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Purchase L'Oroscopo Speciale CD To buy, Click on price to add to cart | Lord Of The Dance DVD (1996)
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Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. ...
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| | Vera Lynn Remembers CD (2002) (Import) England; France
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| | Mercedes Sosa 30 Anos CD (1994)
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Personnel: Mercedes Sosa (vocals).
| | Myron Floren 24 Polkas Greatest Hits CD (1995)
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| | Karenj New Beginnings CD (2003)
L'Oroscopo Speciale songs
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"New Beginnings" marks the debut of Karen onto the music world. Sultry, elegant, insightful and sassy are terms that reviews have used to describe her sound. Born and raised in the Tulsa area, that gave birth to the GAP Band, Karen's talents were evident at an early age. "Music has always been a part of my life," says Karen during a recent interview. As is typical of many of the great singers of the past, Karen ...
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$38.09 | | Ameranouche Homage A` Manouche CD (2007)
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The award winning Ameranouche trio features the melodic virtuosity of guitarist Richard Sheppard, the vehement rhythm chops of guitarist Ryan Flaherty and the dulcet low end of upright bassist Xar Adelberg. Together, this rip-roaring ensemble is a super force of hot acoustic jazz, sometimes reffered to as hot swing or Gypsy jazz. The contrast of other influences like American Soul music, Flamenco and Bop are what give the fast fingered trio such a recognizable sound. All played on acoustic instruments, the music is rhythmic, vigorous and strangely elegant. It’s hard to believe only three people are creating such a big sound. Ameranouche formed in 2004 and has played venues from the prestigious JVC Newport Jazz Festival and Djangofest Northwest, to busking and club gigs ...
| | Free Soda Thirteen-Pack CD (2007)
L'Oroscopo Speciale songs
$11.39
Free Soda comprises Eamon Doyle and Peter Lauterborn, who began collaborating on music in Lauterborn's makeshift bedroom studio in the fall of 2001, while both were juniors at a high school in San Francisco. "Before sophomore year," says Doyle, "neither of us had played an instrument more complex than the triangle. But it had been my boyhood dream to become a gawky, unrefined guitarist, and Peter had always wanted to be a bumbling, amateurish keyboard player. It was a match made in clueless heaven."After three years of finding their musical feet, the guys gave themselves a name, one chosen for its intimation of universal appeal: Who doesn't like free soda? Armed with a well-oiled drum machine and what the Welsh rock group Stereophonics called "just enough education to perform," they were ready to call themselves a band.THIRTEEN-PACK, released in December 2007, represents the best of the duo's eclectic pop songcraft and DIY production. Lead track "Pants Are Pants" kicks off with a snarling garage-rock riff and a deadpan recollection of the horrors of middle-school mores, and in the rest of its 2:14 running time packs in frantic keyboards, backward percussion, a stick-to-your-brain sing-song chorus, and strategically placed lyrical allusions to King Missile and The Smashing Pumpkins.Explains Doyle: "I wanted to write about my ongoing frustration with the myriad unwritten social rules that become apparent around sixth grade or so – about the unpleasant realization that if you're wearing the wrong pants or using the wrong vernacular or hanging out with the wrong people, you will be crucified – and having the common sense to see through all that superficiality and just say 'Fuck it, pants are pants.' We apply the same pragmatism to our music. I can't imagine a more appropriate opener."Next up is "Fireplace," a stark acoustic lament about the fear of skeletons in one's closet being uncovered. "That particular brand of paranoia is all but universal," says Doyle. "It's ambiguous what the speaker in the song is so desperate to cover up, because whether it's a felony or just the bad poetry he wrote in high school, the panic is the same."The disparate nature of the love songs on THIRTEEN-PACK demonstrates Free Soda's disinclination to tread the same sonic or thematic ground twice. "Pomegranate" is a spirited anthem about the "sweet and complex" human equivalent of the titular fruit; "One and a Half Men" is a slow-burning tale of romantic betrayal with an explosive coda; and "Love and Math" is a droll nerd-rap pun-fest. "Even within the confines of the most conventional song subject," notes Lauterborn, "we can't help but mix it up. Repeating ourselves is just as boring as repeating someone else."Two complementary songs form the center of the album. The provocatively titled "I'm Not on Drugs" is neither pro- nor anti-drug, but rather "about the altered state of chronic frustration," says Doyle. "During my second and third semesters of college, I was essentially a contemporary embodiment of the narrator of Green ...
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