| | Masabumi Kikuchi / Paul Motian / Gary Peacock Play Kurt Weill CD - Import Masabumi Kikuchi / Paul Motian / Gary Peacock Discography of CDs
Gary Peacock/Paul Motian/Masabumi Kikuchi/Tethered Moon: Gary Peacock (double bass); Masabumi Kikuchi, Paul Motian.
While some avant-gardists unleash a torrent of notes, Japanese pianist Masabumi Kikuchi s approach is similar to that of Paul Bley--spare, judicious (letting silences express themselves), and cerebral. MUSIC OF KURT WEILL finds Kikuchi, bassist Gary Peacock (who played with Bley, in fact) and drummer Paul Motian performing de- and re-construction of Weill's classic tunes While not get-up-and-go music, this is a disc for those valuing deeply impressionistic interaction between ace musicians.
Recorded at Power Station, New York, New York in December, 1994.
Full performer name: Masabumi Kikuchi/Gary Peacock/Paul Motian.
Personnel: Masabumi Kikuchi (piano); Gary Peacock (acoustic bass); Paul Motian (drums).
Recording information: Power Station, New York, NY (12/1994).
Photographer: Robert "RX Lord" Lewis.Down Beat (3/96, p.42) - 4 Stars - Very Good - "To say that the music on [TETHERED MOON] is understated would be an understatement....[it] rewards as a game played very well, a game played gracefully, with much listening and sharing, and with the beautiful sounds of piano, bass and drums." Masabumi Kikuchi / Paul Motian / Gary Peacock Play Kurt Weill Songs Play Kurt Weill Review
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BIOGRAPHYBrady Barnett began playing the piano by ear at the age of three (3), and by age ten (10) was touring with local gospel groups and pop bands. He continued to perform live music throughout his teens and decided to study classical piano at Brevard College in Brevard, NC, where he received a degree in fine arts. After Brevard, he furthered his musical education at the Harid Conservatory in Boca Raton, Florida, and received his B.S. (recording industry) and B.M. (piano performance) ...
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Issued in 2008, MOMENTS. presents the veteran Belgian techno act Front 242 performing live. Given the band's mechanistic inclinations, the tracks on this set often sound like studio recordings, as evinced on the ominous "Until Death" (from 1988's FRONT BY FRONT) and the pulsing "Take One," a single dating back to the early `80s.
Seeing as how analog synthesizers started making a comeback in 2006/2007 after years of digital and laptop dominance had wiped them off the scene, the veteran Belgian industrial group Front 242 decided to re-load their early analog material into their new gear and head out on the road for what they called the "Worldwide Vintage Tour." All sounds were "carefully re-designed" to "match the spirit of their time" and while the band and their loyal fan base clog Internet message boards with discussions on how everything here is "re-invented," Moments... isn't much more than a live album with the usual updates. The good news is that it's a thoroughly exciting live album where classics like "U-Men," "Body to Body," and "Headhunter" sound louder, punchier, and more aggressive than they ever have before. The original recordings remain definitive as they are more complex and textured, but longtime fans will find their jaws on the floor as soon as they read "Funkahdafi" on the track list. It's just one of the well-chosen, surprise revivals that show up on the album's second-half, but anyone thrilled to see "Rain" in a rare set list appearance will be disappointed by the clumsy performance. Otherwise, this is just what the fan ordered, delivering on the opening number's promise of "We gonna bring you happiness." [A limited-edition, three-CD version was also released with a bonus CD that further explores the band's back catalog. The third CD, Sounds from the Matrix 008, features ...
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