| | Very Best Of Gong CD - Import Gong Discography of CDs
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Our Price: $11.99  CDFor Sale Usually ships in 1-2 days
(Only 2 available)
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Very Best Of Gong Songs | 1. | Rational Anthem | |
| 2. | Foghat Digs Holes in Space | |
| 3. | Glad to Say to Say | |
| 4. | Tried So Hard | |
| 5. | Tropical Fish: Selene | |
| 6. | Radio Gnome Invisible | |
| 7. | Pot Head Pixies, The | |
| 8. | Witch's Song: I Am Your Pussy | |
| 9. | Sold to the Highest Buddah | |
| 10. | Oily Way | |
| 11. | Outer Temple | |
| 12. | Love Is How You Make It | |
| 13. | I Niver Glid Before | |
| 14. | Selene | |
| 15. | Perfect Memory | |
| 16. | Isle of Everywhere, The | |
| 17. | Thoughts for Naught | |
| 18. | Opium for the People (With Planet Gong) | |
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Very Best Of Gong Review
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Recorded between 1974 & 1997. Includes liner notes by Jim Jenkins, Jacky Smith, Andy Davis, Phil Symes.
With Queen officially enshrined in the Rock & Roll Hall Of Fame, Hollywood Records reintroduces the band yet again with the release ...
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| | Willy Wonka & The Chocolate Factory CD (1996) Original Soundtrack
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Original score written by Anthony Newley and Leslie Bricusse.
The CD version of the soundtrack to Willy Wonka and the Chocolate Factory issued in conjunction with the 25th anniversary re-release of the movie is a somewhat uneven presentation of a very good musical score. The movie's producers were trying for a musical along the lines of Mary Poppins or Chitty Chitty Bang Bang, that is, something that could appeal to children but not bore adults, and vice versa, depending upon how one approached it. They got more than they bargained for -- almost too much, in terms of its appeal at the time -- in an immensely tuneful score by Leslie Bricusse with delightful fantasy-laced lyrics by Anthony Newley, wrapped up in a film that appealed to the more worldly perceptions of children, and to parents who recalled that side of themselves. But that wasn't close to all parents at the time, many of whom were so appalled by the nasty edge to the story and screenplay that they failed to grasp the score's beauty or the ultimately satisfying conclusion to the movie; but over time, audiences caught up to the movie, and today it's widely regarded as a classic, and may well be the last successful live-action musical created specifically for cinema and aimed at kids (or, at least, the last not to come from Disney); ...
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| | John Mellencamp Mr. Happy Go Lucky CD (1996)
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All tracks have been digitally mastered using HDCD technology.
"Key West Intermezzo (I Saw You First)" was nominated for a 1997 Grammy Award for Best Male Pop Vocal Performance. "Just Another Day" was nominated for a 1998 Grammy for Best Male Rock Vocal Performance.
Rave and roll? Rave rock? For MR. HAPPY GO LUCKY, this stalwart songwriting talent has come up with another batch of soulful, bucolic rock songs. But this time--surprise--he has added some cutting-edge trip-hop drum loops and samples to his signature heartland rock.
The urban rhythms somehow sound natural in the context of Mellencamp's seasoned roots rock. He could have easily left his songs in the electric folk-rock format on which he made his name, but the experimentation here proves he's not ready to sit back on his laurels. He really seems interested in exploring new musical territory. And it's only right that the man who could be the godfather of today's alternative roots rock (i.e. without whom there could be no Hootie) is the one hammering the genre into exciting new shapes.
John Mellencamp responded to his massive heart attack and close call with death with Mr. Happy Go Lucky, the most overtly ambitious album in his career. Mellencamp has always been a bit of a fatalist, so it isn't any great surprise that there is an undercurrent of dark mortality running through most of his songs. What is a surprise is his musical approach. Although he hasn't abandoned the essential elements of his music -- the rootsy instrumentation, the violins, the simple song structures, the gritty folk-rock -- he has augmented them with the help of Junior Vasquez, a noted dance producer. Vasquez doesn't push Mellencamp into dance, but he adds certain dynamics and techniques from club music to Mr. Happy Go Lucky, which occasionally gives the album a greater depth. It's a gentle change, not a forceful one -- nothing sounds like dance music, but there are deeper rhythms and bass throughout the album, which breathes life into well-crafted songs like "Key West Int
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BEACON is the second release from songwriter Dick Neal. Musically, it lives at the intersection of folk, bluegrass, and acoustic pop—where ...
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