| | Journey Generations CD - Import Journey Discography of CDs
From their fledgling fusion records to blockbuster stadium AOR, Journey has weathered musical trends as well as the scorn of fickle music critics. It is apropos that in 2005, GENERATIONS marks the band's 30th year. Since joining in 1998, lead vocalist Steve Augeri has risen to the challenge of filling Steve Perry's shoes. The Brooklyn native puts his own unique stamp on the group's sound while still honoring the Journey tradition, best evidenced on "Faith In The Heartland" and "The Place In Your Heart."
GENERATIONS presents songs sung by each member, with keyboardist Jonathan Cain tackling the title track. Bassist Ross Valory sneers through the blazing Texas boogie of "Gone Crazy," while Neal Schon offers up "In Self-Defense." Most surprising is drummer Deen Castronovo, whose voice on "A Better Life" and "Never Too Late" is a near dead-ringer for a young Steve Perry.
Limited edition is packaged in an Ecolbook and includes the bonus track 'Never Too Late'. Front. 2005. Journey Generations Songs | 1. | Faith In The Heartland | $0.99 | |
| 2. | The Place In Your Heart | |
| 3. | A Better Life | |
| 4. | Every Generation | $0.99 | |
| 5. | Butterfly (She Flies Alone) | |
| 6. | Believe | $0.99 | |
| 7. | Knowing That You Love Me | $0.99 | |
| 8. | Out Of Harms Way | $0.99 | |
| 9. | In Self-Defense | $0.99 | |
| 10. | Better Together | $0.99 | |
| 11. | Gone Crazy  | $0.99 | |
| 12. | Beyond The Clouds | $0.99 | |
| 13. | It's Never Too Late | |
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Generations Review
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Purchase Generations CD To buy, Click on price to add to cart | Bob Dylan Christmas In The Heart CD (2009)
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After the initial shock fades, the existence of CHRISTMAS IN THE HEART seems perhaps inevitable. After all, the thing Bob Dylan loves most of all are songs that are handed down from generation to generation, songs that are part of the American fabric, songs so common they never seem to have been written. These are the songs Dylan chooses to sing on CHRISTMAS IN THE HEART, a cheerfully old-fashioned holiday album from its Norman Rockwell-esque cover to its joyous backing vocals. Apart from the breakneck "Must Be Santa," which barrelhouses like ...
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NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. NIGHT CASTLE brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records but channeling these ...
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Last time around, Shakira touched upon so many styles she couldn't be contained on one album, splitting Oral Fixation in two. This time, she focuses on one sound only: a pulsating electro-disco that crosses all boundaries and welcomes all nationalities. Such concentration behooves Shakira, freeing her to release her inner She Wolf, a wild wacko who's as coo coo as she is carnal. And for as sexy as Shakira is -- crucially, her music is sexy too -- what really gives She Wolf its bite is her inspired nuttiness, how she laments that Matt Damon's not meant for her, and wishes her ex-lover and his new girl a horrible vacation where the room smells and the toilet doesn't flush. "Darling, it is no joke, this is lycanthropy," she sings on the title track with no small trace of humor, and this blend of cheerful weirdness and sick beats -- often supplied by the Neptunes, delivering tough, sensual rhythms in a way they haven't in a long time, but also John Hill and ...
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At times, it was hard to figure out whether Berlin were an average synth pop band trying to carve out their own niche or just a mediocre rock band jumping on the new wave bandwagon. Sure, they had some good singles and radio hits, but as an album band, they left a lot to be desired. Terri Nunn was beautiful and sexy, but it seemed like Berlin wanted to be more than just a commercial band with a hot vocalist: they seemed to be striving for greatness but settled for "that'll do." Unfortunately, they never had a chance to really prove themselves, breaking up after their commercially disappointing Count Three & Pray album, released in 1986. Nunn has kept the Berlin name alive over the years, touring with a different group of musicians and playing all the hits while releasing the occasional studio or live album. With a recorded output that seems to dwindle in quality with every release, one might ...
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Following up the most idiosyncratic album of their career (JAZZ), Queen makes the transition here from weird pomp-rock band to weird pop band, marking a new musical direction for their '80s output. The major development here is the incorporation of funk into Queen's already-broad stylistic pallete. The mega-hit "Another One Bites the Dust" is based around an irresistibly funky bass riff that would be sampled by countless rappers over the next two decades. "Dragon ...
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While Holly Near's commitment to women's music and women's issues has been unwavering, she has never been a women's music artist entirely, or even primarily. Rather, she comes out of a tradition dating back to Woody Guthrie and Aunt Molly Jackson -- songwriter/performers concerned with a broad range of left-leaning political causes who are usually identified as folksingers. It was not until her 1978 album Imagine My Surprise!, on which she came out as a lesbian, that Near formally embraced women's music, and even then, after the first blush of enthusiasm for the movement, she went back to addressing a variety of issues (and did not remain a lesbian exclusively, either). You might say that Near's relationship to women's music has been like Eric Clapton's to the blues: each artist is identified with the genre and talks it up endlessly, but neither plays it all -- or even most of -- the time. Nevertheless, Holly Near has written and sung a lot of women's music over the years, including some of the best songs in the field. Simply Love: The Women's Music Collection is a two-CD, 28-track compilation covering her albums since 1976, including half a dozen newly recorded performances. Not surprisingly, seven tracks from Imagine My Surprise! are included, with no more than three songs from any other album. In her women-oriented songs, Near is equally concerned with political issues and with personal statements; effective as her political songs are, the songs that concern relationships between women are even more striking and complex. With its chronological sequencing, the album also serves as a selective history of Near's career, tracing her flirtations with various musical styles (folk, contemporary pop/rock, and even show music and jazz-rock), and her evolution from a true singer/songwriter to a singer who, in recent years, has not been much heard from as a songwriter. That disappearance ...
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$11.79 | | Mike Childress Band Hiway Home CD (2009)
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Mike is a salty Texas songwriter with a stlye and sound that is destinctive yet elusive to define. From traditional country, country blues to Buffett island style Mike writes stories about life and love with it's gains and ...
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