| | Shadows Memories: 36 Guitar Moods CD - Import Shadows Discography of CDs
If the first Shadows hits collection was an unimpeachable masterpiece, their second is, if you'll pardon the pun, a mere shadow of its brilliance. Not that there is anything whatsoever amiss with the contents. "Foot Tapper," "Atlantis," "Shindig," and so on were all remarkable hits -- remarkable, that is, not only for their instrumental prowess, but also because they proved the Shadows were still a vibrant concern, long after rock and pop had moved into the middle-age crisis of the mid-1960s. "The Rise and Fall of Flingel Bunt," "Genie With the Light Brown Lamp," and the admirably raucous "Rhythms and Greens" are all here for hit completists; so is "Mary Anne," the group's first vocal hit and proof that there was life beyond the trademark tang. Indeed, a dozen hits take the band's story up through the release of the mawkish masterpiece "Don't Make My Baby Blue," while two quaintly oddball cuts from the Rhythms and Greens EP complete the set. Even at the band's best, however, little here has more than a passing resonance in comparison with the megaliths of the past. In their prime, a new Shadows single hit you with all the physical and emotional impact of the first date of your dreams. By 1965, they were more like old friends -- you'd pass on the street, swear you'd get together again sometime, then dismiss them from your mind. There's some great music here. But once you've got the first hits collection, do you really need anything more? ~ Dave Thompson
The Shadows are easily the most popular and influential British instrumental group of all time. Their career started in the late '50s as Cliff Richard's backing band and they consistently hit the singles charts well into the 80's. Lead guitarist Hank Marvin is cited by many modern pickers as a major influence. Throughout the latter part of their career, they released many instrumental covers and interpretations of classic themes. This 2 disc set brings together many of those recordings Including the two top 10 hits 'Don't Cry For Me Argentina' & 'Theme From The Deer Hunter (Cavatina)' & the top 50 hit 'The Third Man'. Music Club. Memories: 36 Guitar Moods Music Shadows Memories: 36 Guitar Moods Songs | 1. | Take My Breath Away | |
| 2. | Love Changes Everything | |
| 3. | Albatross | |
| 4. | Moonlight Shadow | |
| 5. | One Day I'll Fly Away | |
| 6. | Chariots of Fire | |
| 7. | If You Leave Me Now | |
| 8. | Nothing's Gonna Stop Us Now | |
| 9. | Memory | |
| 10. | Theme From 'Missing' | |
| 11. | Third Man | |
| 12. | Whiter Shade of Pale | |
| 13. | Misty | |
| 14. | Nights in White Satin | |
| 15. | Going Home | $0.99 | |
| 16. | Theme From 'The Deer Hunter' (Cavatina) | |
| 17. | Candle in the Wind | |
| 18. | Every Breath You Take | |
| 19. | Always on My Mind | |
| 20. | One Moment in Time | |
| 21. | I Want to Know What Love Is | |
| 22. | All I Ask of You | |
| 23. | Strawberry Fields Forever | |
| 24. | All I Ask of You | |
| 25. | Strawberry Fields Forever | |
| 26. | Chi Mai | |
| 27. | Careless Whisper | |
| 28. | Don't Cry For Me Argentina | $0.99 | |
| 29. | We Don't Need Another Hero | |
| 30. | Sailing | |
| 31. | Something's Gotten Hold of My Heart | |
| 32. | Crockett's Theme | |
| 33. | Up Where We Belong | |
| 34. | I Know Him So Well | |
| 35. | Jealous Guy | |
| 36. | Music of the Night | |
| 37. | Equinoxe (Part V) | |
| 38. | Power of Love | |
| Memories: 36 Guitar Moods Review
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Buy Memories: 36 Guitar Moods CD Purchase Memories: 36 Guitar Moods CD To buy, Click on price to add to cart | Shadows Another String Of Hot Hits (And More!) CD (1980) (Import) And More!; England; United Kingdom
Memories: 36 Guitar Moods album
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$15.19 Although only the group's second album to be distributed in the U.S., Come Across is the Australian band's fifth release, and it sounds it. Bluebottle Kiss' first record came out in 1995, which gave the quartet nearly a decade to tighten and refine their sound for this triumphant 2004 disc. Although by the liner notes alone this looks like a solo project for singer/songwriter/producer Jamie Hutchings who is clearly the band's driving force, the other three members -- augmented by Sophie Hutchings' glistening piano on nearly every track -- are to Jamie as the Who were to Pete Townsend and Crazy Horse were to Neil Young. They flesh out his poetic, often stream of consciousness ramblings, adding musical tension and passion to words and melodies that would not have the same impact without the band's input. Echoes of fellow Australians Paul Kelly, Midnight Oil and Nick Cave drift through these taut tunes whose lyrics are thoughtful and meaningful but never pretentious. The magnificent folk-turned-blistering-rock of "Everything Begins and Ends at Exactly the Right Time," complete with angelic choir, and the seven-minute epic "Cross Purpose," a story song whose doomy narrative is perfectly reflected in the yin-yang pull of the music, are a few of the outstanding set pieces. They work most effectively within the context of the album. Hutchings isn't a terribly happy guy, and his often bleak songs reflect the longing, guilt, conflict and occasional redemption of characters who likely mirror the songwriter's own demons and feelings. All of this turmoil makes for an intense listen that is not for those who are looking for easy resolutions or spoon-fed love songs. This is challenging, rugged, dramatic rock with folk tendencies woven intricately into its coarse fabric. Best digested whole where the dramatic songs build on and off each other, the unrelenting Come Across ...
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