| | Tallis: Gaude Gloriosa CD - Import The Cardinall's Musick CDS
Tallis: Gaude Gloriosa Music | List Price | $19.97 (You save $3.82) | | Label | Hyperion | | Orig Year | 8/9/2005 | | All Time Sales Rank |  35249  | | CD Universe Part number | 6923970 | | Discs | 1 | | Release Date | Aug 09, 2005 | | Recording Time | 1 9 | | Additional Info | Import |
Tallis: Gaude Gloriosa Review
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Tallis: Gaude Gloriosa Songs | 1. Jesu Salvator saeculi (Tu fabricator omnium), motet for 5 voices, P. 289 (4:24) | | Catalog No. | P 289 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Genre | Renaissance Period / Song | | Period | Renaissance | | Venue | Fitzalan Chapel, Arundel Castle | | Notes | Fitzalan Chapel, Arundel Castle (01/12/2005-01/14/2005) | | 2. Gaude gloriosa Dei mater, motet (antiphon) for 6 voices, P. 123 (17:30) | | Catalog No. | P 123 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Genre | Motet / Renaissance Period | | Date Written | circa 1540-1560 | | Period | Renaissance | | Country | England | | Venue | Fitzalan Chapel, Arundel Castle | | Notes | Fitzalan Chapel, Arundel Castle (01/12/2005-01/14/2005) | | 3. Semone blando angelus (Illae dum pergunt concitae), motet for 5 voices, P. 193 (5:26) | | Catalog No. | P 193 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Fitzalan Chapel, Arundel Castle | | Notes | Fitzalan Chapel, Arundel Castle (01/12/2005-01/14/2005) | | 4. Magnificat and Nunc Dimittis, for 5 voices, P. 73 (13:53) | | Catalog No. | P 73 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Genre | Magnificat / Renaissance Period | | Period | Renaissance | | Venue | Fitzalan Chapel, Arundel Castle | | Notes | Fitzalan Chapel, Arundel Castle (01/12/2005-01/14/2005) | | 5. Mihi autem nimis (also set as "Blessed be thy name"), motet (Introit) for 5 voices, P. 204 (2:36) | | Catalog No. | P 204 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Genre | Renaissance Period / Song | | Period | Renaissance | | Venue | Fitzalan Chapel, Arundel Castle | | Notes | Fitzalan Chapel, Arundel Castle (01/12/2005-01/14/2005) | | 6. Absterge Domine, motet for 5 voices, P. 180 (5:57) | | Catalog No. | P 180 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Genre | Motet / Renaissance Period | | Date Written | 1575 | | Period | Renaissance | | Country | England | | Venue | Fitzalan Chapel, Arundel Castle | | Notes | Fitzalan Chapel, Arundel Castle (01/12/2005-01/14/2005) | | 7. Derelinquit impius, motet for 5 voices, P. 189 (4:05) | | Catalog No. | P 189 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Genre | Motet / Renaissance Period | | Date Written | 1575 | | Period | Renaissance | | Country | England | | Venue | Fitzalan Chapel, Arundel Castle | | Notes | Fitzalan Chapel, Arundel Castle (01/12/2005-01/14/2005) | | 8. Loquebantur variis linguis, motet for 7 voices, P. 272 (4:08) | | Catalog No. | P 272 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Genre | Motet / Renaissance Period | | Date Written | circa 1540-1560 | | Period | Renaissance | | Country | England | | Venue | Fitzalan Chapel, Arundel Castle | | Notes | Fitzalan Chapel, Arundel Castle (01/12/2005-01/14/2005) | | 9. Suscipe quaeso, motet for 7 voices, P. 222 (9:14) | | Catalog No. | P 222 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Genre | Renaissance Period / Song | | Date Written | 1575 | | Period | Renaissance | | Venue | Fitzalan Chapel, Arundel Castle | | Notes | Fitzalan Chapel, Arundel Castle (01/12/2005-01/14/2005) | | 10. O nata lux de lumine, motet (hymn) for 5 voices, P. 209 (1:57) | | Catalog No. | P 209 | | Composer | Thomas Tallis (Composer) (circa 1505 - 1585) | | Genre | Motet / Renaissance Period | | Date Written | 1575 | | Period | Renaissance | | Country | England | | Venue | Fitzalan Chapel, Arundel Castle | | Notes | Fitzalan Chapel, Arundel Castle (01/12/2005-01/14/2005) |
Purchase Tallis: Gaude Gloriosa To buy, Click on price to add to cart | Stan Getz Getz/Gilberto CD (1963)
Tallis: Gaude Gloriosa
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The record that started the bossa nova craze of the mid-'60s, GETZ-GILBERTO is a justly recognized classic. The disc's success is attributable to its spectacular personnel: the man who basically invented bossa nova, Antonio Carlos Jobim; the man who defined and perfected the genre, Joao Gilberto; his charmingly waifish-sounding wife, Astrud Gilberto; and American tenor saxophonist extraordinaire Stan Getz. Jobim plays guitar and piano; Getz provides remarkably lyrical, complementary lead lines, and Joao Gilberto plays and sings in Portuguese with the most understated, romantic, and artful vocal delivery imaginable. It's a hard combination to beat.
