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Funkadelic - Free Your Mind And Your Ass Will Follow CD Cover Art
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Funkadelic Free Your Mind And Your Ass Will Follow CD

 Funkadelic Discography of CDs
5 stars (1 Customer Review)

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Funkadelic's self-titled debut may have touched upon drug-induced acid rock, but on their 1970 follow-up, FREE YOUR MIND AND YOUR ASS WILL FOLLOW, the band blows the door off its hinges. Look no further than the album-opening ten-minute title track--perhaps the most spaced out composition witnessed by rock & roll since the Rolling Stones' late-'60s psychedelic-phase--for the proof. Funkadelic is still a step away from perfecting its funk-rock craft. This album is hindered by very treble-heavy production, a sonic approach very unlike the group's future bass-indulgent works.

FREE YOUR MIND AND YOUR ASS WILL FOLLOW is one of Funkadelic's shortest albums, at barely over a half-hour in length. But the one-dimensional production proves even more frustrating. There's plenty of sonic experimentation going on within each composition, but it's all but impossible to decipher. Tracks such as "Friday Night, August 14th," "Funky Dollar Bill," and "I Wanna Know If It's Good To You?" are all highlights, the band locking into one killer funk groove after another. The haunting and tranquil "Eulogy and Light" closes the album with a fusion of backwards singing and gospel-like speech, a fitting end to Funkadelic's most 'out there' recording.

Here's Funkadelic's funky ass 2nd album from 1970. This CD contains original 6 track album (remastered) as well as 4 bonus tracks: "Fish, Chips & Sweat" (1970), "Free Your Mind Radio Advert" (2005), "I Wanna Know If It's Good To You" (one version with vo

Recorded at United Sound Studios, Audio Graphic Services, and G-M Recording Studios, Detroit, Michigan.

Funkadelic: George Clinton, Raymond Davis, Fuzzy Haskins, Calvin Simon, Grady Thomas (vocals); Eddie Hazel, Tawl Ross (guitar); Bernie Worrell (keyboards); Billy Nelson (bass); Tiki Fulwood (drums).

Record Collector (magazine) (p.101) - 5 stars out of 5 -- "Mixing a dirty groove with wacked-out sound effects and razor-sharp lyrics, this is a superb first release..."
Free Your Mind And Your Ass Will Follow Music


Detailed Free Your Mind And Your Ass Will Follow Music Information



List Price $17.98 (You save $4.09)
Category Rock/Pop Albums, R&B CDs, Rap, Soul/R&B, Urban Soundtrack, Funk, Rock
Label Westbound
Orig Year 1970
All Time Sales Rank   17665  
CD Universe Part number 6954740
Catalog number 72001
Discs 1
Release Date Nov 01, 2005
Studio/Live Studio
Mono/Stereo Stereo
Producer George Clinton
Recording Time 31 minutes
Personnel Bernie Worrell - keyboards
Raymond Davis
Calvin Simon
Grady Thomas - vocals
Tiki Fulwood - drums
George "Uncle Jam" Clinton
Eddie "Maggot Brain" Hazel
Fuzzy Haskins
Billy "Bass" Nelson - bass
Tawl Ross - guitar
Additional Info Remastered
Funkadelic Free Your Mind And Your Ass Will Follow Songs


Funkadelic Free Your Mind And Your Ass Will Follow Album Track Listing



1.Free Your Mind and Your Ass Will Follow
2.Friday Night, August 14th  
3.Funky Dollar Bill  
4.I Wanna Know If It's Good to You?  
5.Some More  
6.Eulogy and Light  
7.Fish, Chips & Sweat
8.Free Your Mind Radio Advert
9.I Wanna Know If It's Good to You - (vocals)  
10.I Wanna Know If It's Good to You - (instrumental)  
Free Your Mind And Your Ass Will Follow Music


