| | Cosmic Voodoo Vertigo CD Cosmic Voodoo Discography of CDs
Vertigo Music | List Price | $12.97 (You save $2.42) | | Category | Rock/Pop Albums, Punk CDs, Rock | | CD Universe Part number | 6989469 | | Catalog number | 101 | | Discs | 1 | | Release Date | Nov 01, 2005 |
Cosmic Voodoo Vertigo Songs | 1. | Vertigo |
| 2. | Buried Alive |
| 3. | Slowly Burn |
| 4. | Pumpkin-Head |
| 5. | Just My Wicked Ways |
| 6. | Necroland |
| 7. | The Crossroads |
| 8. | She's My Witch |
| 9. | Mind Dog |
| 10. | Slowly Burn [Alt.] |
| 11. | Am I Wicked? |
| 12. | Old Man In The Woods ['97] |
| 13. | Riverbed Blues |
| 14. | Old Man In The Woods |
| 15. | I Am The Moon |
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Vertigo Review
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Purchase Vertigo CD To buy, Click on price to add to cart | Rod Stewart Soulbook CD (2009)
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become Gaga's calling card. And even as she's becoming omnipresent, ...
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If Frank Black fronted Mogwai, it might sound something not unlike McCarthy, and therein lies the problem -- if those two acts were getting married, you'd have to speak up and stop the wedding. Favoring a lugubrious sound that spans the poles between fragile, hypnotic drone rock and crashing, oceanic noise, Helms does little new within the hard/soft dynamic already staked out by dozens of other bands of varying quality; frontman Sean McCarthy recites the lyrics in a droll, half-spoken voice evoking the Pixies, which is probably just a Massachusetts thing, but off-putting nevertheless. And yes, Helms and McCarthy are the surnames of the bandmembers, but they're also the surnames of two of the most evil archconservatives of the 20th century -- talk about making a negative first impression. Cool cover design, though. ~ Jason Ankeny
On McCarthy, Helms makes music married to the sensate world. Their songs are testaments to the act of being and the life cycle. It's all in the dynamics, as gentle waves of guitar sound intimating the quietness of birth give way to super squalls of notes and energy, much like life's buffeting winds. Then there are the retrenchments back into silence, and not just at song's end. This is not so much like death as a gathering of strength before the next go-round.The words as sung/spoken by guitarist Sean McCarthy (who with drumming brother Dan McCarthy shares the title of this disc, while the band name's source is bassist Tina McCarthy, whose maiden name is Helms) are mostly concerned with seemingly simple insensate objects which, when acknowledged via lyrical focus, gain totemic power. ...
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