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The debut full-length from Cap'n Jazz/Joan of Arc frontman Tim Kinsella's Make Believe has significantly more swing than the cathartic punch of their self-titled EP. It's a remarkable leap forward, given that both releases came out the same year. And the jump from "throw it at the wall and see what sticks" to the sophisticated confluence of angular instrumentation and reinvigorated rhythm resembles the artistic evolution of the similarly principled indie band Battles . But SHOCK OF BEING operates with a great deal more minimalism, which cleverly hides a wealth of talent behind the consciously DIY amateurishness.
Audio Mixer: Steve Albini.
Photographer: Chris Strong.
Make Believe: Bobby Burg (bass guitar); Tim Kinsella, Nate Kinsella.
Personnel: Tim Kinsella (vocals); Sam Zurick (guitar); Nate Kinsella (Wurlitzer organ, drums).
Make Believe Shock Of Being Songs Shock Of Being Review
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Purchase Shock Of Being CD To buy, Click on price to add to cart | Yo La Tengo Summer Sun CD (2003)
Shock Of Being album
$10.15 Building on the lush, complex sound established on I CAN HEAR THE HEART BEATING AS ONE and continued on 2000's AND THEN NOTHING TURNED ITSELF INSIDE-OUT, Hoboken's favorite trio wades in still deeper on 2003's SUMMER SUN. With vocalist/guitarist Ira Kaplan affecting a whispered croon and his drummer wife Georgia Hubley wielding brushes, this outing goes from the vibraphone jauntiness of "Moonrock Mambo" to the swirling, 10-minute "Let's Be Still" featuring contributions from downtown jazzbos William Parker and Roy Campbell Jr. Like a musical narcotic, songs like "How to Make a Baby Elephant Float" and "Tiny Birds" bob along in a current of humming keyboards and the underpinning ...
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| | Mission Of Burma Obliterati CD (2006)
Shock Of Being songs
$10.15 While it took Mission of Burma more than two decades to follow up its 1982 debut with 2004's ONOFFON, the ...
| | Make Believe Of Course CD (2006)
Shock Of Being album
$11.39 Make Believe -- the unholy union of Joan of Arc's guitarist Sam Zurick and vocalist Tim Kinsella, with his cousin Nate on drums and Wurlitzer and bassist Bobby Burg -- spit up their second full-length on Flameshovel. Apparently Nate Kinsella spent a couple of months in jail in Oklahoma for "outraging public decency" after taking off his shorts on-stage and ringing them out over the crowd at a Christian youth venue. Thankfully, it was only a misdemeanor and he only had to pay a grand and do the time. Anyway, the record was recorded after that frustrating experience, and as such it's a very different outing from either ...
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| | Maria Mckee Peddlin' Dreams CD (2005)
Shock Of Being CD music
$13.69 Peddlin' Dreams is Maria McKee's fifth studio outing since 1989. Since leaving Lone Justice in 1988, she has consistently frustrated her fans' expectations, not only for her infrequent recordings, but also for her restless muse that has taken her from pop (Maria McKee) to roots Americana and R&B (You Gotta Sin to Get Saved), squalling art rock (Life Is Sweet) and textured neo- psychedelia (High Dive). There was a live album issued in 2004 as well, but for the most part, McKee has stubbornly followed her own path for the past 16 years. While her label touts Peddlin' Dreams as a return to rootsy American rock and folk styles, and as the album that logistically follows You Gotta Sin. Simply put; this isn't true. This is not a look back but a further look in. It's true that acoustic guitars permeate this mix by producer, engineer and multi-instrumentalist Jim Akin, and the songs walk the folk-rock border, but they are the frame for the rich, labyrinthine, multidimensional songs here. McKee wrote or co-wrote nine of the album's 12 tracks. Using folk, country and rock backdrops, McKee's songs offer stories of the broken, the lost, the wider-eyed and the hopeless. There's the confessional longing of the protagonist in "Season of the Fair" where memory, evoked by emptiness and rejection, wraps itself in the warm embrace of strummed, unplugged six-strings and lets itself fall framed by an organ, a lone electric guitar punching through the refrain, and the singer's voice, trying hard to hold ...
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