Free Your Mind And Your Ass Will Follow Other Versions



Free Your Mind And Your Ass Will Follow Music Review


Customer Free Your Mind And Your Ass Will Follow Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Huge Improvement in Sound Quality
The entire Westbound Records Funkadelic catalog has been remastered and the improvement in the sound is dramatic. A lot of the new discs sound like they were recorded with today's technology. If you're familiar with the music, then you know that there is a lot going on in it. These remastered discs put you front and center. Strange after all of this time, but I love it. I bought them all.
Submitted by k6davis (Atlanta, GA) Verified Buyer
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Despite it's misleading title, Funkadelic's LET'S TAKE IT TO THE STAGE is not a live album. This 1975 studio release is what many Funkadelic aficionados consider the band's last true rock-funk album, before Clinton and Co. concentrated entirely on more dance-based and radio-friendly material. It is also the first Parliament-Funkadelic release to prominently feature the talents of the groups' recently acquired bassist, the outrageous Bootsy Collins, whom many regard as the very embodiment of funk. LET'S TAKE IT TO THE STAGE also finds Parliament-Funkadelic on the verge of shedding its long-lived cult status and finally reaching wide spread commercial success. The title track, in which shots are taken at other popular '70s funk figures (such as Sly and even the Godfather of Soul, James Brown), gloriously displays the band's sense of humor. So do the sexually suggestive "No Head No Backstage Pass" and the album's party-anthem highlight, "Get Off Your Ass And Jam." Other top funk workouts ...
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Funkadelic's 1974 release STANDING ON THE VERGE OF GETTING IT ON proved to be a continuation of the more consolidated direction laid down on its predecessor, COSMIC SLOP. But STANDING is the better and stronger album, and easily Funkadelic's most consistent work since the classic MAGGOT BRAIN. Even though the band's members were, at the time, doing double duty in the more commercially oriented Parliament, Funkadelic maintained its complete allegiance here to wildly experimental, rock-influenced music. The album begins with a lighthearted poem read by two band members, their voices sped up to sound like The Chipmunks. This leads directly into the vicious funk-rock of "Red Hot Mama" and the absolutely raging rocker, "Alice In My Fantasies." The mood calms down briefly ...
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Funkadelic's self-titled 1969 debut may not be on the same plateau as the group's later, all-encompassing masterpieces (MAGGOT BRAIN, COSMIC SLOP, etc.), but does serve as the strong foundation upon which their early 70's masterworks were built. Along with Jimi Hendrix's band, Funkadelic is one of the first units to inject funk with hard rock. Whereas funk pioneer James Brown concentrates on creating air-tight, precise grooves, Funkadelic keeps things loose, raw, and groovy. Drug experimentation also plays a prominent role in the band's early work, perhaps never as evidently as on FUNKADELIC. From the beginning, singer George Clinton has been the band's undisputed leader. He wrote or co-wrote nearly all of FUNKADELIC's seven tracks and also served as the album's producer. Bassist Billy Nelson and guitarist Eddie Hazel are superb instrumentalists, as heard on the slowly evolving "Music For ...
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The stunning title track provides the ultimate vehicle for Funkadelic's late and great guitarist, Eddie Hazel. This moving ten-minute instrumental has Hazel playing through many peaks and valleys, wringing passion from his six-string, and leaving the listener drained by its conclusion. Another highlight is "You And Your Folks, Me and My Folks," a song about interracial relationships that is one of Funkadelic's most soulful tracks ever. Also included are the heavy metal thrasher "Super Stupid," the prime funk workout "Hit It And Quit It" (featuring the great Bernie Worrell on organ), and "Can You Get To That," one of the sunniest, most memorable funk-gospel-soul songs in the band's--or anyone's--catalogue. MAGGOT BRAIN is unquestionably one of rock and funk's all-time classics. Funkadelic's masterpiece, a dark vision of what the future holds, articulated through George Clinton's slightly hazy vision and Eddie Hazel's astounding ...
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A double album and worth every minute of it, America Eats Its Young makes for a freaky, funky, and aware good time. Compared to the endless slabs of double-album dreck that came out around the same time from all sources, here Funkadelic brought life, soul, and much more to the party. With George Clinton credited only for arranging and producing, here the mad cast he brought together went all out. Bernie Worrell in particular now had a new importance, credited as co-arranger with Clinton as well as handling string and horn charts on a number of songs. His surging, never-stop keyboards, meanwhile, took control from the start, with his magnificent lead break on the opening "You Hit the Nail on the Head" making for one of the best performances ever on Hammond organ. Bootsy Collins (credited as William) is also somewhere in the crowd on bass and vocals, while old favorites like Eddie Hazel and Tiki Fulwood, among many others, can be found. Perhaps to fill in the time, a few numbers from the first Parliament album, Osmium, two years before cropped up, namely "Loose Booty" and the hilariously sleazy "I Call My Baby Pussycat," here performed with a noticeably ...
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