| | Madball Legacy CD - Import Madball Discography of CDs
Japanese pressing includes twoexclusive bonus tracks. 'Pride' (live cersion) and 'For My Enemies' (live version). Ferret. 2005.
CD contains 1 bonus track. Legacy Review
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Purchase Legacy CD To buy, Click on price to add to cart | Toby Keith American Ride CD (2009)
Legacy album
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With most contemporary country artists, you could guarantee that a song called "American Ride" would be a slice of jingoism, but Toby Keith isn't like most country singers. His "American Ride" casts a cynical eye at desperate housewives and wannabe pop stars, not celebrating down-home values but wondering where we're all headed on this American Ride at the end of the 2000s, a sentiment not all that far removed from some of Keith's previous social commentary, which makes it a mild surprise that it is the only song here that doesn't come from his own pen. As superb and striking as it is, it's not necessarily a good keystone for the rest of the record, which does have a few tougher numbers that pick up on the lean, mean vibe of 2008's THAT DON'T MAKE ME A BAD GUY -- "Every Dog Has Its Day," the sly "If I Had One," and the heavy blues stomp "Loaded" -- but spends more time on the softer side, even when he kicks up a bit of dust on the dancefloor on "You Can't Read My Mind" or does a funny, respectful salute to military life on "Ballad of Balad." In other words, the real touchstone for the rest of the record is "Tender as I Wanna Be," where he lets his guard down and lets the romance flow. This doesn't turn AMERICAN RIDE into a schizophrenic jumble, as Keith has always balanced these two extremes, but after spending a little bit more time swaggering than wooing, he's back to crooning and it's amiable and appealing.
Personnel: Ilya Toshinsky (acoustic guitar, banjo); Steven Sheehan (acoustic guitar); Jerry McPherson, Kenny Greenberg, Brent Mason (electric guitar); Paul Franklin (dobro); Randy Scruggs ...
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| | Nile Those Whom The Gods Detest CD (2009)
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It's hard to not be impressed by the sheer sonic onslaught that is otherwise known as Nile. Except to the most hardened death metal fanatic, the genre has a way of sounding the same after a while, but Nile is one of the few exceptions -- able to put their own unmistakable fingerprints on this heavy duty style (Egyptian-influenced lyrics and musical bits, highly impressive instrumental dexterity, etc.). And on their sixth studio effort overall, 2009's Those Whom the Gods Detest, Nile has once again proven that they are a step ahead of the rest of the pack. Although some of the sonic depth has to be attributed to producer Neil Kernon (after all, he worked with such sticklers for audio perfection as Queensrÿche in the past), it's the true metallic fury that Nile create themselves that makes it all extremely impressive. Case in point, such delicious death metal ditties as "Kafir!," while on selections such as the title track and what's sure to be top metal song title of 2009, "Yezd Desert Ghul Ritual in the Abandoned Towers of Silence," Karl Sanders shows why he is considered by many to be the finest guitarist of the extreme metal genre (both ...
| | While Heaven Wept Vast Oceans Lachrymose CD (2009)
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| | Metallica - S&M With The San Francisco Symphony Orchestra DVDs (1999) Elektra
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In this rare and ground breaking performance, hugely popular heavy metal band Metallica is accompanied by the San Francisco Symphony Orchestra with Michael Kamen conducting. The pairing of the full and lush-sounding symphony with the guitar-driven virtuosity works well, giving way for a deeper, more subtle appreciation of Metallica's well-constructed, impressively written music. This music experiment will appeal to hard rock and classical music fans alike!
This DVD video features some of Metallica's select favorit es like never before with the eloquent backing of the San F rancisco Symphony. The performance features 21 tracks inclu ding two brand ...
| | Testament Practice What You Preach CD (1989)
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The gothic and occult themes associated with The Legacy and The New Order aren't nearly as prevalent on Testament's third album, Practice What You Preach. Instead, the thrash metallers place more emphasis on subjects like freedom of choice, political corruption, hypocrisy, and the effects of greed and avarice. One of Testament's most informative songs, the disturbing "Greenhouse Effect" takes a painfully honest look at environmental destruction. But while the band shifts its focus lyrically, its musical approach ...
| | Richie Kotzen Break It All Down CD (2000)
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| | Gary Hobbs Low Flight Through Valhalla CD (1995)
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| | Buddy Greco Jazz Grooves CD (1998)
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This set is Buddy's sixty-something album originally released in 1998, and amazingly, his first solely in the role of jazz pianist. The Greco story has been well documented since he took the piano chair in the Benny Goodman Band at the age of 21. After y
Recorded at U.N.L.V. Studios, Las Vegas, Nevada. Includes liner notes by Alan Bates.
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| | Karl Shiflett & The Big Country In Full Color CD (2002)
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& The Big Country Show.
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| | Threat Signal Under Reprisal CD (2006)
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Hamilton, Ontario's Threat Signal are something of a rarity in the increasingly overcrowded field of Scandinavian-style black metal, and it's due entirely to one key factor: singer Jon Howard just plain ****in' rocks. Most contemporary death metal bands are unintentionally hilarious because in the wrong hands, the now-clichéd "death grunt" vocal style makes the singer sound like a constipated Muppet, and it's hard not to giggle at something like that. Unlike most of yer more melodically oriented death metal bands, which usually have one of the guitarists providing clean vocals in counterpoint to the lead screamer's shredded larynx bellow, Howard handles both styles on Under Reprisal, and while his clean vocals are perfectly good, it's his screaming that really pins the listener's ears back. (To put it in strictly Canadian terms, he really knows how to give 'er.) There's nothing comical about Howard in full unrestrained bellow, because he largely ignores the dangerous lower register in favor of a sound that recalls old-school metal vocalists of the Ronnie James Dio stripe, jacked up on triple espressos and unresolved anger management issues. Add to this the fact that the songs are both melodically strong ("A New Beginning" kicks off with an opening guitar riff ...
| | Jim Hartline Beautiful Sad CD (2008)
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| | Soil Picture Perfect CD (2009) Import
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