| | Subterraneo Vol. 1 CD
Subterraneo Vol. 1 Review
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| | Wilbur De Paris Over And Over Again/Live At The Roosevelt Grill CDs (2000)
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Originally released on 2 separate LPs: Wilbur De Paris: OVER & OVER AGAIN (1968)/Yank Lawson & Bob Haggart: LIVE AT THE ROOSEVELT GRILL (1970).
Recorded live at the Roosevelt Grill, New York, New York on April 17 & 18, 1970. Originally released on Atlantic (1570).
Two unrelated bands have an album apiece reissued in this CD set from Collectables. The Wilbur DeParis portion, which was originally released as Over and Over Again, features the band during 1958-1960 and has its last recordings plus a few earlier titles left out of other LPs. On most of the tunes, trombonist DeParis is joined by both Doc Cheatham and Sidney DeParis on trumpets and Garvin Bushell on clarinet and bassoon, though there are a few earlier titles that have Omer Simeon still on clarinet. The repertoire is typically intriguing, including "Table Thumpers Rag," Leadbelly's "Goodnight Irene," "How Ya Gonna Keep 'Em Down on the Farm?," and two versions of "Over and Over Again." The second half of this CD features the World's Greatest Jazz Band on their ...
| | Belanova Dulce Beat 2.0 CDs (2006) Enhanced CD
Subterraneo Vol. 1 songs
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Mexican electronic pop trio Belanova established themselves as an appealing act with their debut album, Cocktail (2003), and its chart-topping single, "Tus Ojos." With their second album, Dulce Beat, however, they establish themselves as downright irresistible, as the album includes about a half-dozen songs just as infectious as "Tus Ojos." Vocalist/songwriter Denisse Guerrero, programmer/keyboardist Edgar Huerta, and bassist Ricardo Arreola possess a clear talent for sticky-sweet pop music. Their songs are simple and to the point, which is, of course, the hooks, which in almost all cases are instantly memorable. None more so than that of "Por Ti," a song that demands endless plays (and if not on your iPod, then in your mind, where it will likely be lodged for longer than you may like). In addition, "Niño," "Soñar," "Miedo," and "Me Pregunto" -- literally every other song of the 11-track Dulce Beat -- likewise boast memorable hooks so effervescent you feel as though you're floating lightly in the air as you listen along. There's no single quality that makes these songs so magnetic; rather, it's a combination of Guerrero's pixyish voice as well as her baby-doll swagger, Huerta's swirling layers of soft-hued electronics, and Arreola's driving basslines, not to mention the Midas touch of Cachorro López. The Argentine producer, rightly recognized for his brilliant work with Julieta Venegas, brings a key sense of vibrancy to these songs, so that when the hook comes around, it catches your ear forcefully. His production is in large part what makes Dulce Beat so much more charming than its predecessor, for it's easy to hear the relation between the music here and that which López produced for Venegas on Limón y Sal and Paulina Rubio on Ananda, both subsequently released in 2006. As wonderful as many of the songs on Dulce Beat are, though, the album itself at times feels insubstantial, more like a collection of singles interspersed with B-sides than a genuine album. For instance, it might have benefited from an occasional ...
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