| | System Of A Down Hypnotize CD System Of A Down Discography of CDs
(72 Customer Reviews)
Just when it seemed that System of a Down couldn't do anything to improve on their standing as the most unique and ambitious band in the alternative metal world, they decided to drop their sprawling, Rick Rubin-produced double album by releasing each disc separately. Early 2005 saw the arrival of MESMERIZE. After that album gained significant exposure via tours, radio, and videos, the album's counterpart, HYPNOTIZE, was released in late November. The albums were recorded in the same sessions--so there is a strong sense of musical cohesion, and even the CD packages themselves are designed to fit together to form one set.
"Attack" and "Dreaming" the first songs on HYPNOTIZE, are classic System of a Down with their furious riffage, schizophrenic song structures, and the slinky, nasal vocals of lead singer Serj Tankian. The band knows how to craft a hook ("Kill Rock 'N Roll," "She's Like Heroin"), raise political consciousness ("Stealing Society" is about the Armenian genocide), and rock with the ferocity of the heaviest speed and thrash metal bands. In short, System of a Down seems capable of doing anything, and HYPNOTIZE is further, indisputable proof of that fact.
Audio Mixer: Andy Wallace.
Recording information: Akademie Mathematique Of Philosophical Sound Research,; The Mansion In Laurel Canyon, Los Angeles, CA.
Editors: Dana Nielsen; Jason Lader.
System of a Down: Shavo Odadjian (bass instrument); Daron Malakian, Serj Tankian, John Dolmayan.
Personnel: Daron Malakian (vocals, guitar); Serj Tankian (vocals, keyboards); John Dolmayan (drums).
Rolling Stone (No. 988, p.117) - 3.5 out of 5 stars - "...Hell immediately runneth over on Malakian's scoured-staccato guitars and Dolmayan's furious hammering...." Spin (p.102) - "[The first album's] tracks, all around four minutes long, ricochet through a clutch of ideas, compressing what might otherwise be prog-rock suites into jump-cut barrages. That strategy certainly keeps the songs moving..." -- Grade: B Spin (p.62) - Ranked #20 in Spin's "40 Best Albums Of 2005" - "America's most compelling metal band hones a mash-up of Cali-punk absurdism, political outrage, and jump-cut headbanging." Entertainment Weekly (No. 851, p.100) - "...[T]hey're flaunting a heretofore underexplored sensitive side, offsetting their trademark stampeding riffology with flashes of delicate lyricism...." - Grade: B+ Uncut (p.109) - 3 stars out of 5 - "System succeed through their skill at wielding complex, progressive heaviness in a pop context." Hypnotize Music Review Average Rating: (4.1 out of 5 stars)    List All Reviews Systems Like Heroin Black Sabbath, Judas Priest, Metallica,Iron Maiden, and now the new kings *** SYSTEM OF A DOWN *** Submitted by Joey BagOdonuts (Hancock,NY)  Was This Review Helpful? Yes No
Very Very Gud Album She's Like Heroin is my fav sng off this album. This is their 2nd best album. Submitted by S.O.A.D. Fan (S.O.A.D., USA) Was This Review Helpful? Yes No
doesn't stir me or move me as other records what s.o.a.d. have done in the past is write beautiful metal unsurpassed by others. even their leftover album of songs had grand musical landscape. but here i can't really feel the same no matter how many times i listen. i won't say the songs here are bad or think that they needed to rewrite any parts but the collection here just doesn't inspire a response. Submitted by calavera1102 (amarillo, tx) Was This Review Helpful? Yes No
Good its good... but still, doesnt come close to toxicity, which has to be their best album, and an all-time fav of mine... System of a down.. what more to say.. Submitted by monkey_freeze (Sri Lanka) Was This Review Helpful? Yes No
What happened? This is such a bad album from SOAD!
Listen to there old stuff, 100% pure psyco and metal! this cd is such a bombout!! i hope there next cd is actually good, with this guitarist singing, it SUX! Submitted by Kyle (Guateng, PTA, South Africa) Was This Review Helpful? Yes No
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Purchase Hypnotize CD To buy, Click on price to add to cart | System Of A Down CD (1998)
Hypnotize album
$6.25 System of a Down sees itself as being an integral part of a new musical revolution of heavy music. On the surface, the band's manifesto seems tangential to Rage Against the Machine's; but musically SOAD is a groove-metal machine, with a sound that incorporates a punk ethic, Panteraesque riffs, and a schizophrenic vocal approach reminiscent of Mike Patton.
