| | Mam Jazz In My Musette CD - Import Mam Discography of CDs
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Our Price: $14.95 CDFor Sale Usually ships in 1-2 days
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M.A.M: Viviane Arnoux (vocals, accordion); François Michaud (violin, alto saxophone); Francois Parisi (accordion). Personnel: François Michaud (alto, violone); Viviane Arnoux, François Parisi (accordion). Recording information: La Chapelle, Walmes, Belgique (2005); L'Auditorium De L'I.N.J.E.P., Marley-Le-Roi, France (2005); L'Ogresse Theatre, Paris, France (2005). Authors: Raynald Ouellet; Raphaël Jonin; Abed Azrié; Hugues Aufray.Dirty Linen (p.54) - "[T]he manner in which the musicians play off each other updates the sound for a new generation." Mam Jazz In My Musette Songs Jazz In My Musette Review
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$12.89 The inviting sensitivity of vocalist Eden Atwood and the sensuous rhythms of Brazil make for a stirring musical marriage on her first Groove Note release. Eden, who's thrilled audiences from Chicago to Shanghai, gives the music of Jobim, Ellington, Lenno
Personnel: Eden Atwood (vocals); Bill Cunliffe (arranger, piano); Pete Christlieb (tenor saxophone, flute); Anthony Wilson (guitar); Darek Oles (bass); Joe LaBarbera (drums); Scott Breadman (percussion). Recorded at Record One Studios, Sherman Oaks, California on May 24-29, 2002. Includes liner notes by Bill Kohlhaase. This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Personnel: Eden Atwood (vocals); Bill Cunliffe (arranger, piano); Pete Christlieb (tenor saxophone, flute); Anthony Wilson (guitar); Darek Oles (bass); Joe LaBarbera (drums); Scott Breadman (percussion). Recorded at Record One Studios, Sherman ...
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| | X-Ray Spex Germfree Adolescents CD (1978) (Import) Import; United Kingdom
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$15.75 2005 issue of the compelling seminal punk album with bonus tracks, includes 'Oh Bondage Up Yours', 'Germ Free Adolescents' and 'The Day The World Turned Day-Glo', Also includes a booklet with extensive sleeve notes including an interview with Poly Styrene. Castle Music.
X-Ray Spex: Poly-Styrene (vocals); Jak Airport (guitar); Rudi Thomson (saxophone); Paul Dean (bass); BP Hurding (drums). Perhaps the most utopian aspect of the U.K. punk scene was that it offered creative, articulate young people the opportunity to express themselves, and to kick up an exuberantly noisy racket in the process. X-Ray Spex certainly came from this wing of the movement, the brainchild of two female schoolmates who re-christened themselves Poly Styrene and Lora Logic. X-Ray Spex was far from the only female-centered British punk act, but they were arguably the best, combining exuberant energy with a cohesive worldview courtesy of singer and songwriter Poly Styrene. As her nom de punk hinted, Styrene was obsessed with the artificiality she saw permeating Britain's consumer society, linking synthetic goods with a sort of processed, manufactured humanity. Styrene's frantic claustrophobia permeates the record, as she rails in her distinctively quavering yowl against the alienation she feels preventing her from discovering her true self. Germ Free Adolescents is tied together by Styrene's yearning to be free not only from demands for consumption, but from the insecurity corporate advertisers used to exploit their targets (especially in women) -- in other words, to enjoy being real, imperfect, non-sterile humans living in a real, imperfect, non-Day-Glo world. Fortunately, the record is just as effective musically as it is conceptually. It's full of kick-out-the-jams rockers, with a few up-tempo thrashers and surprisingly atmospheric pieces mixed in; the raw, wailing saxophone of Rudi Thomson (who replaced Lora Logic early on) gives the band its true sonic signature. The CD reissue of Germ Free Adolescents appends both sides of the classic debut single "Oh Bondage Up Yours!," one of the most visceral moments in all of British punk -- which means everything you need is right here. ~ Steve Huey X-Ray Spex is notable for a number of reasons. Chiefly, it was one of the very few bands UK punk bands with female members. One of the group's distinguishing characteristics is their decidedly un-punk use of saxophones. Most importantly, though, X-Ray Spex's first effort is actually a good record! Fronted by Marion Elliot, who called herself Poly Styrene in those days, ...
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