| | Christmas With Eddy Arnold CD Eddy Arnold Discography of CDs
 (3 Customer Reviews)
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Our Price: $6.05  CDFor Sale Usually ships in 1-2 days
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Recorded at RCA Victor's "Nashville Sound" Studio, Nashville.
All tracks have been digitally remastered using HDCD technology.
This is the immortal "Tennessee Plowboy"'s classic Christmas album. First released in 1962, it still sounds great today. ~ David A. Milberg Christmas With Eddy Arnold Music Christmas With Eddy Arnold Songs Christmas With Eddy Arnold Music Review Average Rating: (5 out of 5 stars)  Wonderful album
I have this album as a scratchy record and have been waiting to have this on cd. It is a wonderful Christmas album with Eddy's great voice. Album cover is differnet than original LP, but music is the same. "Shanty Town" and "C-H-R-..." are my favorites. A couple of the fast paced ones are not his style (Jingle Bell Rock) but all the rest are wonderful. Highly recommend!!
Submitted by bw500 (Indianapolis, Indiana, USA) 
Was This Review Helpful? Yes No Christmas memories
We had this album from the start, from when I was a little kid and I loved it. I love all Christmas music but, this is the one that I always kick off the Christmas music season with. I had recorded it to tape years ago, but was delighted to finally get it on cd. I don't think I have found any other artists that does "Will Santy Come To Shanty Town", "Christmas Can't Be Far Away" or "C-H-R-I-S-T-M-A-S". This cd warms my heart and it would not be Christmas without it.
Submitted by catsandpug (Buchtel, OH)
Was This Review Helpful? Yes No Very best of Eddy Arnold
A "must" for Eddy's fans!!!
Submitted by erbarwick (Cayce, S.C., USA)
Was This Review Helpful? Yes No 0 of 1 found this helpful. | Have you heard this album? |  |
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Photographer: Les Leverett.
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Personnel: David Ball (vocals); Joe Spivey (acoustic guitar); Chris Leuzinger, Steve Gibson (electric guitar); Mike Johnson , Tommy White (steel guitar); Larry Paxton (bass instrument); Brad Clancey, Owen Hale (drums); Perry Coleman (background vocals).
A dozen years after David Ball scored a well-deserved hit with the updated honky tonk of Thinkin' Problem, the South Carolina native is still in the game even if mainstream country radio has turned its back on him, and his eighth album, Heartaches ...
| | Napalm Death Scum - 20th Anniversary Edition CD (1987) With DVD; Limited Edition
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This 20th anniversary set includes a CD of 28 tracks and a DVD with a 45 minute documentary film. Original member Mick Harris recalls the early days of the band, and revisits the pivotal places in the history of the Scum recording - Rich Bitch Studios, The Mermaid, and old rehearsal spaces. Additional interviews with Classic Rock journalist Malcolm Dome, Kerrang writer Dom Lawson, Earache founder Digby Pearson, and Turner Art prize 2006 nominee Mark Titchner are included, all of whom discuss the impact of the album on them and the music scene in general.
Napalm Death: Mick Harris (vocals, drums); Lee Dorrian (vocals); Bill Steer (guitar); Shane Embury (bass).
Legendary grindcore godfathers Napalm Death left a scorched path on the English countryside immediately upon the release of their debut album, SCUM. So volatile that they had two different lineups appearing on the same album (with Justin Broadrick and Nick Bullen leaving before recording the rest), Napalm Death took hardcore punk and shifted the focus to ungodly speed and brevity at the expense of everything else. Twenty-odd-second blitzes such as "The Kill" and "Deceiver" rush by like the contrail of a nuclear warhead, and the longest song, "Siege of Power," barely breaks three minutes. In fact, "You Suffer," at four seconds long, has to hold some kind of record. But blinding speed alone can't hold a listener's interest, and Napalm Death kept listeners in the seats with innovative, low-fi takes on Motörhead's black tar rumble and Discharge's bilious punk screeds. Surprising melodies bubble up through the blur and skitter of drums, chainsaw guitar, and croaked, unintelligible vocals. It's challenging stuff, and the uninitiated would not be scoffed at for calling SCUM "noise," but that was the point. Such a rebellion against traditional musical values was almost unheard-of when SCUM hit in 1987, and it still sounds positively corrosive today.
As a rallying call for what seemed like millions of bands to follow, not to mention the launching point for the varying careers of Justin Broadrick, Nick Bullen, Mitch Harris, ...
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