| | I Muvrini Alma CD I Muvrini Discography of CDs
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This 2005 outing by the French folk ensemble I Muvrini includes "Alma," "Era Una Volta," "Fate," and "Vai."
2005 studio album from I Muvrini, the French folk/jazz group featuring Jean-Francois and Alain Bernardini.
Personnel: César Anot (guitar, electric bass); Manu Vergeade, Abdenour Djemaï, Mao Otayeck (guitar); Laurence Ronveaux, Nicolas Stevens, Bertrand Cervera (violone); Jean François Assy (cello); Nicolas Giraud (trumpet); Paco Sery (drums).
Audio Mixer: Gildas Lointier.
Arranger: César Anot. I Muvrini Alma Songs | 1. | Ie |
| 2. | Omi E Donne |
| 3. | Per Amore |
| 4. | Turneranu Qui |
| 5. | Alma |
| 6. | Quandu Sentera |
| 7. | Fate |
| 8. | Vole |
| 9. | Era una Volta |
| 10. | Vai |
| 11. | Li Da |
| 12. | Chi Sara |
| 13. | Temps Qu'il Fera, Le |
| Alma Review
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Purchase Alma CD To buy, Click on price to add to cart | Freddie Mercury Barcelona CD (1988)
Alma album
$11.99 This is a collection of Spanish and American songs by Queen's lead singer Freddie Mercury and opera singer Montserrat Caballe.
With Barcelona, Queen singer Freddie Mercury realized his long-lived dream of performing with an opera singer; in this case, Montserrat Caballe. While it's certainly a treat for any fan of Mercury's to hear this album, it's a difficult record to recommend. Most fans of opera will probably find it far too simplistic and pop-based, while many rock fans are sure to find the record too classical. The first half of the album, however, is deserving of a spin for any open-minded listener. Consisting of semi-operatic melodies with grand production, songs like "Barcelona" and the Eastern-sounding "La Japonaise" are startling in their beauty; the two singers from opposite ends of the music spectrum working surprisingly well off each other. The most classically operatic pieces of the project, "Ensueno" and "The Fallen Priest," are alternately gorgeous and powerfully dramatic. Unfortunately, the second half of the album is less successful as it reverses the formula of the first half. While Mercury can do well in semi-operatic settings, Caballe sounds awkward on the more pop-oriented tracks "Guide Me Home" and "How Can I Go On." "The Golden Boy," largely a gospel track ...
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| | Very Best Of Burt Bacharach CD (2001)
Alma songs
$7.95 A handy single-disc consolidation of the three-disc box set THE LOOK OF LOVE, THE VERY BEST OF BURT BACHARACH drops the rarities and oddities for a 16-track blast of nothing but the biggest hits, over a third of which are sung by Bacharach and Hal David's premier vocal partner, Dionne Warwick. Other singers include Gene Pitney, the Shirelles, Dusty Springfield, and Christopher Cross, all of them performing some of the finest songs of their careers. Best of all for the most easy-listening-averse fans--none of the songs come from Bacharach's 1960s and '70s albums for A&M Records, on which it's made ...
| | Best Tango Album In The World, Ever! CDs (2003)
Alma album
$17.15 The title of this television-advertised compilation may be arrogant, but then the tango is not a dance for the shy and retiring. Whether or not it is, as it claims, The Best Tango Album in the World, Ever!, the two-disc set, containing 30 tracks and running a little less than an hour and a half, does feature some major performers of the music, notably Carlos Gardel, renowned as the father of the tango, heard performing "Volver" and the concluding vocal version of "Mi Buenos Aires Querido," and Astor Piazzolla, who used the tango as a vehicle for composing modern classical music, heard performing "La Rayuela." Other notable performers include Carlos Garcia & His Orchestra, heard on four tracks, Sexteto Mayor, Florindo Sassone & His Traditional Orchestra, and Alfredo de Angelis & His Traditional Orchestra. (If the casual listener to whom this collection is intended recognizes the third track, "Por una Cabeza," ...
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| | Terry Callier Speak Your Peace CD (2002)
Alma album
$14.59 When Terry Callier returned to the music scene as an active participant in 1998, after 20 years in self-imposed exile, he jumped headlong into the recording and touring process. His first two recordings, the fine Timepeace and the less-than-satisfying LifeTime, both had songs worthy of anything Callier ever wrote during the 1960s or 1970s. The live album, Alive on Mr. Bongo from 2001, is a testament to that. But finding a producer who could properly illustrate the vast subtleties in Callier's work, which effortlessly blurs the boundaries between jazz, pop, soul, and poetry, proved difficult in the studio. On Speak Your Peace, Callier has found the perfect working mates in Jean-Paul Maunick and Marc Mac (from 4Hero), two men who understand that his work is more about nuance than statement, sense impression than solid image, poetry than prose. Callier's glorious voice and wonderfully fluid acoustic guitar are front and center in the mixes of both men. Mac accents the skeletal angle of Callier's compositions, as on "Monuments of Mars." He underscores them with gentle rhythms, ambient sounds, well-placed strings, hand drums, and space, allowing the poetic, moral message of Callier's vision to come through unimpeded. Maunick's production techniques, as evidenced on all but three of the album's tracks, ranges; there are the shimmering drum loops on "Running Around," propped by scenic strings and a heavier bassline, that bring Callier's voice to a level above the instrumentation -- and this is fine since he sings with such an authority that it doesn't have to be imposing, so there's no overkill. And then there's the single, "Brother to Brother," which Callier co-wrote with Paul Weller, who joins him in a duet. Everything on the track is spare, full of space and ambience, until the end, where the two voices entwine and a keyboard pulls the rhythm section toward the front. "Caravan of Love" could have been written by Curtis Mayfield and performed by MFSB with backing vocals by Hall & Oates. Yeah, it's that good. As for Callier's compositions, they're stronger than ever. Quoting his words in the context of a review is to belittle their achievement in that they are inextricably wedded to his musical frameworks. (Let's just say that if all pop music were as profound, we would all be activists working for peace and harmony.) The upshot is that this is easily the most seamlessly ...
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