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(17 Customer Reviews)
With clanking, Peter Hook-esque basslines, none-too-subtle song titles like "Out of Control" and "Tear You Apart," and Justin Warfield's Ian Curtis/Dave Gahan-inspired vocals, it's clear that She Wants Revenge is a loyal student of 1980s British post-punk and new wave. The duo plays its catchy, slightly dissolute songs to the accompaniment of impeccable-sounding period synthesizers and drum machines, a la Human League, and the influence of the pair's previous careers as L.A. DJs comes through in their flawless '80s club-land accents. An almost flawless recreation of its forebears, She Wants Revenge are more than competent enough to give a frisson to anyone for whom "Love Will Tear Us Apart" and "She's Lost Control" are still undiscovered pleasures.
She Wants Revenge: Justin Warfield (vocals, guitar, computer); Adam 12 (keyboards, bass guitar, percussion, programming).
Rolling Stone (p.64) - 3 stars out of 5 -- "[A] retro goth-pop duo that out-Interpols Interpol, deploying snippets of Joy Division, Bauhaus, the Cure and other dark New Wave..." She Wants Revenge Music | List Price | $9.95 (You save $1.86) | | Category | Rock/Pop Albums, Alternative CDs, Rock | | Label | Interscope | | Orig Year | 2006 | | All Time Sales Rank | 3295  | | CD Universe Part number | 6978800 | | Catalog number | 000558702 | | Discs | 1 | | Release Date | Jan 31, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | She Wants Revenge | | Engineer | Justin Warfield | | Personnel | Adam 12 - keyboards, bass guitar, percussion, programming Justin Warfield - vocals, guitar, computer
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She Wants Revenge Music Review Average Rating: (4.2 out of 5 stars)    List All Reviews If U like punk Damn good stuff if U like Punk! Submitted by tallmclaurin (Tx, USA)  Was This Review Helpful? Yes No
Excellent CD I bought this CD only knowing the 1 song from the cd. I enjoy all of the song but 1. I haven't changed the CD since Submitted by ed.stegman (Monrovia, CA, USA)  Was This Review Helpful? Yes No
Peter Murphy sings again This CD is really good. It's an 80s sound with a new twist. It brings me back to Peter Murphy with Bauhaus, but also singing a few that sound like The Cure and Depeche Mode. If you like that music, you'll like "She Wants Revenge." Submitted by Tammy (Minneapolis, MN)  Was This Review Helpful? Yes No
good good cd, good sound, good voice. sounds a lot like the 80's band joy division. not a bad sound. but there isn't anyone like joy division. i guess sounding like a good band would make you sound good to. Submitted by twerkster18 (indiana) Was This Review Helpful? Yes No
Hot, dark and sexy Love the sound and the dark love song feel of the album. Songs are thought provoking and a real turn on. Takes you on a wild ride. Isn't music supposed to lead you somewhere? I know where this one will be leading us! Submitted by Wild Princess (Kansas City, MO, USA) Was This Review Helpful? Yes No
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Purchase She Wants Revenge CD To buy, Click on price to add to cart | VH1 Presents The Corrs Live In Dublin CD (2002)
She Wants Revenge album
$6.19 This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's "Summer Wine."
Somewhat more mysteriously, Rolling Stone Ron Wood also turns up on what sounds dangerously close to a lounge version of Jimi Hendrix's "Little Wing," but this minor faux pas is redeemed by the Irish folk medley "Joy of Life/Trout in the Bath" which arguably features more full-on Irishness than the Dublin production of RIVERDANCE. There's also a lovely rendition of Neil Young's "Only Love Can Break Your Heart" that's topped only by Ron Wood's reappearance on a finale of the Stones' "Ruby Tuesday." VH1 PRESENTS THE CORRS LIVE IN ...
| | Interpol Turn On The Bright Lights CD (2002)
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$9.95 To make music marked distinctly of a specific period that's somehow so compelling as to be timeless is no mean feat. Interpol initially sounds as if they must have been roaming about Manchester as the 1970s screamed to a close, yet they emerged across the ocean in New York City some two decades-plus later. Combining the insistent drone of Joy Division with the dreamy melodies of the Chameleons, the fire of Mission of Burma, and an occasional jagged edge a la The Fall, the foursome inconceivably manage to defy anachronism on their debut full-length TURN ON THE BRIGHT LIGHTS. Just how they do it is indefinable, perhaps it's just a trick of the light, or the life that breathes gloomily, radiantly throughout, but it's undeniable.
Vocals which fall somewhere between Ian Curtis's plaintive, edge-of-oblivion wail and the winking, laconic drawl of James's Tim Booth, ripping uncompromisingly through unpredictable, unforgettable lamentations from the reflective ("NYC") to the imploring ("PDA"). When the darkly etched, implosive, mournful lyrics poke out as they do on the unrelenting "Obstacle 1" ("she puts the weights into my little heart and she gets in my room and she tears it apart"), the hook is set for an important debut by a ...
| | Bloc Party Silent Alarm CD (2005)
She Wants Revenge music CDs
$10.79 On this immensely appealing debut, SILENT ALARM, the London-based quartet Bloc Party fulfills the promise of their barnstorming 2004 singles "Banquet" and "She's Hearing Voices." Led by magnetic frontman Kele Okereke, the band extracts the most fascinating aspects of the previous 25 years of British indie rock and fuses them into a new entity--complete with smarts and heart--never delving into retro-kitsch or slavish imitation.
