| | Mad World: Dancehall Style CD - Import
16 Reggae dance hall tracks from Crazy Joe Records, a label dedicated to the Jamaican music produced by Joe Gibbs. 2005. Mad World: Dancehall Style Music Mad World: Dancehall Style Songs | 1. | Hi Grade - No Apology - Joe Gibbs |
| 2. | Ranaco - Fat and Round - Joe Gibbs |
| 3. | Latoya - Boom Boom - Joe Gibbs |
| 4. | Raw Raw - Enemies - Joe Gibbs |
| 5. | Major Facts - Slippery When Wet - Joe Gibbs |
| 6. | Holiday - Backazz - Joe Gibbs |
| 7. | Dappa Zap - Hot Gal - Joe Gibbs |
| 8. | Latoya - On My Nerves - Joe Gibbs |
| 9. | Strogo Wow - Passion - Joe Gibbs |
| 10. | Major Facts - Warning - Joe Gibbs |
| 11. | Mark Henry - Tell Me - Joe Gibbs |
| 12. | Tally Phoenix - Who Dare - Joe Gibbs |
| 13. | Raw Raw - More Props - Joe Gibbs |
| 14. | Dappa Zap - Yes - Joe Gibbs |
| 15. | Holiday and Ranaco - Baby - Joe Gibbs |
| 16. | Tally Phoenix - My Girl - Joe Gibbs |
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Mad World: Dancehall Style Review
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Purchase Mad World: Dancehall Style CD To buy, Click on price to add to cart | Can't Stop A Man: The Best Of Beres Hammond CDs (2003)
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Recorded between 1976 & 2002. Includes liner notes by Rob Kenner.
Can't Stop a Man collects some of Beres Hammond's biggest Jamaican hits, beginning with his first, "One Step Ahead" from 1976, a song produced by Willie Lindo. Moving chronologically through to 2003's sweet and infectious "Dancehall Vibes," which features Big Youth and is one of the highlights here, this two-disc set is a wonderful introduction to this woefully underappreciated singer and writer. With a voice that combines Marvin Gaye's subtle phrasing, Sam Cooke's easy charm, and the soulful ...
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A nifty little album of lovers rock, Beres Hammond is as unassuming as its title and steady throughout, with Beres Hammond's wise, soulful singing giving these songs a tremendous sincerity. Recorded in 1992 and produced by guitarist Willie Lindo, the album features some impressive backup, including the Tamlins on harmonies, Gladstone Anderson on piano, horn man Dean Fraser, the Sly & Robbie rhythm section, and guitarist Dwight Pinkney. Highlights include "Teeny Weeny Little Lovin'" (kind of a dumb title, but the song works in spite of it), "Lovely Day," and "If Only I Knew," although everything here has the same no-frills, comfortable appeal, all driven by Hammond's easy, subtle phrasing. No one in Jamaica sings love songs better than this man. ~ Steve Leggett
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Only one Garnett Silk album was actually cut and released as the artist planned -- It's Growing. His projected debut, Love Is the Answer, recorded between 1990 and 1991 for Steely & Clevie, wasn't released until 1994. Nothing Can Divide Us appeared the following year, and compiled songs cut in 1992 for Courtney Cole. Silky Mood, also released posthumously, rounded up numbers cut for the Jammys label, and a myriad of other sets compiled up hits, earlier offerings, and pretty much anything and everything that the singer had recorded.
So, Growing remains Silk's only "true" album, and a masterpiece it is, as across ten tracks the singer showcases his stunning power on both romantic and cultural numbers. On the gorgeous title track, Silk combines both into a spectacular lovefest. "Move on Slow" finds the singer at his sultriest, and "Come to Me" at his most passionate, while "Commitment" takes him into soulful territory. "Place in Your Heart" is a total charmer, and was a huge Jamaican hit; Silk would recut the song two years later for his projected debut for Atlantic.
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