| | Enter The Haggis Casualties Of Retail CD Enter The Haggis Discography of CDs
Enter the Haggis: Trevor Lewington (vocals, guitar, banjo); Brian Buchanan (vocals, acoustic guitar, fiddle); Craig Downes (vocals, tin whistle, highland bagpipe); Mark Abraham (vocals, bass guitar); Blind James Campbell (vocals, drums, percussion).
Additional personnel: Anthony Giles (percussion).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.Dirty Linen (p.59) - "[With] intricately arranged re-imaginings of traditionals like 'Congress Reel' and 'Sleepy Maggie.' Guitarist Trevor Lewington contributes two surprisingly folk-tinged songs, which he rasps out in his reedy tenor." Casualties Of Retail Music Enter The Haggis Casualties Of Retail Songs | 1. | Musicbox |
| 2. | Another Round |
| 3. | Gasoline |
| 4. | Twirling Towards Freedom |
| 5. | Congress |
| 6. | Haven |
| 7. | Minstrel Boy |
| 8. | Martha Stuart |
| 9. | Moved Through the Fair |
| 10. | Life For Love |
| 11. | To the Quick |
| 12. | Down With the Ship |
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Purchase Casualties Of Retail CD To buy, Click on price to add to cart | High Kings CD (2008) Digipak
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$14.89 The debut album by the High Kings was issued by the same folks who had a hand in Celtic Woman and Riverdance, and consists of easy listening and buffed-and-polished Irish folk music of appeal to an audience that is comparatively massive for the world music fringe: this album made the lower levels of the Billboard Top 200 album chart. The High Kings is glossy and polite -- targeted perhaps toward listeners who enjoyed the pennywhistle on Celine Dion's "My Heart Will Go On" -- even on tunes that strive to be upbeat and frolicsome. ~ Stewart Mason
The debut album by the High Kings, brought to you by the same folks who had a hand in faux-Celtic abominations like Celtic Woman and Riverdance, brings up an important philosophical question: just exactly what is the demographic for this blend of middlebrow easy listening and buffed-and-polished Irish folk music? More to the point, what does that audience (which was comparatively massive for the world music fringe: this album actually made the lower depths of the Billboard Top 200 album chart) get out of the antiseptic gloss of The High Kings that isn't available to them through the equally cleaned-up and mainstream likes of, say, the Chieftains or Clannad? Listening to the painfully polite and over-manicured ...
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