Queen - Night at the Opera CD

Night at the Opera songs Recorded on a simple 12-track recorder as a demo, it was so good that the record company released it. Tom Scholz masterminded the project in his spare time; little did he know that this record came to define AOR, and would become a hi-fi store standard demo disc. Since that time, this record-breaking debut has sold 15 million copies in its homeland. Sholtz put so much effort into making it, he has managed only three further records in 22 years. "More Than A Feeling" still chills in a corny sort of way and the harmonies are pretty impressive. Recorded at Foxglove Studios, Watertown, Massachusetts; Capitol Studios, Hollywood, California; The Record Plant, Los Angeles, California between 1975 and 1976. Boston: Brad Delp (vocals); Tom Scholz (guitar, bass guitar); Barry Goudreau (guitar); Fran Sheehan (bass guitar); Sib Hashian (drums). Boston: Brad Delp (vocals); Tom Scholz (guitar, organ); Barry Goudreau (guitar); Fran Sheenan ...

Night at the Opera CD music One of the high-water marks of progressive rock (and thus of 1970s rock in general), CLOSE TO THE EDGE found British prog godfathers Yes firing on all cylinders. Throughout their history, they've undergone numerous lineup changes, but this album featured the "classic" formation responsible for their absolute finest achievements. Here Rick Wakeman is at his Moog-goes-Baroque best behind the keyboards, Steve Howe sounds like a blues guitarist from Mars, Chris Squire delivers confoundingly contrapuntal bass lines, and Bill Bruford seemingly solves complex mathematical equations from his drum stool. The lion's share of the album is occupied by the title track, a complex piece that moves through numerous modes and moods. In latter decades, the extended song-suite has been denigrated as indicative of the worst rock pretensions, but, on CLOSE TO THE EDGE, it was a fascinating new concept, and Yes made it work more convincingly than anyone else before or since. 2003 remastered, reissue of 1972 album with redesigned booklet (digipak/slipcase), restored LP art, archival photos and new liner notes. Includes 4 bonus tracks 'America' (single version), 'Total Mass Retain' (single version), 'And You And I' (alternate version) & 'Siberia' (studio run-through of 'Siberian Khatru'). Elektra. Audio Remasterers: Dan Hersch; Bill Inglot. Liner Note Authors: Mike Tiano; Mike Tilano. Photographers: Michael Putland; Pieter Mazél; Neal Preston; Roger Dean ; Martin Adelman. Yes: Chris Squire (bass instrument, background vocals); Bill Bruford (drums); Steve Howe (background vocals); Jon Anderson , Rick Wakeman. Personnel: Steve Howe (vocals, guitar); Chris Squire , Jon Anderson (vocals); Rick Wakeman (keyboards); Bill Bruford (percussion).

Night at the Opera buy CD music With this album, years of personnel changes ended for Fleetwood Mac with the departure of guitarist Bob Welch. The remaining core of the group (Mick Fleetwood, John McVie and Christine McVie) invited guitarist/vocalist Lindsey Buckingham and singer Stevie Nicks to join, and thus began the most commercially successful period for Fleetwood Mac. With 3 strong songwriters in Nicks, Buckingham and Christine McVie, FLEETWOOD MAC was their first number-1 album. Remastered W/ 5 Bonus Tracks. Recorded at Sound City, Los Angeles, California. Originally released on Reprise (2225). Includes liner notes by Parke Puterbaugh. Personnel: Lindsey Buckingham (vocals, guitar); Christine McVie (vocals, keyboards, synthesizer); Stevie Nicks (vocals); Mick Fleetwood (drums, percussion). Audio Remasterers: Dan Hersch; Bill Inglot. Recording information: Sound City Studios, Van Nuys, CA. Photographer: Herbert Worthington III. Fleetwood Mac: Lindsey Buckingham (vocals, guitar); Christine McVie (vocals, keyboards, synthesizer); Stevie Nicks (vocals); John McVie (bass); Mick Fleetwood (drums, percussion). Additional personnel: Waddy Watchel (guitar).

