| | Jed Levy Mood Ellington CD - Import Jed Levy Discography of CDs
JazzTimes (p.115) - "MOOD ELLINGTON can be both admired and enjoyed for its imaginative reworkings of some lesser-known Duke Ellington compositions, all performed with skill and affection by a stellar quintet." Jed Levy Mood Ellington Songs | 1. | New World A-Comin' |
| 2. | Action In Alexandria |
| 3. | Mood Indigo |
| 4. | Dancers In Love |
| 5. | Haupe |
| 6. | Blue Rose |
| 7. | The Neo-Hip-Hot Cool-Kiddies Community |
| 8. | Race |
| 9. | Ad Lib On Nippon |
| 10. | The Lake |
| 11. | Cycle Of Fourths |
| Mood Ellington Review
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Purchase Mood Ellington CD To buy, Click on price to add to cart | Anita Ellis I Wonder What Became Of Me CD (1956)
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$13.45 An amazing tribute to the great jazz arranger Marty Paich, Alto Sax legend Phil Woods is joined by the Los Angeles Jazz Orchestra under the direction of pianist Christian Jacob. Recorded in 2004 this new release captures the very essence of the groundbreaking 1950's Marty Paich charts:"Art Pepper Plus Eleven" is one of the classic recordings of 1950s jazz. The combination of Pepper's alto with the arrangements of Marty Paich on a set of bebop standards in 1959 has delighted listeners for decades. 45 years after that recording Ken Poston, the founder and director of the Los Angeles Jazz Institute, presented a four-day jazz festival titled" Springsville" which ...
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Phil Woods: Phil Woods; Steve Gilmore (bass instrument); Bill Charlap, Bill Goodwin, Brian Lynch. Personnel: Phil Woods (clarinet, saxophone); Brian Lynch (trumpet); Bill Charlap (piano); Bill Goodwin (drums). Liner Note Author: Nat Hentoff. Recording ...
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$10.49 Recorded in 1981 and originally released as a 2 LP set (included here on one CD). This album features sidemen such as Mike Stern (guitar), Marcus Miller (bass, guitar), Al Foster (drums), Bill Evans (saxes) and Mino Cinelu (percussion). Includes thesongs: 'Jean Pierre', 'Back Seat Betty', 'Fast Track', ...
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$20.59 Grateful Dead: Jerry Garcia, Bob Weir (vocals, guitar); Keith Godcheaux (vocals, piano); Donna Jean Godcheaux (vocals); Phil Lesh (bass); Mickey Hart, Bill Kreutzmann (drums). Recorded live at the Capital Centre, Landover, Maryland on September 25, 1976 and Onondaga County War Memorial, Syracuse, New York on September 28, 1976. All tracks have been digitally remastered using HDCD technology. Personnel: Jerry Garcia (vocals, guitar); Keith Godchaux (vocals, piano, keyboards); Donna Jean Godchaux, Bob Weir ...
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$18.85 Petula Clark's best records were made during the mid-'60s, and with all due respect for her earlier and later accomplishments, if all she'd ever given us was the unparalleled majesty of "Downtown," "My Love," "I Know a Place," "It's a Sign of the Times," "Who Am I?" "Don't Sleep in the Subway," and "Color My World" -- we could have made do with perfection. A more thorough and all-encompassing overview of her remarkable career needs to include everything she's done since 1970 and the gradual climb that led up to her triumphant collaborations with pop composer Tony Hatch. In 2007, apparently sensing a general need for a better-informed comprehension of Clark's most primary recordings, the Jasmine label brought out a 61-track anthology of her complete early singles, squeezed onto two discs without too much trouble because many of them seem to end just as they've begun. ("Made in Heaven" wins the brevity award at one-minute-and-twelve-seconds duration). What this amounts to is a detailed analysis of her Polygon recordings made between 1949 and 1955, which were also released on Esquire in Australia and Melodi in Denmark. By 1956 she would be recording for Nixa, and this would lead to her Pye, Vogue, and Warner Brothers recordings of the late '50s and early to middle '60s. Petula Clark was a ubiquitous teenaged movie star during the 1940s and early '50s, sometimes working with young Julie Andrews. Indeed, on some of these records Petula sounds a lot like Julie, or (dare one say it?) Mary Poppins. That's because the material is predominately light, happy-go-lucky innocent pop, often in the form of the gleefully garrulous singalong novelty with rosy cheeked group vocals, as per the "Crazy Otto Rag," which is done up à la Art Mooney. If you've ever wondered how Petula came to record something so hunky-dory as "The Little Shoemaker" (issued on King records in the U.S. b/w "Helpless" in 1964), this exhaustive lexicon of harmless niceties will more than fill in the gaps, with bracing titles like "Doodle-Oodle-Day," "Put Your Shoes On, Lucy," "Clancy Lowered the Boom" (an Irish fisticuffs number made famous in the U.S. by Bing Crosby); "Who ...
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