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Our Price: $13.05  CDFor Sale Usually ships in 1-2 days
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Photographer: Jonathan Mannion.
Personnel: Junior Lewis, Ken Marlon Charles, Marvin Peanut Andrews, Nadia Batson (vocals, background vocals); Kenny Phillips (guitar); Fatman Scoop, Jungle, KMC, Kimberly, Wayne Marshall, Beenie Man, Ward 1.
Recording information: KMP Music Lab.
Soul On Fire Music | List Price | $14.98 (You save $1.93) | | Category | Rock/Pop Albums, World CDs, Pop, Rap, Dance, Reggae, Reggae/Ska/Calypso, Techno, Dancehall / Ragga | | Label | Sequence | | Orig Year | 2005 | | All Time Sales Rank |  346473  | | CD Universe Part number | 6965085 | | Catalog number | 8032 | | Discs | 1 | | Release Date | Oct 04, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Ken Marlon Charles; Ken Marlon Charles | | Engineer | Kenny Phillips | | Personnel | Wayne Marshall
Wayne Marshall
Kmc
Jungle
Kimberly
Junior Lewis
Ken Marlon Charles
Kenny Phillips - guitar
Marvin Peanut Andrews
Nadia Batson - vocals, background vocals
Ward 1.
Also: Beenie Man, Fatman Scoop | | Additional Info | Bonus Track |
Soul On Fire Review
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Purchase Soul On Fire CD To buy, Click on price to add to cart | Gucci Mane State vs. Radric Davis CD (2009)
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Just half a year from the release of the mysteriously unauthorized catalog clearinghouse/label kiss off Murder Was the Case, Gucci Mane returns with The State vs. Radric Davis, his latest on Warner Bros.' Asylum imprint. True to form, the bling-loving rapper brings the club-ready Dirty South rap, complete with trunk-rattling bass and trademark synths. Featuring production by Drumma Boy, Mannie Fresh, Shawty Redd, and Scott Storch, amongst others, it's no surprise that the album is able to perfectly capture the low and slow Southern sound. Some of the best beats come by way of Bangladesh (producer on the Lil Wayne single "A Milli"), who drops some seriously roll slowing Atlanta heat on "Stupid Wild" and "Lemonade." The all-star roster doesn't just stop on the production side. Soulja Boy Tell `Em, Rick Ross, Lil Wayne, and Bun B (as well as countless others) drop in with guest verses, culminating in an album that's so jam-packed with Dirty South royalty that it almost feels a little light on Gucci Mane. While the galaxy of guest stars has become commonplace in the rap world, it's Gucci's solo songs that paint a picture of what the rapper is really like, peeling back the veneer of excess to reveal ...
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After breaking away from the Motown singles mode, Wonder began creating albums that were visionary in concept, sound, and construction. The greatest of these is 1973's INNERVISIONS (1976's SONG IN THE KEY OF LIFE was also an indisputable masterpiece, yet it lacks the economy and focus of INNERVISIONS). Moving largely away from romantic themes (the beautiful "Golden Lady" is the exception), Wonder tackles the socio-cultural landscape of 1970s America, including drugs, urban life, and crooked politicians, in addition to questions of identity, faith, and idealism.
The album is also more musically ambitious than anything Wonder had attempted before. "Too High," the album's opener, has a buoyant, jazzy feel with a subtly complex interaction between instruments and vocals. "Livin' for the City" is a story-song with a stomping beat, gospel flavor, and a dramatic interlude and outro. ...
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Blowin' up the charts using his knowledge of the streets and hard bangin' snares provided by producer Easy Mo Bee, the Bedford-Stuyvesant native Notorious B.I.G. is far from "Ready To Die." Not since the likes of Slick Rick has there been an artist so successful in the storytelling genre ...
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A physically frail and somewhat gossamer-looking Rastaman, Augustus Pablo was the unlikeliest of reggae pioneers. Armed only with a humble melodica and a mystical, Far Eastern-influenced sound, Pablo (born Horace Swaby) revolutionized roots reggae and dub, both as an instrumentalist and behind the mixing desk as a producer. EAST OF THE RIVER NILE, his first self-produced instrumental set, appeared in 1978 at the dawn of the dancehall era. While the album's pure, meditative vibes focus on Eastern themes and Rastafarian spirituality, a fine show of meat-and-potatoes roots musicianship is provided by members of the legendary groups the Wailers and the Upsetters.
The best of the pure instrumental albums in Pablo's catalog, East of the River Nile finds the melodica master stretching out on various keyboards and strings as well on earthy, meditative tracks like "Chant to King Selassie I," "Jah Light," and "Natural ...
| | We Are All One: The Best Of Jimmy Cliff CD (2002)
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Recorded between 1969 & 1993. Includes liner notes by Elena Oumano.
Although this is subtitled "The Best of Jimmy Cliff," it's really a label-specific best-of, not a true survey of the best material Cliff's done in his lengthy career. That's because no less than two-thirds of the 15 selections are taken from the singer's 1980 Columbia albums. A few of his most famous earlier recordings (the 1969 hit "Wonderful World, Beautiful People" and two songs from the soundtrack to The Harder They Come) were licensed, and there are also cuts he contributed to other soundtracks ("Third World People," done for Club Paradise, and "I Can See Clearly Now" from Cool Runnings). ...
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Soul On Fire album
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