Night at the Opera album for sale Also available in a 3-pack with FACE THE MUSIC and DISCOVERY. 1976's A NEW WORLD RECORD is both a classic of commercial '70s pop and an archetypal ELO album. From the outer-space synths and rich orchestrations that open the album to Jeff Lynne's meticulous production and Beatlesque melodies, A NEW WORLD RECORD is magnificent ear candy. Both ambitious enough to appeal to "serious" rock fans and ultra-catchy enough to sound terrific on Top 40 radio (the plaintively gorgeous, McCartney-like "Telephone Line" and the anthemic "Livin' Thing" were well-deserved smashes), ELO was one of the few '70s bands whose appeal covered both the FM and AM spectrums. The album even resurrects "Do Ya," a classic single by Lynne's former band, the Move, in a splashy new version. The next ELO album, 1977's elaborate double-album OUT OF THIS WORLD, was probably the band's commercial high point, but A NEW WORLD RECORD is the group's artistic high-water mark. Their #5 smash from '76 gave ELO its first platinum record, and it's probably their most consistent creation. The hits Livin' Thing; Do Ya , and Telephone Line join Rockaria; Tight Rope ; a full six bonus cuts and more! Electric Light Orchestra: Jeff Lynne, Bev Bevan, Richard Tandy, Kelly Groucutt, Mik Kaminski, Hugh McDowell, Melvyn Gale. Electric Light Orchestra: Mik Kaminski (violin); Richard Tandy (piano, Moog synthesizer); Kelly Groucutt, Hugh McDowell, Melvyn Gale, Jeff Lynne, Bev Bevan. Personnel: Jeff Lynne (vocals, guitar, slide guitar, Wurlitzer organ, percussion); Kelly Groucutt (vocals, bass guitar, percussion, background vocals); Richard Tandy (guitar, grand piano, electric piano, Clavinet, Wurlitzer organ, Mellotron, mini-Moog synthesizer, percussion, background vocals); Mik Kaminski, Hugh McDowell, Melvyn Gale (cello); Bev Bevan (mini-Moog synthesizer, drums, percussion, background vocals). Liner Note Authors: Jeff Lynne; Rob Caiger. Recording information: De Lane Lea Studios, London, England; Musicland Studios, Munich, Germany. Illustrator: Kosh. Photographers: Kosh; Andrew Kent; Barry Plummer.

Night at the Opera CD music Also available in a 3-pack with A NEW WORLD RECORD and DISCOVERY. Master Sound releases are 24-karat gold CDs remastered from first-generation masters. This process utilizes 20-bit technology and Sony's revolutionary "Super Bit Mapping" system. ELO was big enough by 1974 that some people actually suggested that ELDORADO featured Satanic backward-masking. Of course, the idea was ludicrous; but the band playfully responded by adding a backward message to "Fire on High," the opening instrumental on 1975's FACE THE MUSIC. Besides "Fire on High," which was used as background music for countless television programs in the '70s, this album's eight lengthy tracks include two enormous hits, "Evil Woman" and the McCartneyesque ballad "Strange Magic." Decades later, these two tracks are still in constant rotation on classic-rock radio around the world. Those three songs defined the new sound of ELO. Gone were the elaborate, classically styled overtures, in favor of concise, ultra-melodic pop songs given lush, romantic orchestral arrangements with endlessly overdubbed harmony vocals. The next three ELO albums refine this aesthetic to commercial perfection, but this is where it starts. FACE THE MUSIC is the album that put ELO over the top. Here's where they really took off. This 1975 LP cracked the Top 10 as the band perfected their orchestral-rock sound with the hits Evil Woman; Strange Magic , and the rest of this classic album. Includes four bonus alternate mixes and versions! Electric Light Orchestra: Jeff Lynne (vocals, guitar); Kelly Groucutt (vocals, bass); Richard Tandy (guitar, piano, Clavinet, Moog synthesizer); Mik Kaminsky (violin); Hugh McDowall, Melvyn Gale (cello); Bev Bevan (drums, percussion). Electric Light Orchestra: Melvyn Gale (cello); Kelly Groucutt (bass guitar); Mik Kaminski, Hugh McDowell, Jeff Lynne, Richard Tandy, Bev Bevan. Personnel: Jeff Lynne (vocals, guitar, background vocals); Kelly Groucutt (vocals, background vocals); Richard Tandy (guitar, piano, Clavinet, Moog synthesizer); Mik Kaminski (violin); Hugh McDowell (cello); Bev Bevan (drums, percussion, background vocals). Liner Note Author: Rob Caiger. Recording information: De Lane Lea Studios, Wembley, Middlesex, England; Musicland Studios, Munich, Germany. Photographers: Robert Ellis ; Michael Putland; Norman Seeff; Gary Merrin; Barry Plummer.

Night at the Opera buy CD music In 1973, the members of Mott the Hoople were tired. Island Records had dropped the band after three albums, as sales were low and audience interest was almost non-existent. But the band had a famous fan in David Bowie, who offered to write them one single to give them a leg up. That single was the chart-topping "All the Young Dudes," a glitter-era wink-wink celebration of male bonding that name-checked chart-toppers T. Rex and repositioned the once-laddish band as glammy, androgynous scenesters. Obviously, an album was called for. Produced by Bowie and opening with a smoking cover of "Sweet Jane" that played a major role in raising public awareness of the Velvet Underground, ALL THE YOUNG DUDES is a brassy, loud, obnoxious--in the best possible sense--rock & roll album. "Sucker" and "One of the Boys" recall the hit, while "Jerkin' Crocus" and "Sea Diver" are as odd as the band's earlier material. An amazing mid-career transformation. David Bowie helped these UK rockers become glam-rock giants by producing this 1972 LP and contributing the ultimate glam anthem, All the Young Dudes . That classic, their hit One of the Boys and the rest of this Mott masterpiece join seven bonus cuts: All the Young Dudes with Bowie and Ian Hunter on vocals; a live Sweet Jane ; three demos, and more! Includes bonus tracks.