their own sound. Very clean poppy guitar rifs and vocals. Bayside reminds me of some of my favorite early 90s punk like the Decendents and Pennywise. Very traditional punk. Two thumbs up for Bayside. One thumb up for writing a catchy album, and another thumb up for keeping it original.
Submitted by rowright (Boise, ID) 
Was This Review Helpful? Yes No
AMAZING
THis album is great lyrics
"They Looked Like Strong Hands"
Great Song =]
Submitted by thebleedingdusk (Seattle)
Was This Review Helpful? Yes No Two Thumbs Up
This is one of the best cd`s and bands I`ve heard, I saw them on tour with Silverstein Aiden Hawthorne Heights with them playing acoustic, I had never listened to them a day in my life before then but there lyrics definetly won me over [Support Bayside]
Submitted by Brandon (Toronto)
Was This Review Helpful? Yes No Emo without the screamo!
For many of us out there who like emo but aren't willing to fork out 15$ for a CD with obnoxious screaming, Bayside is the solution. With catchy melodies and creative--but dark--lyrics, Bayside pulls together emo with a dash of punk for pure enjoyment!
Bayside was struck by a tragic accident on Hallowe'en 2005 morning, when their van hit a patch of ice and flipped, killing their drummer, John "Beatz" Holohan, and severely injuring their bassist, Nick Ghanbarian. Please support Bayside.
Submitted by Tory (Stillwater, OK, USA)
Was This Review Helpful? Yes No Freakin Awesome
I checked these guys out after I heard they were going on tour with Aiden and Silverstein. These guys are really talented and keep to a simple formula that pulls the entire album together. For any fan of the emo genre.
Submitted by Deryk (Peterstown,WV)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
Purchase Bayside CD To buy, Click on price to add to cart | Bayside Sirens And Condolences CD (2004) Enhanced CD
Bayside album
 $9.89  
Following in Thursday's footsteps, Long Island's Bayside breaks the typecasting of most Victory Records bands by brewing up a palatable batch of aggressive, melodic emo rock that draws on both Jawbox and the Alkaline Trio. Launched with "Masterpiece," which doesn't exactly live up to its title but is really good just the same, frontman Anthony juxtaposes hangovers and heartbreak before the quartet descends into the raw "Poison in My Veins," which also works the lovelorn angle with the finest harmony vocals this side of Midtown. While Bayside's lyrical approach fails to cover any new ground, the group is forceful and adept, whether it's creating a thunderous twin guitar roar on "Alcohol and Altar Boys" or conjuring up poppy, Promise Ring-like numbers like "A Synonym for Acquiesce." While the melodrama gets to be overbearing here and there, it's masked in the bombast of hard, driving tunes like "Kellum." Meanwhile, ...
| | Silverstein Discovering The Waterfront CD (2005) Bonus DVD
Bayside CD music
$10.69
Like fellow Canadians Boys Night Out, Silverstein excels at aggressive pop-punk tunes that occasionally verge on progressive metal. And, as with other acts in the "screamo" subgenre, the group's vocals, courtesy of frontman Shane Told, veer between soaring melodies and throat-shredding screams, emphasizing the moody, introspective lyrics of DISCOVERING THE WATERFRONT, the quartet's second full-length album. Here Silverstein ...
| | Aiden Nightmare Anatomy CD (2005) Bonus DVD
Bayside music CDs
$10.09 
Recalling a Frankenstein-like fusion of Green Day and HIM, Aiden blends energetic punk-pop with a dark goth-metal aesthetic. Although there's ...
| | Bayside Acoustic CDs (2006) With DVD
Bayside songs
$10.09
The Long Island rock quartet Bayside had been garnering attention for their hopped-up, guitar-fueled emo since the turn of the millennium, but a tragic car accident in 2005 took the life of their drummer, temporarily halting the group's artistic and commercial momentum. In a brave display of perseverance, guitarist/singer Anthony Raneri and bassist Andrew Elderbaum performed this live acoustic set of Bayside material as a tribute to their departed bandmate. A 10-track EP, the disc also comes with a DVD of the moving performance.
Bayside released their second full-length album in August 2005 and jumped on the road feeling stronger as a unit than ever before. Then on Halloween, their world was shattered. A van accident on the way to a show left their bassist, Nick Ghanbarian, severely injured with a broken back and their drummer, John "Beatz" Holohan, dead. Not surprisingly, the remaining grief-stricken members -- Anthony Raneri and Jack O'Shea -- dropped off the tour. However, amidst an overwhelming display of support from family, friends, and fans, they decided their bandmates would want them to continue on. Banding together as an acoustic duo for the tour's completion, Raneri and O'Shea returned to the stage to pay tribute to their fallen friends. Their acoustic sets were so well received that fans wanted to hear more -- hence, the release of their Acoustic CD/DVD. The CD is based on their live set, comprised of studio acoustic versions of many of the songs from the show. "Winter" is the poignant, heartfelt tribute to Holohan that ...
| | Underoath Define The Great Line CD (2006) With DVD; Special Edition
Bayside album
$16.05 
After overcoming some critical personal shakeups to produce 2004's excellent THEY'RE ONLY CHASING SAFETY, Florida's Underoath fulfilled the immense expectations set by that album--to transcend their audience's demands and still uphold their Christian metal roots--with 2006's DEFINE THE GREAT LINE. The Band undertakes this follow-up effort with such unbending ferocity that they leave most of their pop/screamo contemporaries in the dust. Vocalist Spencer Chamberlain removes himself from the sugary trappings of his brethren frontmen, gracing even his melodic passages with the angst and chaos that underline his more lungbusting turns. The band behind him has learned enough ...