Okerere's urgent yelp most often recalls a fired-up incarnation of the Cure's Robert Smith, but the sounds the group creates echo everything from Gang of Four's staccato militarism ("Banquet") to the reverberating guitars of the Chameleons ("Price of Gas"). At times, Bloc Party also recalls the ecstatic soundwashes of early-1990s cult pioneers like Ride ("Plans") and Slowdive ("Compliments"). Lyrically, Okerere tilts toward an endearing adolescent pessimism that, even when the music is less than mopey, gives him away as a goth at heart ("and the ravens are leaving the tower/make your peace"). However, at the end of "Price of Gas," when he proclaims "I can tell you how this ends/We're going to win this," one can hope that Okerere is expressing his confidence in a bright future for his extremely talented band.
Although most remix albums offer little more than vaguely tweaked novelty, Bloc Party's SILENT ALARM REMIXED transcends that trend with a stunningly diverse set of reworked tracks from the British group's much-lauded debut. Given the consistently high quality of the original songs, the guest ...
| | Arctic Monkeys Whatever People Say I Am, That's What I'm Not CD (2006)
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$11.59 Reportedly the fastest-selling debut in British history at the time of its early-2006 release, the Arctic Monkeys' WHATEVER PEOPLE SAY I AM, THAT'S WHAT I'M NOT is a brash, hook-filled album that immediately warrants music fans' attention, if perhaps not all of the pre-release hype. Clearly taking notes on the evolution of U.K. punk, the Sheffield-based band reveal the influence of revered predecessors such as the Jam and the Clash, while most notably evoking the Libertines in their youthful, hood-rat persona. On this hyperactive 13-track set, singer/guitarist Alex Turner is armed with an arsenal of sharply observed middle-class narratives (a la the Streets), which are propelled by wiry guitar lines and formidable rhythms that, at times, verge on funk (see Bloc Party). Highlights of this much-lauded disc include the raucous "I Bet You Look Good on the Dancefloor," the woozy "Riot Van" (one of the record's few quieter moments), and the lurching "When the Sun Goes Down." Like Franz Ferdinand's scruffier (and considerably less effete) kid brothers, the Arctic Monkeys ...
| | She Wants Revenge This Is Forever CD (2007)
She Wants Revenge album
$9.99 On its 2007 sophomore outing, THIS IS ...
| | Big Band Hits Of Benny Goodman CD (1993)
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$6.99 Arranger: Francis Bay.
| | Impressed: 24 Groups Inspired By The Impressions & Curtis Mayfield. CD (2002) (Import) United Kingdom
She Wants Revenge music CDs
$16.65 Stars inspire imitation, and you don't have to be a musicologist to be familiar with a lot of songs and artists that have imitated singers and genres like Elvis Presley, the Beatles, Motown, Bob Dylan, and so forth. It's not always remembered, though, that some smaller-scale stars also inspired a surprising wealth of, if not exactly imitations, recordings that certainly owed a lot to a definite source. That's the concept behind this intriguing compilation, devoted to a couple dozen songs from the 1960s and early '70s that were blatantly or subtly influenced or inspired by the Impressions. None of the groups on this anthology were huge names, though some -- like the Astors, Larks, Detroit Emeralds, Manhattans, and Mad Lads -- had hits and were reasonably popular. Most, though, were no-names on indie labels big and small, creating smooth, group-vocalized soul that approximated the feel of familiar radio hits. What was missing? The vocals of Curtis Mayfield and the like, of course, but more importantly, songs as strong and immediately distinctive as "People Get Ready" or "We're a Winner." Still, if you're a fan of well-organized soul vocals and arrangements that fall on the slicker side of 1960s soul, this material is always competent, and sometimes (though not always) pretty respectable on its own grounds. And different phases of the Impressions are emulated, too: the Astors do a nice 1963 cut in the spirit of early Mayfield-Impressions Latin-tempoed efforts, "Just Enough to Hurt Me," while entries like the Marvellos' "In the Sunshine" are lush late-'60s productions. The Poets, represented by a 1965 single, would eventually evolve into the Main Ingredient. If the compilers had really wanted to be adventurous, they could have licensed a 1960s Jamaican reggae cut or two from the Wailers or others who showed a definite debt to the Impressions. The liner notes are a big plus since most of these groups (and certainly most of these cuts) are barely known. It seems like the 1962 date given for the Brilliants' track, though, has to be wrong: as the liners properly note, it bears similarity to "People Get Ready," a song that wasn't a hit until 1965. ~ Richie Unterberger
24 Tracks by 24 groups inspired by the soulful genius of Curtis Mayfield & the Impressions. Includes songs by The Larks, The Marvellos, The Saints, The Four Puzzles, etc...
Full title: Impressed: 24 Groups Inspired By The Impressions & ...
| | Divas Of Dance, Vol. 3: Best Of The Hinrg Queens CD (2004)
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$14.35 Dance Street Germany proudly presents Divas Of Dance Vol. ...
| | Alfredo Bandelli Fabbrica Galera Piazza CD (Import) Italy
She Wants Revenge album
$15.99
| | Paul Anka Collections CD (2007) Import
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$10.49
| | Jonas Backseat Ride CD (2008)
She Wants Revenge music CDs
$16.45
| | Pretty & Nice Get Young CD (2008)
She Wants Revenge songs
$9.79 Boston's Pretty & Nice have a coy name that suits a sound at once hyperactive and flirty. The seriously askew New Wave songcraft on display here spikes Elvis Costello and Squeeze with manic ...
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