| | Altre Follie 1500-1750 / Savall, Hespèrion Xxi, Et Al CD - Import Hesperion Xxi / Savall CDS
| Category | Classical, Chamber Music/Recitals, Baroque Period, Sonata, Suite, Dance - Classical, Fantasy, Variations, Renaissance Period, Partita, Caprice, Pavane, Trio Sonata, Improvisation, Ground, Ricercare |
Altre Follie 1500-1750 / Savall, Hespèrion Xxi, Et Al Music | List Price | $21.97 (You save $1.52) | | Label | Alia Vox | | Orig Year | 11/15/2005 | | All Time Sales Rank |  6024  | | CD Universe Part number | 6991886 | | Catalog number | 9844 | | Discs | 1 | | Release Date | Nov 15, 2005 | | Recording Time | 1 17 |
Altre Follie 1500-1750 / Savall, Hespèrion Xxi, Et Al Review
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Altre Follie 1500-1750 / Savall, Hespèrion Xxi, Et Al Songs | 1. Folias criollas (improvisation), for ensemble (3:27) | | Composer | Anonymous, Peruvian | | Conductor | Jordi Savall | | Ensemble | Hesperion XXI | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 2. Folias antiguas (3:57) | | Composer | Anonymous | | Conductor | Jordi Savall | | Ensemble | Hesperion XXI | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 3. Pavana con su glosa (3:03) | | Common Name | Pavana | | Composer | Antonio de Cabezón (circa 1510 - 1566) | | Conductor | Jordi Savall | | Genre | Pavane / Renaissance Period | | Date Written | circa 1550 | | Ensemble | Hesperion XXI | | Period | Renaissance | | Country | Spain | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 4. Fantasia que contrahaze la harpa en la manera de Luduvico (2:36) | | Composer | Alonso de Mudarra (circa 1510 - 1580) | | Genre | Fantasy / Renaissance Period | | Date Written | 1546 | | Period | Renaissance | | Country | Spain | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 5. La Gamba for bass & soprano (2:01) | | Composer | Vincenzo Ruffo (circa 1508 - 1587) | | Conductor | Jordi Savall | | Genre | Renaissance Period | | Ensemble | Hesperion XXI | | Period | Renaissance | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 6. Partite variate sopra "la Folia" aria romanesca (3:34) | | Composer | Alessandro Piccinini (1566 - circa 1638) | | Performer | Rolf Lislevand (Theorbo) | | Genre | Baroque Period / Ground / Partita | | Period | Baroque | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 7. Folias (a 3) echa para mi Senora Dona Tarolilla de Carallenos (4:29) | | Composer | Andrea Falconieri (circa 1585-1586 - 1656) | | Conductor | Jordi Savall | | Performer | Rolf Lislevand (Theorbo) | | Genre | Renaissance Period | | Date Written | 1650 | | Period | Renaissance | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 8. Folia, for keyboard (4:01) | | Composer | Bernardo Storace (circa 1630 - after 1665) | | Performer | Michael Behringer (Harpsichord) | | Genre | Baroque Period | | Period | Baroque | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 9. Faronell's Division on a Ground (4:56) | | Composer | English Traditional | | Performer | Manfredo Kraemer (Violin) | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 10. Folias, for guitar in D minor (version from Varii scherzi di sonate, 1648) (3:14) | | Common Name | Folias For Guitar | | Composer | Francesco Corbetta (1615 - 1681) | | Performer | Rolf Lislevand (Guitar) | | Genre | Baroque Period / Sonata | | Period | Baroque | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 11. Sonata for violin & continuo in D minor ("La Follia"), Op.5/12 (10:56) | | Common Name | La Follia Sonata, Sonata For Violin & Continuo | | Composer | Arcangelo Corelli (1653 - 1713) | | Conductor | Jordi Savall | | Genre | Baroque Period / Sonata | | Ensemble | Hesperion XXI | | Period | Baroque | | Country | Italy | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 12. Diferencias de Folias, for keyboard (5:55) | | Composer | Juan Cabanilles (1644 - 1712) | | Performer | Michael Behringer (Harpsichord) | | Genre | Baroque Period | | Period | Baroque | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 13. Sonata for violin & continuo "La Follia" Op. 9/12 (11:48) | | Common Name | La Follia Sonata, Sonata For Violin & Continuo | | Composer | Henricus Albicastro (circa 1660 - 1730) | | Performer | Manfredo Kraemer (Violin)
Michael Behringer (Harpsichord)
Mercedes Ruiz (Cello) | | Genre | Baroque Period / Sonata | | Date Written | 1700 | | Period | Baroque | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 14. Folias gallegas, for guitar (3:27) | | Composer | Santiago de Murcia (1682 - 1732) | | Performer | Rolf Lislevand (Guitar) | | Genre | Baroque Period | | Period | Baroque | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) | | 15. Trio Sonata for 2 violins & continuo in D minor ("La follia"), Op. 1/12, RV 63 (9:48) | | Common Name | La Follia Trio, Trio Sonata For 2 Violins & Continuo | | Catalog No. | RV 63 | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Jordi Savall | | Genre | Baroque Period / Trio Sonata / Variations | | Date Written | 1705 | | Ensemble | Hesperion XXI | | Period | Baroque | | Country | Italy | | Venue | Collégiale du Château de Cardona, Catalo | | Notes | Collégiale du Château de Cardona, Catalogne (02/28/2005-03/03/2005) |
