| | Otonatachiheno Rarabai CD - Import Otonatachiheno Rarabai Discography of CDs
Otonatachiheno Rarabai Music | List Price | $33.99 (You save $2.44) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 6991287 | | Catalog number | 607119 | | Discs | 1 | | Release Date | Dec 13, 2005 |
Otonatachiheno Rarabai Review
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Purchase Otonatachiheno Rarabai CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
Otonatachiheno Rarabai album
$13.39 Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka Sesame Street's Luis, duets with Forbes here in Spanish and English). The album's first few tracks are among its most playful, including the slinky yet winking "Ohayoo Ohio" and the French confection "Ou Est Ma Tete?" While Pink Martini gets almost too ...
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$11.49 The chart-busting Celtic Woman are a group of vocalists whose thrilling ...
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Otonatachiheno Rarabai songs
$11.19 MACARTHUR PARK goes beyond the famous hit title track to explore the recorded work of stage and screen actor Richard Harris, including his versions of "Paper Chase" and "Name Of My Sorrow."
This CD reissue from England is almost (but not quite) identical to Raven Records' Richard Harris: The Webb Sessions 1968-69 from Australia, combining the contents of the albums A Tramp Shining and The Yard Went on Forever. The difference is the absence of the last Richard Harris-Jimmy Webb collaboration, "One of the Nicer Things," which appeared as a free-standing single in 1969. Alan Hodgson's annotation is slightly less informative than the notes by Jimmy Webb on the Raven CD. On the other hand, this disc is also about $3-$5 cheaper, so budget-minded fans may appreciate it. As for the sound, it is superior to any of the LP versions of A Tramp Shining, with Webb's reliance on stereo separation for important timbral effects coming through bright and sharp throughout -- a small, muted string orchestra coming up opposite an electric guitar and bass on one song, an electric piano or harpsichord tinkling from one speaker, while a big-scale orchestra pumps out rich horn playing from the other. Moreover, at this late date, the background chorus on "If You Must Leave My Life" sounds amazingly ...
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Otonatachiheno Rarabai album
$40.49 Claude Challe's Buddha-Bar, Vol. II compilation has elements of Far Eastern spirituality, African song, European electronica, and Spanish spice. The first album, Buddha-Bar, is very mellow for the most part. Deepak Chopra and Demi Moore, far and away the most recognizable names on the album, do a spoken word ditty on love and self-worth. People who are not fans of new age doctrine will appreciate artists such as Oliver Shanti and Consuelo Luz, both of whom contribute songs that manage to sound musical, spiritual and ethnic at once. The second album varies from hallucinatory to groovy to fairly high-energy. "Tears Inshalla" will appeal to fans of Eastern-influenced trance. Lyrics are of almost no importance on the album. They do exist on most tracks, but they bounce around from English to Portuguese to Arabic. Bits and pieces and snatches of phrases ...
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$8.85 FABLES OF THE RECONSTRUCTION finds R.E.M.'s star rising fast. With major label world domination still comfortably off in the future, the band was still experimenting; their jangly frenetic sound was deepening by fathoms, and Michael Stipe's formless rants were solidifying ...
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