Rhymefest Blue Collar CD

Personnel: Rhymefest (rap vocals); Mario (vocals); Kanye West, Mikkey, Q-Tip, Bump J. (rap vocals).
Chicago rapper Rhymefest made a powerful ally in Kanye West following their collaboration on the Grammy winning track "Jesus Walks." Rapper/producer West returns the favor with stellar production work and guest spots on BLUE COLLAR, Rhymefest's debut album. What you'll hear on BLUE COLLAR shouldn't surprise fans of West, or any of his contemporaries--gangsta or suburban. This is hip-hop that transcends influence, with a vitality in its beats and a laid-back yet urgent delivery designed to twist tongues and shape minds. Tracks like "Brand New," "Build Me Up" (featuring the late Ol' Dirty Bastard), and "Feva" find Rhymefest reaching out to as many audiences as he can, and succeeding on all fronts.
Rhymefest won a Grammy before he released this, his first album for Mark Ronson's J-distributed Allido label. As one of the writers behind Kanye West's "Jesus Walks," the Chicago-raised MC gained some above-ground notoriety after several years spent paying dues as a battler (he beat Eminem at Scribble Jam '97) and featured guest (Ronson's "Bout to Get Ugly," West's "We Can Make It Better"). And, as he is eager to point out, he hasn't been paid all that much -- he has cycled through a fair share of low-paying jobs. Blue Collar, which involves production work from Ronson, West, Just Blaze, No I.D., and Cool & Dre, tends to remain true to its title and establishes Rhymefest's role as a down-to-earth, no-larger-than-life figure who happens to be exceptionally talented. With a slight lisp, his gruff voice projects several verses that are humbled and humorous without sacrificing any sense of swagger: "Blue-collar rap, why I call it that?/Sh*t, I know more real n*ggas that U-Haul than haul crack" ("Dynomite"); "I know I'm ahead of my time/But I'm behind on my rent" ("Devil's Pie"); "Workin' hard for scratch/Talk sh*t, get your jaw detached" ("All I Do"). His contradictions wouldn't be so significant if he didn't present himself in such a specific way. In "Brand New," he proclaims "Look at all my whips, they're all vintage" and boasts about his "loft with a view of the sea," possessions that don't sound blue-collar at all, unless he's putting a clever spin on referring to a few planks in a tree and a fleet of broken-down Gremlins. "Fever," another calculated shot at the charts, doesn't match his character either, dressed in the kind of production that would sound better behind an adolescent pop-rapper. If you subtract the shortcomings and pay extra attention to the tracks that discuss what things are like in Rhymefest's reality ("More," "Sister," "Bullet"), you'll hear roughly 45 very good minutes surrounded by 15 minutes of fluff. Regard the 45 minutes as the program and disregard the remainder as the commercials. ~ Andy KellmanRolling Stone (p.96) - 3.5 stars out of 5 -- "Even more than West, 'Fest seems to love the rock & roll. Three Dog Night's 'One,' the Strokes' 'Someday' and the Foundations' 'Build Me Up Buttercup' are all re-created here to great effect."
Rolling Stone (p.105) - Ranked #25 in Rolling Stone's "The Top 50 Albums Of 2006" -- "A major talent we're lucky to have."
Spin (p.84) - 3 stars out of 5 -- "[H]e's undeniably an innovative MC full of wit and skill....Rhymefest nimbly handles the political commentary of songs like 'These Days'..."
Entertainment Weekly (p.81) - "On BLUE COLLAR, the gregarious MC spits underdog narratives and gut-busting punchlines over soul-drenched beats..." -- Grade: B+
Q (p.115) - 3 stars out of 5 - "[W]eaving witty rhymes about infidelity...and declaring himself "wacktose intolerant"."
XXL (Magazine) (p.134) - "Witty off-cuff wordplay aside, Rhymefest also possesses a wicked pen game....Rhymefest sidesteps thug life for real life and proves that image is nothing when it comes to making good music."