Altre Follie 1500-1750 / Savall, Hespèrion Xxi, Et Al Music Composers on Altre Follie 1500-1750 / Savall, Hespèrion Xxi, Et Al CD : Alessandro Piccinini, Alonso de Mudarra, Andrea Falconieri, Anonymous, Peruvian Anonymous, Antonio de Cabezon, Arcangelo Corelli, Bernardo Storace, English Traditional, Francesco Corbetta, Henricus Albicastro, Juan Cabanilles, Santiago de Murcia, Vincenzo Ruffo, Antonio Vivaldi Conductors on Altre Follie 1500-1750 / Savall, Hespèrion Xxi, Et Al CD : Jordi Savall Ensembles on Altre Follie 1500-1750 / Savall, Hespèrion Xxi, Et Al CD : Hesperion XXI Genres on Altre Follie 1500-1750 / Savall, Hespèrion Xxi, Et Al CD : Baroque Period, Fantasy, Ground, Partita, Pavane, Renaissance Period, Sonata, Trio Sonata, Variations Performers on Altre Follie 1500-1750 / Savall, Hespèrion Xxi, Et Al CD : Rolf Lislevand, Manfredo Kraemer, Mercedes Ruiz, Michael Behringer Purchase Altre Follie 1500-1750 / Savall, Hespèrion Xxi, Et Al To buy, Click on price to add to cart | Rolf Lislevand La Belle Homicide: Manuscrit Barbe CD (2003)
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Track Listing of songs: St. John Passion, Bwv 245: Herr, Unser Herrscher; St. John Passion, Bwv 245: Jesus Ging Mit Seinen Jungern; St. John Passion, Bwv 245: O Gross Lieb, O Lieb Ohn Alle Masse; St. John Passion, Bwv 245: Auf Dass Das Wort Erfullet Wurde; St. John Passion, Bwv 245: Dein Will Gescheh, Herr Gott, Zugleich; St. John Passion, Bwv 245: Die Schar Aber Und Der Oberhauptmann; St. John Passion, Bwv 245: von Den Strikken Meiner Sunden; St. John Passion, Bwv 245: Simon Petrus Aber Folgete Jesu Nach; St. John Passion, Bwv 245: Ich Folge Dir Gleichfalls; St. John Passion, Bwv 245: Derselbige Junger ...
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Vasily Sergeyevich Kalinnikov (1866-1901), the Russian romantic composer,was born in Voina, Oryol District, in the family of a police officer. The poverty of his family made it impossible for him to study at the conservatory and forced him to make a living playing bassoon, violin and timpani in different amateur orchestras. He was poor and sick with tuberculosis. His name was known well only among members of his family. After receiving a scholarship at the School of the Philharmonic Society in 1884, in 1892 with the recommendation of Tchaikovsky he managed to get the position of conductor at the Maliy Theatre in Moscow, and later at the Moscow Italian Theatre. Unfortunately his disease forced him to resign shortly after this appointment and move to Yalta, a sea resort in the Crimea. Rachmaninov, visiting Kalinnikov was appalled by the conditions in which he found him living. Towards the end of his life, Kalinnikov received some financial relief through the good offices of Sergei Rachmaninov, who also introduced Kalinnikov's compositions to his publisher Jurgenson. The death of the 34-year-old composer induced Jurgenson to offer Kalinnikov's widow an unexpectedly high sum for her husband's manuscripts, with the remark that he paid because the composer's death had multiplied the value of his works by ten. You may see, that nothing has changed in the music industry in a hundred years - the dead composers are much more welcome than alive! Kalinnikov's First Symphony, the best known composition by him, was written during 1894 and 1895, and was dedicated to one of his teachers and friends Semyon Kruglikov. It was premiered in 1897 in Kiev, and shortly after that - in Moscow, Vienna and Berlin. It is amazing after reading his biography to find skillful counterpoint in the development sections, rich colourful orchestration and no clichés in the tutti. All polyphonic lines are individualized by different timbres, which allow hearing of the smallest details of the orchestral texture. Symphony #1 demonstrates the mastery of the composer and his great spirit. It belongsto the best samples of Russian symphonic music. Rimsky-Korsakov, Nikolai (1844-1908) is a celebrated Russian composer and theorist. His family was preparing him for a naval career. He became a naval officer and undertook a round-the-world trip on the clipper "Almaz". Rimsky-Korsakov absorbed numerous impressions from the journey and many of these impressions were turned into his music later. Though Rimsky-Korsakov met Balakirev and joined the "Mighty Five" in 1861, his real development as a composer started after his return from the round-the-world trip to Saint-Petersburg. The completion of his First Symphony under the supervision of Balakirev and the successful premiere of this composition became a pivotal moment in his final determination to pursue a career as a composer. After resigning from the navy, Rimsky-Korsakov was 27 when he received an invitation to teach at the Saint-Petersburg Conservatory. Being a great composer ...
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