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Decoder Ring Fractions CD

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FRACTIONS is the third release by critically acclaimed jungle act, Decoder.

After the phenomenal success of the ‘Somersault’ soundtrack Decoder Ring released their third album ‘Fractions’. Their most expansive and evocative work to date it draws on their electro rock roots whilst maintaining a filmic quality to form a sprawling rollercoaster of an album that spans the musical divides between dark electro and euphoric pop, intimate ballads and dancehall anthems. 11 tracks.
Fractions Music


Detailed Fractions Music Information



List Price $22.99 (You save $4.40)
Category Rock/Pop Albums, Rock CDs
Label Inertia
Orig Year 2005
All Time Sales Rank   560377  
CD Universe Part number 6973514
Catalog number 1
Discs 1
Release Date Oct 23, 2006
Mono/Stereo Stereo
Decoder Ring Fractions Songs


Decoder Ring Fractions Album Track Listing



1.Jets
2.Serac
3.Escape Pod
4.Out of Range
5.Traffic
6.Anahedonia
7.451
8.Remainie
9.To Die
10.Shining Path
11.Fractions
Fractions Review


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There's no shortage of legendary producers in line to work with music world titans U2; when work with Rick Rubin broke off, Brian Eno and Daniel Lanois stepped in. The resulting NO LINE ON THE HORIZON, 2009's offering from the Irish rockers, continues in the grand U2 tradition, as soaring pop anthems like opening single "Get on Your Boots" pair with experimental melanges like "Tripoli," on a striking album featuring touches of all the albums come before, yet hinting at new worlds for Bono to conquer. After spending the 1990s experimenting with electronic music and returning to arena-ready rock during the first few years of the 21st century, U2 stakes out territory somewhere between those two points on 2009's NO LINE ON THE HORIZON. Enlisting its go-to production trio of Brian Eno, Daniel Lanois, and Steve Lillywhite, the Irish quartet seems intent on crafting a quirkier companion piece to HOW TO DISMANTLE AN ATOMIC BOMB, and they succeed with restless tracks such as "Get on Your Boots," which sounds like "Vertigo" hijacked by T. Rex, and "Stand Up Comedy," a wiry number that lets the Edge cut loose with barbed guitar lines. Some of most striking songs on HORIZON are the ones that venture farthest from U2's comfort zone, as on the surprisingly weighty title track, ...
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This 1998 reissue contains 5 bonus tracks (including the previously unreleased "White Christmas") not included on the original release. John Denver's music always had a warm, home-spun quality to it, so it isn't surprising that his 1975 holiday effort, Rocky Mountain Christmas, is a wonderfully low-key and friendly Christmas album. Divided between classic carols and new numbers, such as the fine "Aspenglow" and "Christmas for Cowboys," the album is an appealing, pretty record, perfect for late nights by the fireside. The 1998 CD reissue adds five bonus tracks: "Jingle Bells," "White Christmas," "The Music is You," "Perhaps Love," and "Dreamland Express." ~ Rodney Batdorf Live Recording Producers: ...
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Proceeds from the SILVERWOLF HOMELESS PROJECT will go to The National Coalition For the Homeless and Habitat For Humanity. Billed as a "Homeless-specific song-cycle," The Silverwolf Homeless Project compiles 16 cuts from artists as diverse as Cheryl Wheeler, John Gorka, Tom Paxton, and Ani DiFranco, some recorded for this project, others drawn from previously released sources. The common tone is one of heartfelt sadness (even in Greg Brown's "Just a Bum," which has a faux-jolly tone to it), which fits well with the assorted factoids and pictures of homeless people included in the booklet. Sadly, while Silverwolf is supporting a worthy cause here, the magnitude of the problem is overwhelming, and depressing. Which is no reason to ignore or bypass this set, however. ~ Steven McDonald Cheryl Wheeler,Ken Gaines,John Gorka,John Mccutcheon+++ Personnel: Crow Johnson, Amanda Stark, Greg Brown, John Gorka, Michael Elwood, Sarah Elizabeth Campbell, Tom Paxton, Bill Morrissey (vocals, guitar); Jon Ims, Patty Larkin (vocals, acoustic guitar); Tom Prasada-Rao (vocals, electric ...
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One With The Sun
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The beginnings of this journey took Angie all around the Southeast with various bands until he began his solo career in 1996. It was at this point he released Out of the Everywhere, eleven songs "written to be written" as Angie put it. "The allure and pursuit of a record deal was exhausting. I felt in me the need to write for the sake of writing, to find the snapshot of my life and sing it." Angie toured along the East Coast in support of Out of the Everywhere and acquired another snapshot:LISTENERS ... fans that would stay loyal far beyond his wildest dreams. In early 1997 Angie met music producer Matt Serletic (Matchbox Twenty, Santana, Aerosmith, Edwin McCain) and the two quickly began a creative partnership that would lead Angie to the office of Clive Davis and subsequent record deal with Melisma/Arista Records. "Isn't it always true?" asks Angie, "As soon as you let something go, everything opens up. I was in pursuit of music, just music and everything else found me." The outcome of everything finding Angie was The American, a departure from the stark and sometimes bare Out of the Everywhere. The American was filled with songs still lyrically driven, but surrounded by the lush landscape of Matt Serletic's production and pop sensibility. "How many times do you get to work with someone like this?" Angie said, "I wanted to hear everything, the orchestra, a thousand guitars and sometimes one lonely voice."The album was released in the spring of 2000 and Angie toured in support of the first single Spaceship, whose video aired on VH1. Opening for Matchbox Twenty, the tour took Angie and his band around the country. "I was curious to see things beyond my established stomping ground. I wanted to see what my songs meant to people whom I had no history with...You know, to be that guy you have to sit through until the band you bought the ticket for takes the stage." What Angie saw was amazing and kept him on the road for eighteen months in support of two more singles and his growing fan base. With label support waning and the departure of Clive Davis from Arista Records on the horizon, Angie would find himself independent once more."I had to ask myself, what would I do with freedom, with independence?" The answer to Angie's question was his third release Weapon of Mass Construction. Released March 2002, this album consisted of eight cover songs and two new originals. "People ask me, 'Why covers?' I just felt I had a moment in time I might ...
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