| | Zora Young Tore Up From The Floor CD Zora Young Discography of CDs
Of her first Delmark CD, "Learned My Lesson" (DMK 748), Living Blues magazine said "Her rough-edged croon can raise welts or love bumps. She has the versatility to strut comfortably from back-alley funk to uptown jump sophistication." "Tore Up From The F
Personnel: Zora Young (vocals); Pete Allen (guitar); Bobby Dirninger (acoustic guitar, piano, keyboards); Hank Ford (tenor saxophone); Willie Henderson (baritone saxophone); Kenny Anderson (trumpet, horns); Lee "Mookie" Cain (bass instrument); Kerman Frazier (drums). With her mix of blues, soul, and rock, plus the just tangible presence of her native Mississippi gospel background, Zora Young can be a powerful performer when the material is there. On the best cuts from Tore Up from the Floor Up, her third album and second for Delmark, she shows a kind of hard-earned wisdom and an assurance in her vocals that rises well above mere shouting, and tracks like the moody, dynamic "Toxic" and the romping title tune (both of which are Young originals) show her to be a solid songwriter as well. She also turns in fine readings on a pair of covers, turning atmospheric on Muddy Waters' "Two Trains Running" and giving B.B. King's "I'm Gonna Do the Same Thing They Did to Me" a saucy, determined sheen. Her take on O.V. Wright's "Ace of Spades" is surprisingly by the numbers, though, and while she certainly doesn't do a disservice to Tony Joe White's "Rainy Night in Georgia," it's a song that has been done to death and no singer on earth could possibly find a new way to approach it. The end result of all of this is an album that has some wonderful highs (the opener, "Love of Mine," simply soars and rocks) but also too many tracks that lack immediacy. It's worth noting, though, that Young's originals more than hold their own here, and that bodes well, because when her singing and writing intersect, sparks fly. ~ Steve Leggett
Down Beat (p.74) - 3 stars out of 5 -- "'Since I Fell For You' seems to come out of the unconscious, a place not accessible to most vocalists." Dirty Linen (p.62) - "TORE UP moves smoothly from up-tempo dance floor numbers...to slow, sensual ballads..." Tore Up From The Floor Music Zora Young Tore Up From The Floor Songs Tore Up From The Floor Review
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$13.15 Marcie started her singing career in 1960 at the age of fifteen in Australia with the Thunderbirds at Canterbury Ballroom and Preston Town Hall. She then joined up with Normie Rowe and The Playboys. In 1963 she joined the cast of the GO SHOW, the television show which was to make her a household name throughout Australia. Marcie appeared on every national TV variety show in Australia over four decades. In 1967 Marcie together with the Cook sisters Margaret, Beverley and Wendy formed Marcie and The Cookies, which became the top female singing group in Australia. During 1969 and 1970, Marcie and The Cookies performed extensively throughout Asia and Europe and toured the United Kingdom with Cliff Richard and the Shadows. Marcie has toured with The Seekers, Tom Jones. Marcie and The Cookies have toured with The Monkees, Cliff Richard and Gene Pitney. Marcie and The Cookies are still performing as a world class act and celebrated thirty eight years in 2006. Marcie and The Cookies have just completed the 1st CD, "Marcie Jones and The Cookies". (visit www.marciejonesandthecookies.com& In 1987 Marcie was presented with an award from WEA Records for her contribution to Australian music. In the Nineties Marcie worked sold out shows with the Johnny Young Band and Jamie Redfern at Australia's (Melbourne)Crown Casino and a mini tour which included shows with Frankie J Holden and Johnny O’Keefes’ original band. In 1999, Marcie released a four track CD titled “Pure Heart”. One of the tracks from this, her own composition “George Jones” written about her Father won her a nomination at the 1999 Victorian Country Music Awards for Best Female Singer. She has won further nominations in the same category for the 2000, 2001, 2002, 2003 and 2004 awards singing her ...
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