Bob Dylan - No Direction Home: The Bootleg Series Vol. 7 Soundtrack CD

No Direction Home: The Bootleg Series Vol. 7 Soundtrack buy CD music After working his way through loss and chaos on the brilliant TONIGHT'S THE NIGHT (recorded in 1973, but not released until 1975), Neil Young deftly exorcised any lingering demons with 1974's ON THE BEACH. The album opens with the saunter of the aptly titled "Walk On," followed by the utterly gorgeous, Wurlitzer-tinged "See the Sky about to Rain." The set also features a trio of scathing songs--"Revolution Blues," "Vampire Blues," and "Ambulance Blues"--that address issues important to Young, both social and personal. It is good to hear Young back with such bite and vitriol, especially after the broken desperation of TONIGHT'S THE NIGHT. But while ON THE BEACH is edgy and deeply felt, it also manages to sound liberating and relaxed, with glimmers of hope and humor peeking through the spare, evocative arrangements. Inexplicably unreleased on CD until 2003, ON THE BEACH is both unflinching and resilient, and easily stands as one of Young's finest albums. Recording information: Broken Arrow Studios, San Francisco, CA; Sunset Sound, Los Angeles, CA. Photographer: Bob Seidemann. Guests:Graham Nash/Rick Danko/ David Crosby/Levon Helm Personnel: Neil Young (vocals, guitar, banjo, harmonica, Wurlitzer organ); Neil Young (Wurlitzer piano); Ben Keith (vocals, guitar, slide guitar, steel guitar, dobro, Wurlitzer piano, organ, Wurlitzer organ, drums, background vocals); Graham Nash (vocals, Wurlitzer piano, Wurlitzer organ); Ralph Molina (vocals, drums, background vocals); Tim Drummond (bass instrument, drums, percussion); Rick Danko, Billy Talbot (bass instrument); David Crosby (vocals, guitar); Rusty Kershaw (guitar, slide guitar, violin, fiddle); George Whitsell (guitar); Joe Yankee (harp, tambourine); Levon Helm (drums). Liner Note Author: Rusty Kershaw.

No Direction Home: The Bootleg Series Vol. 7 Soundtrack CD music Includes both stereo and mono versions of the USA-only albums MEET THE BEATLES (1964), THE BEATLES' SECOND ALBUM (1964), SOMETHING NEW (1964), and BEATLES '65 (1964), and a 60 page booklet including rare photos and select quotes from John, Paul, George and Ringo. All tracks have been digitally mastered using 24-bit technology. Although America wasn't the first to catch on to the Beatles, it certainly gave the Fabs a worldwide stage from which to launch their pop music invasion. During the space of 12 months in 1964, Capitol released four Beatles LPs that reshuffled various British Parlophone LPs, EPs, and singles. The result of this rejiggering was four unique titles that, along with those famed Ed Sullivan performances, were the introduction to this global phenomenon for millions in the United States. For the 40th anniversary of these releases, this 2004 set represents the first time these titles were ever available on CD, and features both mono and stereo (or "duophonic") versions of all the songs. Because of the Beatles' enthusiasm, high standards, and synergy, these evergreen tracks crackle and burn, guaranteeing giddy, joyous memories for some, while also enlisting new fans. Among the many classics are the groundbreaking single, "I Want to Hold Your Hand," and other romantic rockers ("I Saw Her Standing There," "She Loves You," "All My Loving"), as well as cover tunes ("Long Tall Sally," "Roll Over Beethoven") and lesser-known songs ("Any Time at All," "I'll Follow the Sun"). The boys had been tirelessly working the nightclub trenches for a number of years prior to these albums, but, in truth, John, Paul, George, and Ringo were just getting started. 4cds-Meet The Beatles/Second Album/Something New/Beatles'65 The Beatles: John Lennon (guitar); Paul McCartney (bass guitar); Ringo Starr, George Harrison. Personnel: George Harrison (vocals, guitar); John Lennon (vocals, harmonica); Ringo Starr (vocals, drums); Paul McCartney (vocals). Audio Remasterer: Ted Jensen. Liner Note Author: Mark Lewisohn. Recording information: England. Authors: John Lennon; Paul McCartney; George Harrison; Ringo Starr; Brian Epstein . Photographers: Joe Covello; Black Star.

