| | Smooth Jazz-Voice CD - Import Smooth Jazz-Voice Discography of CDs
Smooth Jazz-Voice Songs | 1. | Saturday In The Park |
| 2. | Through The Fire |
| 3. | Street Life |
| 4. | Soul Shadows |
| 5. | By Your Side |
| 6. | New York Connection |
| 7. | Feel Like Flying |
| 8. | Kind Of Girl |
| 9. | I Just Wanna Stop |
| 10. | Save The Best For Last |
|
Smooth Jazz-Voice Review
GuidelinesRemember to focus your comments on Smooth Jazz-Voice CD - Import. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Smooth Jazz-Voice CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Smooth Jazz-Voice album
 $6.75    
A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots ...
| | Norah Jones Come Away With Me CD (2002) SACD Hybrid
Smooth Jazz-Voice CD music
$15.49 
COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical).
"Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal ...
| | Stan Getz People Time CDs (1992)
Smooth Jazz-Voice music CDs
$24.69
| | Keith Jarrett Testament: Paris/London CDs (2009)
Smooth Jazz-Voice songs
$27.29
| | Everette Harp First Love CD (2009)
Smooth Jazz-Voice album
$15.09
On FIRST LOVE, contemporary jazz saxophonist and ...
| | Best Of Leonard Cohen CD (1975)
Smooth Jazz-Voice CD music
$6.09
| | Slimy Nuggetz 4:20 CD (2001)
Smooth Jazz-Voice music CDs
$8.25
| | Paul Bley Speachless CD (Import) Import; Denmark
Smooth Jazz-Voice songs
$17.95
| | Chris LeDoux Horsepower CD (2003)
Smooth Jazz-Voice album
$7.85
The astounding fact that ...
| | Together-Miles Davis & Charlie Parker CD (2006) (Import)
Smooth Jazz-Voice CD music
$18.39
| | Before The Fame Early Recordings From CDs (2007) (Import) Import
$12.29 | | Lo Nuestro 2008 CD (2008) (Import) Import
$39.39 | | Vicky Mountain and James Allen Sincerely Yours CD (2009)
Smooth Jazz-Voice music CDs
$16.45
What makes a jazz singer a “jazz” singer? It’s a question that is readily answered by Vicky Mountain’s third release, Sincerely Yours. Regardless of the song - be it a “classic” from the Great American songbook, a pop hit from the 60s, an R&B standard or an instrumental transcription—a jazz singer injects a personal story into the music, a story conveyed in the way each word, each phrase is shaped, in the way the singer weaves a mood and uses shades of rhythm and dynamics to further her tale. Here, Vicky, a veteran voice educator as well as seasoned vocalist, offers her lessons in the art (and she confirms it is an art) of turning song into conversation, poetry into prose, music into intimate theater. The lessons are stunningly enhanced by James Allen’s agile and lyrical guitar, not a background prop but a full and swinging partner. The partnership extends beyond the studio and into the MacPhail Center for Music where Vicky and James are colleagues on the faculty. Young yet masterful bassist Graydon Peterson joins the pair on a darkly flavorful “When Your Lover Is Gone.” What makes a jazz singer a jazz singer? Listen to Vicky Mountain.― Andrea Canter, MinneapolisREVIEW FROM PAMELA ESPELAND’S BLOG “BEBOPIFIED” 10/16/09Vocalist and MacPhail educator Vicky Mountain’s new CD, Sincerely Yours (2009), is a pleasure from start to end. Her voice—which ranges from sultry chanteuse to little girl, bluesy mama to playful tease—is in fine form, her landings sure-footed, her articulation pristine (one of the things I especially enjoy about her singing), her song choices eclectic and enjoyable. Where else can you find “Willow Weep for Me” side-by-side with “Love Potion #9”?She scats smartly in all the right places (on the Illinois Jacquet/James Mundy tune “Don’cha Go 'Way Mad” and the Walter Donaldson/Gus Kahn standard “Love Me or Leave Me”), sings her own lyrics to Fats Waller’s “Jitterbug Waltz” (renamed “Jitterbug Fantasy”) and gives it a music-hall ending, infuses “Love Me or Leave Me” with a fresh sense of urgency, and fills the Jimmy Van Heusen/Johnny Mercer fave “I Thought About You” with joyous anticipation instead of the usual regret. No worries; these lovers will meet again soon.Throughout, her background in theater shows: each song is a story, convincingly told. Each has its own mood and emotional setting. And she gives us her full voice, from lush low notes to sweet high ones.For accompaniment, she ...
|
|
|
|
 |
|
|
608334 
Email a Friend