Like a dose of chicken soup for a disconnected moshing youth, SYSTEM OF A DOWN is unrelenting. "Sugar" segues from neo-jazz verses into pounding thrash-core ...
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Hypnotize CD music
$9.29 "Chop Suey!" was nominated for the 2002 Grammy Award for Best Metal Performance.
"Aerials" was nominated for the 2003 Grammy Awards for Best Hard Rock Performance.
While System of a down are often cast with the nu-metal crowd, their sound is closer to '80s thrash (and even hardcore punk) than ...
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| | Tool 10,000 Days CD (2006)
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$11.75 To its legion of fans, everything the band Tool does is an event, but the elaborate plan behind their sporadic release schedule--roughly five years, on average, between albums--is due primarily to the time and effort the band packs into each successive effort. To title ...
| | Accept Balls To The Wall CD (1984) Bonus Tracks; Remastered
Hypnotize music CDs
$6.75 Digitally remastered by Joseph M. Palmaccio (Sony Music Studios, New York, New York).
With their 1984 release, the pleasantly titled BALLS TO THE WALL, German metallists Accept set their sights on the last frontier the band had yet to conquer--America. Like their contemporaries the Scorpions, who also specialized in hard rock and hailed from Germany, Accept started out as a straight up heavy metal band, but as the '80s wore on, softened their high volume sound with a dose of melody.
While BALLS TO THE WALL introduced Accept to whole new legion of fans stateside, it wasn't the huge US smash they'd hoped for. Still, BALLS remains one of Accept's best releases, spawning the dark yet anthemic title track, as well as the screamalong ditties "London Leatherboys" and "Love Child."
Accept's most notorious album, Balls to the Wall was also their biggest commercial success. Following hot upon the heels of their creative breakthrough, Restless and Wild, you'd also be hard pressed to find a more sexually charged record in any musical genre. Its hysterically nonsensical lyrics notwithstanding, the legendary title track remains an irresistible, fist-pumping masterpiece that came to epitomize the modern, slow-marching metal anthem as it became known. And when paired with second single "London Leatherboys," it arguably constitutes the most blatantly homoerotic couplet in the history of heavy metal (eat your heart out, Rob Halford). "Fight It Back" is about as close as the band gets to their old, semi-thrashing ways (taken to the limit the previous year with the maniacal "Fast as a Shark"), and it is the more melodic "Head Over Heels" and semi-ballad "Losing More Than You've Ever Had" that set the tone for Accept's future direction. The album's third undisputed classic, the driving "Love Child," kicks off side two with one of metal's great staccato ...
| | Live From Austin.Tx: Johnny Cash CD (2005) Digipak
Hypnotize songs
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| | Coup Pick A Bigger Weapon CD (2006)
Hypnotize album
$11.65 If you look hard enough at the cover of Pick a Bigger Weapon, you can see dangling legs through a hole in the wall of a ransacked Omnimart corporate office. DJ Pam "The Funkstress"' holds a bat, Boots Riley holds a pen, and bottles of a product called Ass-Breath Killer are on a desk and the ground. It's evident that this cover isn't likely to put them in hot water, like the original cover of Party Music did almost five years prior, unless someone prominent and silly finds the legs shocking. The Coup's long-standing balance between humor and righteous anger remains on this, their fifth album, and they still deliver the laughs and rants over juiced synth-funk. This time out, they use the band format more than before, with the likes of Audioslave's Tom Morello, Tony! Toni! Toné!'s D'Wayne Wiggins, and a few funk vets chipping in on occasion. The album's press sheet draws comparisons to Prince's Dirty Mind and Too Short, and while that's not inaccurate, the references could just as easily be Digital Underground, Paris, Above the Law, E-40, late-'70s Parliament/Funkadelic, any previous Coup album, or just about any other funk-steeped rap album that has come from the West Coast. Nursery rhyme-style choruses like "Bush and Hussein together in bed, giving H-E-A-D head/Y'all muthaf*ckas heard what we said/Billions made and millions dead" will get some attention, while complex verses that are not as easy to digest (or quote) will not. Boots is as lyrically pointed as ever, dropping dozens of resonant rhymes that rail and educate, and he's even better when he punctuates his messages with humor, as he does in a faux-uppity voice on "We Are the Ones": "The one university I knew was Yale, so I cooked it, bagged it, put it on sale/Now, philosophically, you'd be opposed to one inhaling coke by the mouth or nose/But, economically, ...
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