No Direction Home: The Bootleg Series Vol. 7 Soundtrack songs Bob Dylan's 1975 Rolling Thunder Revue can be seen as a reaction to his tour of the year before with the Band. Playing arenas in a pressurized atmosphere left little room for the kind of happy musical accidents that were so central to Dylan's live ethos. Rolling Thunder was more suited to his mercurial vision; a spontaneously planned and executed series of gigs with an odd assortment of players in a ragtag kind of gypsy caravan. In the repertoire, Dylan found a way to have fun with his legacy by reinventing some of his classics and simultaneously present tunes from his more contemporary albums (BLOOD ON THE TRACKS and DESIRE) with suitable verve. In this regard, these shows can actually be seen as a template for his subsequent Never Ending Tour. The songs from DESIRE, from the allegorical "Isis" to the biting, sociopolitical narrative "Hurricane" are powered by Scarlet Rivera's electric violin and the thick, aggressive guitar tone of Mick Ronson. Dylan's early folk days get a nod via some heart-tugging solo acoustic performances and a series of duets with Joan Baez. Obviously charged with passion and fully immersed in the moment, Dylan singing with gut-wrenching intensity on both the ballads and the rockers, providing a kind of transcendent catharsis that's now happily documented for posterity. Includes liner notes by Larry "Ratso" Sloman. Personnel: Bob Dylan (vocals, acoustic & electric guitar); Joan Baez, Roger McGuinn (vocals, guitar); Bobby Neuwirth, Steven Soles (guitar, background vocals); Mick Ronson, T-Bone Burnett (guitar); David Mansfield (steel guitar, dobro, mandolin, violin); Scarlet Rivera (violin); Howie Wyeth (piano, drums); Rob Stoner (bass); Luther Rix (drums, congas, percussion); Ronee Blakely (drums). Compilation producers: Jeff Rosen, Steve Berkowitz.

No Direction Home: The Bootleg Series Vol. 7 Soundtrack album for sale In 1964, when the Beatles where still singing "I Want to Hold Your Hand," Bob Dylan was quietly making history at New York's Philharmonic Hall (now Avery Fisher Hall). ANOTHER SIDE OF BOB DYLAN had recently been released, but even the flights of fancy on "Spanish Harlem Incident" and "To Ramona" (both performed here), while unprecedented, couldn't have prepared the audience for the Big Bang of songwriting represented by the still-unrecorded "Gates of Eden" and "It's Alright Ma (I'm Only Bleeding)." In a voice full of youthful vitality and insouciance, Dylan delivered groundbreaking poetic epics to a crowd that must have been equally confounded and exhilarated. Disc Two contains more of Dylan's older, more conventional material as well as four duets with Joan Baez, including the folk ballad "Silver Dagger," which Dylan would never record. As full of life as this second half of the Philharmonic concert is, it still serves as a breath-catching period in the wake of the world-changing new songs heard in the first set. Probably only a few of those in attendance realized it at the time, but music would never be the same again. Includes a 52-page booklet. Concert At Philhamonic Hall. 2cds. Recorded at Philharmonic Hall, New York, New York on October 31, 1964. Includes liner notes by Sean Wilentz. Personnel: Bob Dylan (vocals, acoustic guitar); Joan Baez. Audio Mixer: Michael Brauer. Liner Note Authors: Robert Shelton; Bob Dylan. Recording information: Philharmonic Hall, New York, NY (10/31/1964). Photographers: Hank Parker; Daniel Kramer; Sandy Speiser; Barry Feinstein; Douglas R. Gilbert. Arrangers: Joan Baez; Bob Dylan.

