| | Piano Tribute To Korn CD (1 Customer Review)
Piano Tribute To Korn Music Piano Tribute To Korn Songs | 1. | Blind - Todd Rubenstein/Various Artists |
| 2. | Daddy - Todd Rubenstein/Various Artists |
| 3. | Falling Away from Me - Todd Rubenstein/Various Artists |
| 4. | Freak on a Leash - Todd Rubenstein/Various Artists |
| 5. | Got the Life - Todd Rubenstein/Various Artists |
| 6. | Right Now - Todd Rubenstein/Various Artists |
| 7. | Counting on Me - Todd Rubenstein/Various Artists |
| 8. | Here to Stay - Todd Rubenstein/Various Artists |
| 9. | Thoughtless - Todd Rubenstein/Various Artists |
| 10. | Make Me Bad - Todd Rubenstein/Various Artists |
| 11. | No Place to Hide - Todd Rubenstein/Various Artists |
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Piano Tribute To Korn Music Review Purchase Piano Tribute To Korn CD To buy, Click on price to add to cart | Jethro Tull: Live At Madison Square Garden 1978 DVDs (2009) With CD
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Timothy B Schmit launched his ...
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Shakira's brand new English album She Wolf is an uptempo pop album. It is all about synthesizers and electronic concepts, all mixed with the world sounds that we are used to from Shakira.. sounds from countries like India, the Middle East and her home country of Colombia. She Wolf features a predominantly English track list with a follow up album of new and unique repertoire in Spanish to come in 2010. The title track "She-Wolf " boasts the infectious and energizing sound that made Shakira a household name, with a slightly more dancey/ electronic beat (about 125 beats per minute). Though ...
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On Off the Charts, the Briefs offer a plucky update of late-'70s British punk types like the Undertones and the Rezillos. It's all pointy elbows and spiky two-chord guitar lines here, and it's all undercut with a jokey, almost self-parodying air that almost makes it OK to sound this much like so many bands and still be pretty great. Highlights include "We Americans" ("God bless the f*cked-up U.S.A.!" smarmy ...
| | Kenny "Blues Boss" Wayne Let It Loose CD (2005)
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It's easy to assume that anyone with a nickname like "Blues Boss" would -- when it came to playing the blues -- have the goods, and Kenny Wayne does. But Wayne's blues isn't the kind of music that inspires one to cry in one's beer. From the start of Let It Loose, it's clear that the pianist/singer is determined, above and beyond everything else, to have a good time with the music. "Blackberry Wine" is taken at an upbeat tempo guaranteed to jump-start any country dance, while the chorus of the midtempo "Let Me Go Home Whiskey" recalls the smooth harmony singing of the Mills Brothers. Wayne's a good singer who adds lots of energy to the lyrics of songs like the title track, and it's easy to convince oneself that he recorded these pieces on the stage as opposed to the studio. This vocal approach is perfectly matched with his happy piano playing. Wayne loves upbeat material -- like "I Never Will Forgive You" -- that allows him to cut loose with abandon on the keyboard. It doesn't hurt that he's backed by a sympathetic band, or that he also lets players like guitarist Brandon Isaak and harpist Dave "Hurricane" Hoerl have a piece of the action. All of this is to say that Let It Loose is a good-time album, sure to please anyone who likes spirited blues. ~ Ronnie D. Lankford Jr.
Blues and Boogie Woogie Master Kenny "Blues ...
| | David Ford I Sincerely Apologize For All The Trouble I've Caused CD (2005)
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If you were to buy David Ford's solo debut based only on the album cover, you might be in for a bit of a surprise. Instead of the hard, angry, loud music that the blurred female figure and the obtrusive parental advisory sticker suggest, I Sincerely Apologise for All the Trouble I've Caused is an emotional, pretty record that finds Ford more than willing to not only wear his heart on his sleeve, but give you the entire shirt as well. He generally sticks to the standard adult contemporary pop/rock love song, but he's insightful enough to bring complexity to what would otherwise be straightforward pieces. In "Katie," for example, he professes his love for the title character, but he also seems to be more bewildered by his feelings than charmed ("Katie will you say to me?/Will you just laugh and tell me/That I've got it wrong?"), and in the wonderfully British "Cheer Up (You Miserable F***)," both he and his companion are so desperate ("Because you/You are no fun/And I'm so dumb/But please let us not be lonely") that it makes sense that they be together, even though indubitably things will end badly. While his acoustic guitar and ...
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