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Testa, Gianmaria - Extra-Muros CD Cover Art
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Gianmaria Testa Extra-Muros CD - Import

 Gianmaria Testa Discography of CDs

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Circa 2005, this might seemed like the most recent release for the Italian singer/songwriter, but it wasn't actually a new record, having first appeared in Europe ten years previously. However, it had aged remarkably well, with some superb backing from the likes of trumpeter David Lewis and François Moutin on bass (whose solo on "Un Po' di là del Mare" is one of the disc's instrumental highlights, a breathless piece of sheer virtuosity). By the time of this second record of his career, Testa himself was a more assured singer and writer, with much greater depth and finesse to his voice, able to put across emotion -- and humor -- more easily. The latter is quite apparent on the double entendres of "Il Mio Gallo," with its arrangement that evokes vintage jazz, or the frantic "Joking Lady." But he had a lot more going for him, like the lyrical "Come un' America," which offers a romantic, brokenhearted wistfulness, or the aforementioned "Un Po' di là del Mare," whose openly sentimental lyric probably shouldn't work -- but does. It confirms Testa as a talent, as he's shown in the CDs (and book) he's released since. This disc may have been a little late in arriving, but it was well worth the wait. ~ Chris Nickson

Personnel: Claudio Dadone, Pier Mario Giovannone (guitars); Jon Handelsman (saxophone); David Lewis (trumpet, flugelhorn, piano); Olivier Besenval (drums); Pape Dieye (percussion).

Extra-Muros Music


Detailed Extra-Muros Music Information



List Price $19.98 (You save $2.03)
Category Rock/Pop Albums, World CDs, International, Latin, Italian
Label Chant du Monde
Orig Year 1996
All Time Sales Rank   128290  
CD Universe Part number 6981103
Catalog number 1400
Discs 1
Release Date Nov 08, 2005
Studio/Live Studio
Mono/Stereo Stereo
Personnel David Lewis - trumpet, flugelhorn, piano
Claudio Dadone
Jon Handelsman - saxophone
Olivier Besenval - drums
Pape Dieye - percussion
Pier Mario Giovannone - guitars
Gianmaria Testa Extra-Muros Songs


Gianmaria Testa Extra-Muros Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Per Accompagnarti
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Un Po' di la' del Mare
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Come un' America
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Cavalli di Frisia
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Il Mio Gallo
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Joking Lady
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Il Viaggio
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Via da Quest' Avventura
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.La Ca Sla Colin-A
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Un' Altra Citta'
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Extra-Muros
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Canto

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Pianist Nik Bärtsch's Zurich quintet Ronin has released a handful of recordings, but Holon is only the second released in the United States. When Stoa was issued in 2006, it was like this startling blast of air. Was it jazz? Was it minimalist classical music? Was it acoustic techno? Bärtsch calls it "zen funk." OK, fair enough, but in actuality, while it bears traces and borrows elements from all of the aforementioned genres, Ronin is its own animal, its own sound, its own complex yet utterly accessible musical identity or, better, brand. They have toured relentlessly all over the world, and as a result, this quintet is not only well seasoned, but also it has taken the music up the ladder a couple of rungs. Stoa revealed the taut, interlocking pulses, rhythms, and grooves, all stacked atop one another with nearly mathematical precision. Given the trance-like nature of some of it, it was easy to get hypnotized and allow its subtler elements, those having to do with improvisation, however tightly scripted, into the various sections of its numbered "moduls," as Bärtsch calls his compositions, as if they are all of a piece. The Ronin personnel have not undergone changes since Stoa: Sha, bass clarinets, alto saxophone; Andi Pupato, percussion; Kaspar Rast, drums; Björn Meyer, drums. Most of these players have been with Bärtsch since the beginning and as a unit have learned to trust one another to keep frames in this music while allowing for a certain looseness that makes it more physical, more driven, and consequently more intuitive and intimate: check the breakbeats and Bärtsch's solo on "Modul 41_17," where Sha moves the pulse by pitch from one sphere to the next and Bärtsch plays between the pulse and breakbeats of Rast. Basslines and percussive elements are rumbling under, pushing toward who knows what, but it's going somewhere. It actually "rocks" more than rolls, but the tension is exquisite, so much so that when Pupato introduces a cowbell and some other brighter percussion instruments in certain places, it startles the listener, like a minor shock. It is only then one realizes that the groove is mutated, shifted, turned toward another rhythmic sphere -- Meyer's carrying more notes in his groove now -- another set of pitches and contrasts and groove without the pulse seeming to change at all. Philip Glass this isn't. Steve Reich this isn't. Mogwai on pianos or Thomas Brinkmann with jazz instruments this might be. At the end of over 14 minutes, one is ...
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