| | Great Jazz Trio Speak Low CD - Import Great Jazz Trio Discography of CDs
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Our Price: $46.29  CDFor Sale Usually ships in 1-2 days
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SACD. Japanese reissue of the 2003 album features the original tracks including 'Footprints', 'Old Folks', 'All Blues', 'Round Midnight' and more packaged in a miniature LP sleeve. Village. 2005. **Super Audio CD (SACD) Hybrid**
This CD will play in standard CD players.
A Super Audio CD player is required to take advantage of the SACD sound technology. Great Jazz Trio Speak Low Songs | 1. | Oleo |
| 2. | In A Sentimental Mood |
| 3. | Speak Low |
| 4. | No Problem |
| 5. | When You Wish Upon A Star |
| 6. | Man I Love |
| 7. | Willow Weep For Me |
| 8. | Mack The Knife |
| 9. | Come Rain Or Come Shine |
| 10. | Corcovado (Quiet Nights Of Quiet Stars) |
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| | Masada Quintet Stolas: Book Of Angels Volume 12 CD (2009)
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STOLAS is the 12th volume in John Zorn's BOOK OF ANGELS series of compositions, and it's a welcome and compelling idea that he decided to re-form his stellar Masada quintet for the occasion. In addition to the rhythm section of Joey Baron and Greg Cohen, trumpeter Dave Douglas, and pianist Uri Caine, Zorn enlisted tenor sax giant Joe Lovano to replace him on all but one cut where he adds his alto, making the group a sextet. Here klezmer, Yiddish folk music, bossa nova, and other Latin jazz all come together in a seamless meld of tunes that accent the symmetry of ensemble play as much as they do an extremely advanced sense of ensemble harmonics, rhythmic invention, and, of course, tautly arranged spaces for individual ...
| | N Ravikiran Taj Mahal Vishwa Mohan Bhatt Mumtaz Mahal (1995) Super Audio CD
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This is a Super Audio CD playable only on Super Audio CD players.
Taj Mahal is joined by Indian master musicians N. Ravikiran and V.M. Bhatt on a selection of tunes that ultimately owe more to obvious blues clichés than they do to cross-cultural collaboration. Perhaps that's because nearly half of the album's tunes -- including Robert Johnson's "Come on in My Kitchen," "Mary Don't You Weep," and "Johnny Too Bad" -- have long been staples of Taj Mahal's concert ...
| | Mike Wofford Live At Athenaeum Jazz (2004) Super Audio CD
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This remarkable live performance by pianist Mike Wofford was recorded during the 2003 Jazz at the Athenaeum (a private library in La Jolla, California) series, though it was taped at the larger Neurosciences Institute Auditorium in San Diego. Joined by an accomplished rhythm section consisting of bassist Peter Washington and drummer Victor Lewis, this trio set features a diverse mix of songs played with imagination. The old chestnut "My Old Flame" opens with a disguised introduction, reworked with a brisk five/four rhythm and a richly voiced substitution for the original bassline. Wofford turns on the afterburners in his take of Duke Ellington's blues "Take the Coltrane" (written for his studio date with the tenor saxophonist). Washington's tasty bass and Lewis' snappy percussion underscore the leader's arrangement of "Macedonia," an infrequently performed composition by Conte Candoli. Lewis contributed ...
| | Miles Davis Porgy And Bess (1958) Import; Super Audio CD
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This is a Super Audio CD playable only on Super Audio CD players.
Of all Gil Evans' orchestral scores for soulmate Miles Davis, PORGY AND BESS is his richest and most ambitious--a watershed of modern jazz harmony which served to secure Davis' pop star stature and define his brooding mystique. Inevitably, even non-jazz listeners own a copy of PORGY AND BESS or SKETCHES OF SPAIN.
Like MILES AHEAD, Evans' band on PORGY AND BESS de-emphasized the traditional reed section in favor of a tuba, three French horns, two flutes and two saxophones. The resulting chords and overtones are dark, alluring and mysterious. Thus the opening brass-cymbal bluster of "The Buzzard Song" gives way to a mid-eastern carpet of flutes and deep brass as Davis' poignant trumpet speaks in split tones and yearning cadences, bursting with blues feeling; a tuba soon picks up the theme as muted trumpets are followed by tolling trombone/French horn chords.
Each of the thirteen sections contrast lush instrumental details with intimate trumpet arias (which suggest the profound influence of Billie Holiday, particularly over the eerie textures of "I Loves You Porgy"). Evans' ability to orchestrate hypnotic call and response patterns with Davis, and his ability to layer multiple textures at contrasting tempos makes for several memorable moments: Philly Joe's dancing breaks and exchanges with Miles on "Gone," the church-like amens of "Gone, Gone, Gone," the counter-melodies on a lightly swinging "Summertime," Miles' sustained lyricism (and Evans' tart blue chordal rejoinders) on "Prayer," the brash after-hours swagger of "It Ain't Necessarily So," and the contrasting folkish themes of "Here Come De Honey Man." Timeless music.
Tomes are available annotating the importance of this recording. The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular their reinvention of George Gershwin's Porgy and Bess are indeed profound. However, the most efficient method of extricating the rhetoric and opining is to experience the recording. Few other musical teams would have had the ability to remain ...
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