| | I Love The Music Of A German Beer Hall CD
The title says it all: I Love the Music of a German Beer Hall. If you love warbling to an oompah beat, look no further. ~ Tim Sheridan
The title says it all: I Love the Music of a German Beer Hall. If you love off-key warbling to an oompah beat, look no further. The disc is far more palatable under the influence. Well under. ~ Tim Sheridan
The title says it all: if you love off-key warbling to an oompah beat, look no further. The disc is far more palatable under the influence...well under. ~ Tim Sheridan I Love The Music Of A German Beer Hall Music I Love The Music Of A German Beer Hall Review
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Purchase I Love The Music Of A German Beer Hall CD To buy, Click on price to add to cart | German Drinking & Beer Garden: 14 All Time Favorites - Bavarian CD (2000)
I Love The Music Of A German Beer Hall
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Personnel: John Zorn (alto saxophone); Joe Lovano (tenor saxophone); Dave Douglas (trumpet); Uri Caine (piano); Greg Cohen (bass instrument); Joey Baron (drums).
Audio Mixer: James Farber.
Recording information: Avatar Studio, New York, NY (02/22/2009).
STOLAS is the 12th volume in John Zorn's BOOK OF ANGELS series of compositions, and it's a welcome and compelling idea that he decided to re-form his stellar Masada quintet for the occasion. In addition to the rhythm section of Joey Baron ...
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This two-fer CD contains "Brother" Dave Gardner's debut (Rejoice, Dear Hearts!) and follow-up (Kick Thy Own Self) long-players for RCA Records. Gardner's impact as a social and political humorist has been largely obscured by time as well as the reality that a majority of his seminal recordings remained out of print for over 30 years. Although considered "regional humor," the impact of these recordings is confirmed, as each disc attained an unprecedented number five on the Billboard album charts during the months of June and August of 1960, respectively. Gardner's Southern drawl and common-sense tales and fables first garnered him several appearances on the Jack Paar Tonight Show beginning in 1957. So by the time that Chet Atkins -- then RCA's head of A&R in Nashville, TN -- commissioned these discs, "Brother" Dave Gardner was a nationally known figure. Both albums are structured to mirror Gardner's live sets as well as television appearances. So in addition to the various yarns and fables, there are also a few musical numbers -- most notably a percussion and vocal piece that Gardner calls "space music." This particular bit of improvisation had an incalculably profound influence on a young Andy Kaufman, according to Kaufman himself. In fact, his initial forays into standup comedy incorporated variations of this silly shtick. Although Gardner's more traditional comedy (i.e., jokes, fables, and stories) has been considered within the same subgenre ...
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Ignore the puerile musings by the good professor, and instead enjoy his slightly demented music, which includes a collection of tracks from four different conglomerations, recorded over the course of five years. Concentrating on various combinations of strings, Chadbourne leads with his acoustic banjo and guitar. Most of the pieces are multitracked performances with Chadbourne overdubbing on guitars, banjos, and assorted homemade instruments, while one features mandolin soloist Barry Mitterhof with a trio. Others add accordion, bassoon, and oboe, ...
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Guitarist Lanfranco Malaguti, ...
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| | RBD Celestial CD (2007) Enhanced CD
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RBD: Christopher, Maite , Cristian, Dulce Maria, Alfonso, Anahi.
Additional personnel: Armando Avila (various instruments); Ivan Machorro (programming).
On its third studio outing, the highly successful Mexican pop act RBD presents another set of immediately accessible Spanish-language tunes. Consisting of three boys (Alfonso,Christian, and Christopher) and three girls (Anahi, Dulce, and Maite), the fresh-faced teen vocal ensemble mixes catchy beat-driven dance numbers ("Tal Vez Despues," "Dame") with gentle ballads ("Algun Dia," "Es Por Amor"), resulting in a record with remarkably wide appeal.
For Celestial, their third Spanish-language studio album, RBD continued working with producers Carlos Lara and Armando Avila, each of whom graced the teen pop group with roughly a half-dozen songs. Lara and Avila had been largely responsible for the run of hits RBD enjoyed on their first two albums, Rebelde (2004) and Nuestro Amor (2005), both commercial smash hits throughout the Americas. Here the two producers stick with their winning formula and wind up with a few standout songs: "Tal Vez Después," "Ser o Parecer," and "Dame," which are front-loaded for a catchy kickoff to the album. The songs that follow aren't quite as charming, granted, yet they're not bad either, for Lara and Avila are well-seasoned professionals who know how to craft appealing pop and dress it up fashionably. Previous to RBD, Lara earned his stripes on such teen pop projects as the Clase 406 soundtrack (based upon a telenovela, like RBD) and the boy band UFF. Avila, on the other hand, guided La Quinta Estación ...
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I Love The Music Of A German Beer Hall
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