| | Bayside Walking Wounded CD (2007)
Bayside CD music
$10.69
Bayside's 2007 album, THE WALKING WOUNDED, was intended by the band to be a celebration of survival and perseverance in the face of tremendous setbacks, something they became intimately familiar with after the death of drummer John Holohan. Instead of a funereal affair, the album's sound is almost uniformly uplifting, with sweet Everly-Brothers-by-way-of-Bad-Religion harmonies and slickly constructed, radio-friendly choruses on pop-punk gems like "Head on a Plate" and "Carry On." THE WALKING WOUNDED is "emo" in the sense that emotion is the engine that moves these songs. Victory Records has released a GOLD EDITION of the album, complete with three live tracks from an appearance at the Long Island record store Looney Tunes ...
| | Long Gone Daddies CD (2000)
Bayside music CDs
$15.05
What unifies this motley assortment of non-hit 1950s singles, mostly rockabilly in style, although there are a few R&B cuts tossed in? All were done for the Modern group of labels. Modern and its subsidiaries were much more known for early West Coast blues, R&B, and black vocal group sounds than they were for straight rock & roll. This fair but unexceptional sampler illustrates why that was the case: the singers were imitators, not innovators. Ploughing through the generous allotment of 32 cuts, there's the sense that Modern was throwing a lot of stuff against the studio wall to see what might come of attempts to ride the rock & roll craze (it was thought of as a craze back then, remember), though of course there were many other labels doing the same thing. It's certainly not lacking in energy, and some cuts stick out way above the others, such as Clarence Garlow's hot 1953 R&B-verging-on-rock single "Route 90"/"Crawfishin'," and Lee Denson's "High School Hop," soaked with an inordinate bucket of reverb even by rockabilly standards. Don Cole (with "Snake Eyed Mama") and Danny Flores (with "You Are My Sunshine") must have been wearing out the grooves on their Jerry Lee Lewis singles before their sessions, so blatant are the attempts to recapture that atmosphere; Artie Wilson's "Jerry Jerry" is an even more obvious cop of the Little Richard/Larry Williams train. So what might catch the attention of the thorough early rock collector here? Well, Mercy Dee's "Come Back, Maybellene" is a half-decent 1955 "answer" record to Chuck Berry's "Maybellene"; Long Tall Marvin (now there's a hip nom de plume), actually Marvin Phillips of Marvin & Johnny, does a super-jittery ...
| | Shut The Punk Up! Vol. 3 CD (2003)
Bayside songs
$7.89
| | Thrashing Doves Lost Sides CD (2000) Import
Bayside album
$11.65
LOST SIDES brings together a collection of 12 rarities from the British act Doves.
Not to be confused with the limited-edition promotional album of the same name, Lost Sides is a double disc of B-sides, rarities, and remixes from Doves' outstanding first two albums, Lost Souls and The Last Broadcast. Die-hard fans will most likely own tracks such as "Zither," "Valley," "Northenden," and "Willow's Song" from previous single releases, but Lost Sides offers more than your typical B-disc. The loyalist and the casual listener will enjoy the structure of Lost Sides because Doves is one of those bands that doesn't seem to write songs of filler quality. If anything, Lost Sides reaffirms the power of Doves' dream pop sound while remembering the beauty of their first two albums. The songs included here could have very well ended up on either record, because they are that good. From the gospel redesign of "Satellites [Soulsavers Remix]" and the building hope of "The Sulphur Man [Rebelski Remix]" to the Madchester-like pop moment of "Your Shadow Lay Across My Life" and the free soul of "Down to Sea," one cannot deny the real rock & roll spirit of Doves. Lost Sides is a fine collection for old and new fans alike, a definitive must-have for all Doves completists. ~ MacKenzie Wilson
Released as a promotional vehicle for Lost Souls by Heavenly in a run of only 1,250 copies, Lost Sides collects 12 songs that didn't make it onto Doves' debut album. All of the songs on the collection would see release across the various singles extracted from Lost Souls. Unlike many a Brit-pop B-side collection, Lost Sides doesn't really work that well as a cohesive whole. Some of the songs are variations on album cuts, others kind of meander in stifled or dated grooves, and two or three tracks are obvious throwaways. But enough charm peaks out of the corners to elevate a number of the songs and make Lost Sides or the singles worthwhile. The bombastic anthemic rock of "Darker" sees Doves at their most aggressive, experimenting with vibes reminiscent of Talk Talk. These vibes continue on "Meet Me at the Pier," as edgy guitar jabs contrast most pleasantly with Jimi Goodwin's sweet humming. "Valley" and "Your Shadow Lay Across My Life" both would have been fine fits on Lost Souls, as both songs feature the band's trademark swirling bombast and strong melodies. Perhaps best of all, and not really indicative of the band's usual sonic territory, is "Acoustic No. 1," which features dynamic chugging acoustic guitars that simply and delightfully embed themselves into one's brain for the remainder of the day. Lost Sides certainly isn't essential listening for casual fans, and even hardcore fans won't be that impressed, since nothing to be found here represents the band at the top of its game. But the collection is pleasant enough while it lasts. ~ Tim DiGravina
Having only released two albums at the time, it's a sign of the Manchester trio Doves' undeniable talent that they had enough solid material in the vaults ...
| | Panda Yamada Asakusa Nikki CD (2006) (Import)
$18.39 | | Mew And The Glass Handed Kites CD (2005)
Bayside CD music
$7.59
With AND THE GLASS HANDED KITES, Danish band Mew pushes past the varied excellences of their previous album, FRENGERS, to create an album that is as ambitious as it is disarming. The smooth, androgynous dream-pop moves through ...
| | Tiffany Best Of CD (2008)
$6.85 |
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