Johan Skugge Humla CD

Humla Music

List Price	$16.98 (You save $1.93)
Category	Rock/Pop Albums, Electronica CDs, Dance
Label	Onitor
Orig Year	2005
CD Universe Part number	6969105
Catalog number	39
Discs	1
Release Date	Sep 27, 2005
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	Johan Skugge; Mikael Stavostrand
Engineer	Johan Skugge; Mikael Stavostrand
Personnel	Johan Skugge Mikael Stav÷strand

Johan Skugge Humla Songs

	1.	Feel My Raygun
	2.	Move, Run, Fly
	3.	Jean's Down with It
	4.	I Feel Burnt
	5.	Kaolin Jam
	6.	Shadow Man
	7.	Lonely at the K-Mart
	8.	No Cola
	9.	Back to Laos
	10.	Blue Numbers

Humla Review

Guidelines
Remember to focus your comments on Johan Skugge Humla CD - Import.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

Armin Van Buuren State Of Trance Yearmix 2005 CD (2006) (Import)

Humla album

$29.49

Armin van Buuren, ...

Also Bought

Trip In Trance 6 - The Rebirth CD (2006)

Humla CD music

$13.79

DJ: Airwave.

Also Bought

Roots Of Dubstep CD (2006)

Humla music CDs

$18.05

Also Bought

Various Artists Bargrooves - Black CD (2006) (Import)

Humla songs

$30.19
Black, the deeper, harder, faster shade of Bargrooves, encompasses 28 tracks of driving electro-edged Dance ...

Also Bought

L Pierre Dip CD (2007)

Humla album

$12.59

Recording information: Seven-A.

Also Bought

Hardfloor Life We Choose CD (2007)

Humla CD music

$14.69
Creators: Oliver Bondzio; Ramon Zenker.

Ash Ra Tempel Tropical Heat CD (1991) (Import) France

Humla music CDs

$28.89
This 1991 set from the German prog rockers is something of an anomalie, as they actually cut loose and get sweaty on a tune that, logically enough, is titled "Nights In Sweat." Features five other compositions, including "Mosquito Dance" and "Pretty Papaya." Manuel Göttsching made the transition to the '80s seemingly without a hitch, his 1984 album E2-E4 proving foundational for subsequent electronic dance music. However, Tropical Heat (recorded in 1985 and 1986 but not released until 1991) was a rare misstep. Accompanied by Harald Grosskopf (electronic drums) and Lutz Ulbrich (guitar, keyboards), Göttsching dabbles in new age musical tourism, infusing excruciatingly clean, synthetic rock with vapid Latin and Caribbean nuances. Unfortunately, this record supports the sort of uninformed criticism often leveled against electronically oriented music: it really is lifeless, soulless, and cold, and while Göttsching might have conceived of Tropical Heat as the soundtrack to some imaginary exotic voyage, it doesn't travel at all well beyond the mid-'80s. "Pretty Papaya" has all the charm of cruise-ship Muzak, with some faux-Hawaiian guitar thrown in; the gratuitous horn samples and synth-drum rolls on "Nights in Sweat" conjure up images of a supper-club band covering Kid Creole; and "Don't Stop the Fan" falls somewhere between limp white reggae and "La Isla Bonita." There's a faintly beautiful melody on "Monsoon," but it gets lost amid the clutter, the main culprit being Grosskopf's antiseptic synth drums, which are irritatingly omnipresent throughout the record. One of the stronger numbers, the busy and bouncy "Mosquito Dance," almost achieves one of Göttsching's signature mesmeric grooves, but after nearly nine minutes, the track ultimately fails to go anywhere, demonstrating the huge difference between hypnotic and plain repetitive. The 1980s really were the great leveler. The era's burgeoning electronic innovations allowed a new generation of artists to make catchy mainstream pop with a relatively small outlay and, often, only a modicum of talent. Nevertheless, many pioneering artists of the '70s struggled in that new environment. More a-ha than Ashra, Manuel Göttsching's uncharacteristic lapse with Tropical Heat is evidence of that. ~ Wilson Neate Tropical Heat shows Ashra as fresh and exciting in the '90s as their mid-period Virgin albums were in the '70s with the same original lineup, including Manuel Goettsching leading the band on synths and guitar, Lutz Ulbrich on synths, as well as guitar, and Harald Grosskopf on electronic percussion. Together they produce a set of catchy melodies ...

Ravin Buddha-Bar, Vol. VI CDs (2004)

Humla songs

$44.25

This is a continuous in-the-mix CD compiled and mixed by DJ Ravin. The sixth installment in the famed Buddha-Bar series is the creation of producer Ravin, a Paris-based DJ of Indian extraction who has been combining traditional sounds of South Asia with European electronica for the past 15 years, and is currently the resident DJ at the London bar from which this series gets its name. Buddha-Bar, Vol. VI consists of two discs, about half the contents of which are previously unreleased. Assuming that the 13 tracks included on the condensed promotional version are representative of the whole album, it's a beautiful and surprisingly restful affair -- funky enough, to be sure, but not something that will compel you to dance if you're not up for that. Michael Stipe is almost unrecognizable on a gentle and introspective romantic ballad called "The ...

Barbara Morgenstern Vermona Et 6-1 CD (1999) (Import) Australia

Humla album

$16.55

One of the initial releases of the Monika label, Vermona ET 6-1 is the first widely available album of Barbara Morgenstern, and while it's rudimentary and fairly modest relative to her subsequent work, beginning with the following year's Fjorden (2000), it's pleasant nonetheless and should be particularly interesting for devotees curious about the Berliner's roots. Morgenstern's indie electronica tendencies are most apparent here, as over half the album is comprised of electronic instrumentals that carry on for a few minutes, generally exploring a small palette of bleepy sounds in a riff-like fashion. Rhythms are employed, but this is not dance music; it's more post-rock than techno, arguably. The first few even-numbered tracks are actual songs, highlighted by Morgenstern's ...