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Khoiba Nice Traps CD

 Khoiba Discography of CDs

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Nice Traps Music


Detailed Nice Traps Music Information



List Price $17.98 (You save $3.09)
Category Rock/Pop Albums, Dance CDs
Label Mole Listening Pearl
CD Universe Part number 6967284
Catalog number 58
Discs 1
Release Date Sep 27, 2005
Additional Info Digipak
Khoiba Nice Traps Songs


Khoiba Nice Traps Album Track Listing



1.Pure hands$0.99
2.Half in$0.99
3.No feedback$0.99
4.Terribly$0.99
5.Facilities$0.99
6.The deepest nightmare
7.Make no silence$0.99
8.Sonic parts$0.99
9.T.I.M.E.$0.99
10.That reason$0.99
11.Not as it seems$0.99
12.Pathetic$0.99
13.202$0.99
Nice Traps Music


Nice Traps Other Versions



Khoiba
Nice Traps  (2005) DigipakAudio Samples
CD$13.39
Khoiba
Nice Traps  Limited Edition
CD$18.39
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By the early '80s, the Rolling Stones were one of the last remaining groups leftover from the original "British Invasion" two decades prior. One of the main reasons for this was the Stones' ability to keep pace with the musical climate of the time, without losing any of their original blues-sleaze. Their 1982 live set (fourth overall) STILL LIFE, was taken from performances from their hugely successful U.S. tour a year before, when Mick, Keith and company ...
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This U.K. release of jazz-progressive rock fusion group Hardin & York's TOMORROW TODAY features 4 bonus tracks. Hardin & York's debut album was quite competent yet derivative early progressive rock, and derivative of Traffic in particular. At least, however, it came by its influences quite honestly, Pete York having drummed behind Steve Winwood in the Spencer Davis Group, and Eddie Hardin having joined the Spencer Davis Group after Winwood left. And the duo does get quite a lot of sound out of their keyboards and drums, although they had plenty of backup from some session musicians. Hardin sings and writes uncannily like Winwood circa Traffic's "Forty Thousand Headmen" period, but while that's a good standard to shoot for, therein also lies the problem: it's not quite as good as the Winwood-paced Traffic, and certainly not as original. All that noted, if you're looking for something in the mold of Traffic-lite and keeping your expectations realistically modest, this is pretty decent stuff. It might be a tad more rooted in soul-pop than Traffic, but it doesn't suffer for that. Hardin's vocals are impressively rich and gritty, and his piano and organ quite skillful. ~ Richie Unterberger Hardin & York's debut album was quite competent yet derivative early progressive rock, and derivative of Traffic in particular. At least, however, it came by its influences quite honestly, Pete York having drummed behind Steve Winwood in the Spencer Davis Group, and Eddie Hardin having joined the Spencer Davis Group after Winwood left. And the duo does get quite a lot of sound out of their keyboards and drums, although they had plenty of backup from some session musicians. Hardin sings and writes uncannily like Winwood circa Traffic's "Forty Thousand Headmen" period, but while that's a good standard to shoot for, therein also lies the problem: it's not quite as good as the Winwood-paced Traffic, and certainly not as original. All that noted, if you're looking for something in the mold of Traffic-lite and keeping your expectations realistically modest, this is pretty decent stuff. It might be a tad more rooted in soul-pop than Traffic, but it doesn't suffer for that. Hardin's vocals are impressively rich and gritty, and his piano and organ quite skillful. [The 2005 CD reissue on RPM adds historical liner notes and four bonus cuts from the same sessions. These are of the same respectable level of the rest of the album, if a little more sparsely produced and gospel-rock-oriented, with the exception of an unnecessary cover of Chuck Berry's "Rock and Roll Music."] ~ Richie Unterberger In ...
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Originally from Pennsylvania where he was first known for his energetic guest appearances with many of the area's finest performers, Eric's early musical influences inspired him to pick up his first Fender Stratocaster at the age of nine. There was no looking back............. Eric's passion for the Blues enabled him to eventually share the stage with many nationally known artists including Bob Margolin, Debbie Davies, James Armstrong, Steve Guyger, Kenny Neal, Chris Beard, Tommy Castro, Joe Kubek, Solomon Burke, Ronnie Baker Brooks and Hubert Sumlin. With a feeling and natural ability that just can't be explained for someone so young, Eric delivers a Freddie-BB-Albert King influenced performance with an intensity and skill that belies his youth. With a style at times reminiscent of the great ones, Eric combines a variety of influences while reminding everyone the real thing comes ...
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