Opening track "The Girl From Ipanema," a breezy, infectious Jobim composition with vocals by both Joao and Astrud, became one of the biggest (and most recognizable) hits of the era, and the single most popular Brazilian tune in America. The exquisite shuffle "Desafinado," the Joao-Astrud duet "Corcovado," and the eminently grooving "So Danco Samba" have gone on to become standards of both bossa nova and jazz, and the versions here are definitive. Getz's sensitive playing blends seamlessly with the deceptively casual rhythmic sophistication of Jobim, Gilberto, and percussionist Milton Banana. The material, the musicianship, and the gentle, minimal arrangements and production ensure that GETZ/GILBERTO will never date, age, or tire. It's a perfect album.
One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators -- guitarist/singer Joao Gilberto and composer/pianist Antonio Carlos Jobim -- to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beau
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Recording information: Kraushaar Auditorium, Goucher College, Baltimore, MD (03/25/2001).
Personnel: Alberto Mizrahi (cantor); Kevin Deas (bass baritone); Dave Brubeck (piano).
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This is a Super Audio CD playable only on Super Audio CD players.
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THE PRODUCERS won the 2002 Grammy Award for Best Musical Show Album.
Music and lyrics composed by Mel Brooks.
Mel Brooks,Musical
Recorded at Edison Studios, New York, New York on March 11, 2001.
Principal cast includes: Nathan Lane (Max Bialystock); Matthew Broderick (Leo Bloom); Gary Beach (Roger De Bris); Roger Bart (Carmen Ghia); Cady Huffman (Ulla); Brad Oscar (Franz Liebkind).
Personnel: Grace Paradise (harp); Rick Dolan, Helen Kim, Dale Stuckenbruck, Naomi Katz, Ashley Horne (violin); Frank Santagata (woodwinds); Tony Kadleck, Frank Greene (trumpet); Dan Levine , Tim Sessions (trombone); Benjamin Herman (percussion).
Audio Mixer: Cynthia Daniels.
Recording information: Edison Studios, New York, NY (03/11/2001).
Arranger: Glen Kelly.
Mel Brooks fans take heart: The comedic master's cult film classic makes an absolutely brilliant transition to old-fashioned Broadway musical comedy, with lots of hilarious new songs that catch the spirit of the original. Lead performances by Nathan Lane and Matthew Broderick stand up admirably to those of Zero Mostel and Gene Wilder. Brooks's new compositions, like the brilliant patter song "Betrayed" and the opening "King of Broadway," are full of his trademark wit and irreverence ("The songs were rotten, the book was stinkin'/what he did to Shakespeare, Booth did to Lincoln"), and the songs from the film are brilliantly expanded. "Haben Sie Gehort Das Deutsche Band?" which only lasted a verse in the film, becomes a show-stopping production number. Special aside for Brooks cultists: Yes, that's his voice delivering the famous line "I was born in Dusseldorf, and that is why they call me Rolf" during "Springtime for Hitler".
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2 CD compendium of the best known classical melodies known to man performed by some of the greatest musicians ever known to man. Take your pick, every one is essential and a great primer for those who have a curiosity to delve into the one type of music they might never have considered possible to love. This set makes it all so easy to do!
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Tallis: Gaude Gloriosa
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Lyricists: David Zippel; Ed Kirkeby; Eve Merriam; Martin Charnin; Fred Ebb.
Personnel: Debbie Shapiro, Debra Monk, Dorothy Loudon, Susan Johnson , Jane Connell, Linda Hopkins, Mary McCarty, Nell Carter, Randy Graff, Betty Buckley, Barbra Streisand (vocals).
Liner Note Author: Andrew Gans.
Photographer: Lawrence Manning.
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Tallis: Gaude Gloriosa
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Track Listing of songs: Ouvertüre; Toccata; Ouvertüre; Hochzeitsmarsch; Préludes; Ungarischer Tanz Nr. 6; Ouvertüre; Ouvertüre; O fortuna; Triumphmarsch; Ouvertüre 1812 op. 49 "Ouvertüre solennelle"; In der Halle des Bergkönigs; Walkürenritt; ; Säbeltanz; Der Hummelflug; Einleitung; Höllengalopp;
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