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Roderick, Judy - Woman Blue CD Cover Art
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Judy Roderick Woman Blue CD

 Judy Roderick Discography of CDs

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This 1965 recording, Roderick's second, reveals her as an early exponent of the swinging, jazzy feel that artists like Fred Neil and Tim Hardin would soon add to folk music. Unlike Neil and Hardin, though, Roderick was a dyed-in-the-wool folk/blues singer, interpreting works from America's rich musical tradition instead of crafting new material informed by that tradition. There's a clarity and purity to Roderick's voice, but her inventive phrasing and subtle timbral manipulations place her in a different class from more strident contemporaries like Joan Baez. Though WOMAN BLUE is presented in an acoustic folk format, Roderick is as much a blues singer as a folkie, the feminine counterpart of someone like Dave Van Ronk (who contributes to this reissue's liner notes). Not one to overstate her case, Roderick keeps the mood low-key (but not mellow) throughout the album, using restraint and understatement as powerful tools.

The original LP, released in the UK in 1966, is augmented by four previously unreleased tracks. The album has a cult following and its mixture of folk, blues and jazz blends effortlessly due to Judy's powerful voice - already fully developed despite the fact that she was only 22 years old. Judy was the first of her generation of blues women, and still one of the best. To this day, her phrasing, tone and above all, her originality are unmatched. A very important singer. Don't miss this record. Vanguard Masters. 2005.

Includes original release and new liner notes by Lawrence Cohn and Dick Weissman.

Personnel: Judy Roderick (vocals, guitar); Artie Traum, Dick Weissman (guitar); Paul Griffin (piano); Russ Savakus (bass); Ted Sommer (drums).

Uncut (p.122) - 5 stars out of 5 - "[W]ith a pure voice and intuitive, inventive phrasing, he's a virtually unique stylist among far better know folk songstresses."
Mojo (Publisher) (p.110) - 4 stars out of 5 - "Somehow reminiscent of both Karen Dalton's folksy rasp and Joan Baez's crystalline soprano, Roderick's voice is compelling on acoustic tracks..."
 
Woman Blue Music


Detailed Woman Blue Music Information



List Price $19.99 (You save $3.70)
Category Folk Albums, Blues CDs
Label Vanguard Music Presents
Orig Year 1965
All Time Sales Rank   409116  
CD Universe Part number 6935169
Catalog number 862556
Discs 1
Release Date Jul 26, 2005
Studio/Live Studio
Mono/Stereo Stereo
Personnel Russ Savakus - bass
Dick Weissman - guitar
Artie Traum
Ted Sommer - drums
Judy Roderick - vocals, guitar
Judy Roderick Woman Blue Songs


Judy Roderick Woman Blue Album Track Listing



1.Someone To Talk My Troubles To$0.99
2.Born In The Country$0.99
3.Rock Me, Baby
4.Walking Slow Behind You$0.99
5.Young Girl's Dream$0.99
6.Mistreated$0.99
7.Louisville Lou$0.99
8.Country Girl Blues$0.99
9.Contemporary Blues$0.99
10.Black And Blue$0.99
11.You Were On My Mind  $0.99
12.Two Hoboes$0.99
13.Woman Blue$0.99
14.Jelly Roll Lord$0.99
15.Me And My Chauffeur$0.99
16.Mama Keeps Her Man At Home$0.99
17.Long Old Road$0.99
Woman Blue Music


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Jazz, Folk, Blues and BuddhasEVEN IF YOU have some interest in contemporary jazz, it would be unlikely to find this name in your list of references: Mick Goodrick. Perhaps it helps to say the name of two of his students: Mike Stern and Pat Metheny. The first, recognizably one of the best guitarists in Jazz-Rock of the present day and the second, a master of an unmistakable style that, it is said, was a gift from his teacher, which he then developed. But Mick, with no interest in cultivating his path in show business, gave the legacy to Pat so that he would make good use of it - and as we know - he did. Goodrick, as the Buddhist practitioner that he is, denies that, and says that Pat never needed a teacher, only a little push...but let us return to Mick and to Buddhism in a little while.

NOW LET US speak now of a woman evidently sensitive and musical named Liz Hamill, who grew up immersed in the ideas of the 60s revolution. Along with her parents, part of the Flower Power generation, she heard Bob Dylan, Joan Baez and Joni Mitchell. Her father went to Woodstock and her mother was active in the Civil Rights movement during the Vietnam period. With so many living and active icons around her, Liz rapidly identified music as her way of expression, mastering many instruments, from drums to piano, but elected the guitar as her constant companion. She graduated in Jazz and Improvisation from the highly regarded New England Conservatory, deepening her knowledge of the diversity and sophistication that Jazz offers.

AFTER TASTING the fruits, Liz wanted to know the roots, and fell in love with a certain man named Robert Johnson, who introduced her to a world of simple and direct words and to the music that held those words. Folk and Blues entered definitively into her life as did her guide in the universe of sounds, the Zen Buddhist Mick Goodrick, with whom she studied, trained and matured her knowledge and technique, even participating as co-author in the highly respected book, THE ADVANCING GUITARIST. In this same period, she started to develop techniques of recording and publishing in the alternative and folk music scene and recorded her CD, LIZ HAMILL, CAMBRIDGE POST MISSISSIPPI FRED McDOWELL AND SANDY DENNY, produced by Darleen Wison (Patty Larkin, Cry Cry Cry and Bill Morrisey). Much praised by the critics, her name was firmly established in her base of the Boston and New England circuit and began to open doors to the national circuit of Folk Music in the United States.

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' She left the main road and began to search for a path with which she could identify. At that time, she attended a teaching by an American teacher of Tibetan Buddhism, Lama Tsering Everest, who touched her heart profoundly. This lama advised her to meet and train with her own teacher, the Tibetan Lama Chagdud Tulku Rinpoche, who had just moved to a little town in the countryside of Brazil.

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