Fray How To Save A Life CD

The Fray: Joe King (vocals, guitar); Isaac Slade (vocals, piano); Dave Welsh (guitar); Ben Wysocki (drum).
Audio Mixer: Mark Endert .
Recording information: Coupe Studios, Bloulder, CO; Echo Park Studios, Bloomington, IN; FTM Studios, Lakewood, CO; Sony Studios, NY NY.
This Denver-based quartet mixes the sweeping, arena-ready feel of Coldplay with the sincere, radio-friendly folk-rock of bands like Counting Crows for a highly melodic brand of palatable pop. The Fray's first release, HOW TO SAVE A LIFE, is packed with songs that push all the right mass-appeal buttons: sumptuous piano, swaying mid-tempo rhythms, anthemic choruses, and alternately soaring and meandering melodies sung in a high, emotive voice. Bridging stadium rock, emo, and classic rock on the order of U2, the Fray makes an assured first statement on their debut.
The Fray were among the first of the flood of bands that combined the influence of British neo-stadium acts like Coldplay and Keane, the retro-AOR bands of the mid-'90s -- chief among them Counting Crows and the Wallflowers -- and American emo-pop bands like Something Corporate and Jimmy Eat World. The Denver four-piece has the requisite piano and flag-waving choruses of the Brits, the slick sound and unfailing conservatism of the AOR bands, and the over-emoted vocals and confessional nature that are cornerstones of emo. All the songs on their debut, How to Save a Life, sound almost exactly alike and also exactly like you would expect -- sincere, melodic, authentic, and bereft of anything surprising or exciting. This doesn't make for the kind of record that people will want to listen to over and over again but for modern rock, it isn't half-bad. A couple of songs, like "Over My Head (Cable Car)" and "Dead Wrong," might even sound good in the background of a WB teen drama. ~ Tim Sendra
The Fray was among the first flood of bands that combined the influence of British neo-stadium acts like Coldplay and Keane, the retro-AOR bands of the mid-'90s -- chief among them Counting Crows and the Wallflowers -- and American emo-pop bands like Something Corporate and Jimmy Eat World. The Denver four-piece has the requisite piano and flag-waving choruses of the Brits, the slick sound and unfailing conservatism of the aforementioned AOR bands, and the over-emoted vocals and confessional nature that are cornerstones of emo. What they don't have is much originality. All the songs on their debut, How to Save a Life, sound almost exactly alike and also exactly like you would expect -- sincere, melodic, authentic, and bereft of anything surprising or exciting. This doesn't make for the kind of record that people will want to listen to over and over again but for modern rock, it isn't half-bad. The Fray try hard and they never really do anything offensive. A couple of songs, like "Over My Head (Cable Car)" and "Dead Wrong," might even sound good in the background of a WB teen drama. You just can't picture them giving anyone chills, or kids text-messaging their friends to tell them about this great new band they just heard. That kind of reaction comes from inspiration and excitement, two vital factors that How to Save a Life and the Fray themselves are sorely lacking. ~ Tim Sendra
This Denver-based quartet mixes the sweeping, arena-ready feel of Coldplay with the sincere, radio-friendly folk-rock of bands like Counting Crows for a highly melodic brand of palatable pop. The Fray's first release, HOW TO SAVE A LIFE, is packed with songs that push all the right mass-appeal buttons: sumptuous piano, swaying mid-tempo rhythms, anthemic choruses, and alternately soaring and meandering melodies sung in a high, emotive voice. Bridging stadium rock, emo, and classic rock on the order of U2, the Fray makes an assured first statement on their debut.