| | Andreas Willers Montauk CD Andreas Willers Discography of CDs
Recording information: 12/2004.
Editor: Volker Greve.
Personnel: Andreas Willers (acoustic guitar, electric guitar, banjo); Dominique Pifarély (violin); Alain Grange (cello); Michael Griener (drums, percussion).
Audio Mixer: Volker Greve.
Andreas Willers Montauk Songs | 1. | Grau Normal Ja |
| 2. | Smoke & Mirrors |
| 3. | Arm in Arm |
| 4. | Glaswerk |
| 5. | One Man's Floor Is Another Man's Ceiling |
| 6. | Scrambler |
| 7. | Blinded in Headlights |
| 8. | Montauk |
| 9. | Comme Ca Vient |
| 10. | String Trio |
| 11. | Bain de Vapeur |
| 12. | Grid Mesh |
| 13. | Attempting to Confess |
|
Montauk Review
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Purchase Montauk CD To buy, Click on price to add to cart | Herbie Hancock Head Hunters CD (1973) Remastered
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Cyrus Faryar's second album is similar to its predecessor, but more finely crafted musically and sonically, courtesy of producer John ...
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Prezens is the first recording guitarist and producer David Torn has recorded under his own name for ECM Records in the 21 years since his Cloud About Mercury was issued. His sonic explorations have always been at least as much an interest to him as his playing. As a result he has stretched to the limits of what the guitar can, or even perhaps should, do in realms where it sounded like he was playing anything but his chosen instrument. Most recently, Torn has performed in Tim Berne's Science Friction and Hard Cell ensembles and played with Drew Gress and Dave Douglas. Torn enlists Berne and the other members of his Science Friction band: keyboard wizard Craig Taborn and drummer Tom Rainey, minus guitarist Marc Ducret. The end result, while wildly adventurous and full of astonishing improvisations, is also full of some of Torn's most ...
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$31.55 | | Gil Evans Complete Pacific Jazz Sessions CD (2006)
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The second of these albums, Great Jazz Standards, featured a similar band with some notable differences. For one, the inclusion of soprano saxophonist Steve Lacy as a soloist and rhythm sections that included either Dennis Charles or Elvin Jones on drums, Curtis Fuller on trombone, and Budd Johnson on tenor for about half the set. The finer moments here include "Ballad of the Sad Young Men," (a newish tune at the time with a fine piano solo by Evans) John Lewis' "Django," with a truly brilliant and understated solo by Lacy, who also does a commendable job on "Straight No Chaser." Johnson wails on Gil Evans' "La Nevada (Theme)." Evans arrangement of Clifford Brown's "Joy Spring" is also a killer, with his and guitarist Ray Crawford's solos. The Complete Pacific Jazz Recordings is a fine collection issued by Blue Note, which, as part of the Connoisseur Series, is limited and will be out of print again soon. Don't wait. ~ Thom Jurek
Gil Evans released two records on World Pacific in 1958 and 1959. They were among his earliest dates as a leader. Gil Evans & Ten was issued by ...
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At a time when even the most hapless garage band has its demo posted on MySpace, footage of its last basement show available on YouTube, and a stack of CD-Rs for sale at its most humble gigs, the enigma that is Sonic's Rendezvous Band seems all but impossible to fathom -- a world-class rock band featuring musicians of national (and even international) acclaim whose music managed to go almost entirely without public documentation during its six-year existence. Formed by former MC5 guitarist and songwriter Fred "Sonic" Smith in 1975, Sonic's Rendezvous Band also included former Rationals frontman Scott Morgan, who traded off with Smith on lead vocals and contributed rhythm guitar, as well as drummer Scott Asheton (former timekeeper with Iggy & the Stooges) and bassist Gary Rasmussen (a veteran of proto-punk troublemakers the Up). Sonic's Rendezvous Band were a potent club draw in Michigan, but they were all but ignored outside of the Midwest, and the shambling, drug-damaged reputation of the latter-day MC5 and Stooges discouraged much serious record company interest. The group self-released a single in 1978, but due to squabbles within the band, the intended B-side, "Electrophonic Tonic," was scrapped and the same tune, "City Slang," appeared on both sides, in stereo and mono mixes. "City Slang" was a thoroughly amazing recording, a brilliant encapsulation of the Detroit high-energy mythos overflowing with passion, precision, and blazing guitar work, but there was no follow-up, and for years it was the only SRB recording available after they called it quits in 1980. While two collections of live recordings were released in the 1990s, City Slang's box set Sonic's Rendezvous Band is the first large-scale attempt to document the group's musical legacy, and while going from a one song 45 to a six-CD set may seem like overcompensatory overkill, these recordings set the record straight about how startlingly good this band really was.
The first four discs of Sonic's Rendezvous Band are devoted to live concerts, with each featuring a different show; while the first two discs document a talented band that displayed flashes of brilliance while still finding its feet, discs three and four (recorded at shows in Detroit and Ann Arbor in 1978) are little short of stunning. By this point, Sonic's Rendezvous Band were astoundingly tight on-stage and the commitment and ferocity of this music is a wonder; just as importantly, Smith ...
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