No Direction Home: The Bootleg Series Vol. 7 Soundtrack CD music Musically, the album finds Dylan once again mining the stately traditionalist sound first heard on LOVE AND THEFT. Lazy blues numbers, piano-based songbook pop, and jumpin' country swing provide the backdrop for Dylan's continuing study of the vicissitudes of life, love, and death. Although he is certainly world-weary, a lot of life is lived in the verses of these songs and there is a dogged spirituality that provides, if not hope (a rather prosaic notion for Dylan by this point, to be sure), at least a means to finding contentment. Finally, a word about Dylan's voice here: while his singing has always been unconventional and never pretty in any traditional sense, in its raspy magnificence it is simply perfect for this timeless music. Bob Dylan's first new album in five years! His 44th album features 10 new songs and is the third release in an outstanding trilogy along with Time Out Of Mind and Love And Theft. This special edition includes a DVD featuring 4 additional songs and an expanded booklet. It's arguable that at no point since his 1960s heyday has Bob Dylan been as celebrated as in the decade following his critically acclaimed 1997 album TIME OUT OF MIND. Numerous films, books, and albums--mostly Columbia's impressive archive series of reissues--have been part of a universal canonization of the singer and met with considerable enthusiasm by fans and critics alike. 2006's MODERN TIMES, the third album to have been released in nearly 10 years and part of a trilogy that also includes 2001's brilliant and upbeat LOVE AND THEFT, is easily deserving of such enthusiasm and is further reason for the formal veneration. Personnel: Bob Dylan (vocals, guitar, harmonica, piano); Denny Freeman, Stuart Kimball (guitar); Donnie Herron (steel guitar, mandolin, violin, viola); Tony Garnier (cello, acoustic bass); George G. Receli (drums, percussion).

No Direction Home: The Bootleg Series Vol. 7 Soundtrack buy CD music Spawning both politically charged folk ballads that came to embody the very spirit of the turbulent 1960s ("The Times They are a-Changin") and sprawling, stream-of-consciousness litanies that irrevocably changed the face of rock music ("Like a Rolling Stone"), the years between 1961-1966 were inarguably the most artistically fertile for legendary singer/songwriter Bob Dylan. Director Martin Scorsese--who had previously worked with Dylan on the Band's farewell concert film THE LAST WALTZ (1978)--crafts an unprecedented exploration of the musician's creative process during this crucial five-year period with the historical PBS documentary event NO DIRECTION HOME. Part of PBS's AMERICAN MASTERS series, the film is the first ever film biography of the enigmatic, near-reclusive Dylan, who grants Scorsese his first full-length interview in 20 years for a startlingly intimate and endlessly revealing portrait of a true American icon. Bookended by his early days in the legendary Greenwich Village folk scene and the 1966 motorcycle accident that nearly claimed his life, Dylan's exclusive interview is supplemented with a wealth of archival footage that includes personal home movies from his childhood in Minnesota; unreleased interviews with colleagues Allen Ginsberg, Pete Seeger, Joan Baez, and Maria Muldaur; and rare live performances of classics like "Blowin' in the Wind" and "Mr. Tambourine Man." In addition, the Bob Dylan Archives opens its extensive film, tape, and stills collection for never-before-seen concert and television appearances (including the infamous "electric" set at the 1965 Newport Folk Festival) and outtakes from D.A. Pennebaker's acclaimed 1967 documentary DON'T LOOK BACK. The result is a richly visual counterpart to Dylan's bestselling memoir CHRONICLES: VOLUME 1 that stands as a cinematic testament to the life and work of one of the greatest and most influential artists of the 20th century. This two-part film, derected by Martin Scorsese, which focuses on the singer-songwriter's life and music from 1961-66, includes never-seen performance footage and interviews with artists and musicians whose lives intertwined with Dylan's during that time. Dylan talks openly and extensively about this critical period in his career. For the first time, The Bob Dylan Archives has made available rare treasures from its film, tape and stills collection, including footage from Murray Lerner's film Festival documenting performances at the 1963, 1964 and 1965 Newport Folk Festivals and previously unreleased outtakes from the famed 1967 documentary Don't Look Back.