| | Damian Lazarus Other Side: London CD Damian Lazarus Discography of CDs
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This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
Issued on the Breakbeat Science label, THE OTHER SIDE DualDisc series presents both a DVD tour of the world's greatest cities and a CD compilation of songs that capture each location's vibe. On this installment of THE OTHER SIDE, London DJ Damian Lazarus gives listeners an eclectic aural guide to his hometown, showcasing artists such as Boom Bip (the hypnotic "Do's and Don'ts," featuring vocals by Gruff Rhys of Super Furry Animals), Shriekback (a remixed version of the funky "Nightworks"), and the Magic Numbers (the gentle, lilting "This Love"). The variety echoes London's vibrant music scene, making for a wonderfully dynamic listen.
The Other Side, a joint venture between Time Out (international weekly publication) and Deaf Dumb & Blind (multifaceted entertainment company), is an interactive guide to the bleeding edge of the world's great cities. Each edition is comprised of two elements: a mixed CD compiled by a native audio pioneer, and a DVD guide to "the other side" of the city - a visual handbook for both the frequent flyer and the armchair traveler. The London installment is compiled and mixed by Damian Lazarus, recently called one of the world's most exciting DJs by Rolling Stone, who takes you on an exhilarating ride through his musical past, present, and future. On the DVD, h
DJ: Damian Lazarus. Damian Lazarus Other Side: London Songs Other Side: London Review
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| | Andy Williams Andy CD (1976) Bonus Tracks
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After suffering diminishing sales in the early '70s, Andy Williams finally missed the U.S. charts entirely with his 1975 album The Other Side of Me. (The LP did chart for a week in the U.K.) Of course, most of his peers in the ranks of middle-aged, middle-of-the-road pop singers weren't even recording for major labels anymore by then, but Williams had been defying gravity for so long it had seemed he would go on doing so forever. By the mid-'70s, however, his touring activities and a new syndicated TV show were occupying more of his attention, and he had less time to focus on recording, just as Columbia Records was less interested in promoting him. On Andy, he came up with mostly new songs, though he covered the much-recorded standard "Since I Fell for You" and the Rascals' 1967 hit "Groovin'" in a Caribbean arrangement. The new songs came from Los Angeles pros like Craig Doerge, Judy Henske, Kim Carnes, and Bruce Johnston (some of whom, along with the cream of L.A. session musicians, performed on the LP), but there were no real winners among them, and Columbia didn't even bother to pull one for a single. (There was a certain irony in that since, recorded over a series of sessions, the tracks may have been intended originally to produce singles rather than constituting an album project.) Williams gave each tune a sensitive, soothing reading, but that wasn't enough to raise the material above mediocrity. As a result, Andy missed the charts, and although Williams remained on the Columbia roster for another four years, it was his last album of new material released by the label in the U.S. ~ William Ruhlmann
After suffering diminishing sales in the early '70s, Andy Williams finally missed the U.S. charts entirely with his 1975 album The Other Side of Me. (The LP did chart for a week in the U.K.) Of course, most of his peers in the ranks of middle-aged, middle-of-the-road pop singers weren't even recording for major labels anymore by then, but Williams had been defying gravity for ...
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Black Coffee is Al Kooper's first new recording of solo material in more than 30 years. While Kooper, rock music's most infamous polymath, has never been entirely idle (he has continued to sporadically produce, write, arrange, perform, and hustle), he has been living in semi-retirement in Nash Vegas since the 1990s and this is a major re-entry. The good news is that Black Coffee is a heady brew of loose, rootsy rock, soul, and funky R&B. Kooper and "the Funky Faculty" -- drummer Larry Finn, guitarist Bob Doezma, and bassist Tim Stein -- along with some select guests, turn up the inspiration dial to 10 and cut loose with a batch of solidly written originals that accent the gritty, immediate and timeless heart of a popular music that hasn't been so in decades, and a couple of crafty covers. Kooper produced and arranged the set and plays multiple instruments. The opener "My Hands Are Tied" is classically written soul in the Stax/ Volt vein. With a horn section, a trio of backing vocalists, and his B3 carrying the melody, Kooper also plays mandolin on the tune and it sounds ...
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