| | Domenico Scarlatti: Complete Sonatas, Vol. 9 CD - Import Farina, Maria Cecili CDS
Domenico Scarlatti: Complete Sonatas, Vol. 9 Music | List Price | $17.98 (You save $1.59) | | Label | Stradivarius | | Orig Year | 11/8/2005 | | CD Universe Part number | 6992032 | | Discs | 1 | | Release Date | Nov 08, 2005 | | Recording Time | 1 5 |
Domenico Scarlatti: Complete Sonatas, Vol. 9 Review
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Domenico Scarlatti: Complete Sonatas, Vol. 9 Music Composers on Domenico Scarlatti: Complete Sonatas, Vol. 9 CD : Domenico Scarlatti Performers on Domenico Scarlatti: Complete Sonatas, Vol. 9 CD : Maria Cecilia Farina Purchase Domenico Scarlatti: Complete Sonatas, Vol. 9 To buy, Click on price to add to cart | | Also Bought |
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What would happen if members of Savatage decided to write some Christmas songs? Easy: Trans-Siberian Orchestra. This "supergroup" is the brainchild of Jon Oliva and Paul O'Neill (respectively the leader-keyboardist and the producer of Savatage). They hired Al Pitrelli (Asia, Savatage) to play guitars, Robert Kinkel to help with keyboards, John Middleton (also a member of Savatage) on bass, and Jeff Plate on drums. Lead vocals are shared by six vocalists, while some of the backing vocals are handled by Savatage lead singer Zachary Stevens. Christmas Eve and Other Stories is a concept album: all the songs are built as chapters of a book, each telling part of a larger story. The plot here is of a young angel sent down to Earth to find and bring back to the Lord "the one thing that best represents everything good that has been done in the name of this day." The angel's quest takes him all over the world, through Russia and Sarajevo, until he finally hears the prayer of a father. This last piece is the strongest moment on the album and makes for a miniature story within the larger story. It is basically told in a trilogy of songs: in the first, "Ornament," we hear the father's prayer, explaining how he hasn't seen his daughter in many years. In "Old City Bar," the angel finds the daughter, standing alone outside a bar, and talks to the bartender who, out of a random act of kindness, takes all the cash from his register drawer and gives it to the girl so she can go home. The third song, "This Christmas Day," has the father praising God, thanking him for bringing his daughter back to him on this night of all nights. It is a very touching story, pondering the thought that "If you want to arrange it/This world you can change it/If we could somehow make this/Christmas thing last/By helping a neighbor/Or even a stranger." Musically, the ...
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Issued in 2007, this Andrea Bocelli collection presents many of the Italian classical/pop-crossover artist's most memorable vocal performances. Highlights of the compilation include "Sogno" and "Because We Believe," tracks that fully reveal Bocelli's emotive and resonant voice, as well as duets with Celine Dion ("The Prayer," a delicate ballad) and Sarah Brightman (the wistful "Time to Say Goodbye"). While VIVERE may be a bit too concise for diehard Bocelli fans, it serves as a perfect introduction to the beloved singer.
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John Zorn's Bribe is a continuation and extension of his album Spillane. Like its predecessor, this album features almost the same lineup of extraordinary NYC improvisers including pianist Anthony Coleman, drummer Bobby Previte, organist Wayne Horvitz, turntablist Christian Marclay, and harpists Zeena Parkins and Carol Emanuel. Unlike the fast-spliced pace of Spillane, which functioned as its own narrative, the music on Bribe is allowed to stretch and develop because it was composed as a background for the dialogue in three 30-minute radio plays by Terry O'Reilly (it was later adapted to a stage production). O'Reilly described his creation as "low art; " along the lines of little respected categories such as pulp fiction and B-movies. Zorn then constructed appropriate music, continually switching styles and filling it with pop references. The overall mood of Bribe is also different from Spillane and much of Zorn's work (excluding Film Works, Vol. 7), in that it maintains a light-hearted approach, weaving music box chimes and carnival sounds into the music. A nicer mood pervades this release, yet given its kaleidoscopic and slightly demented tone, it certainly can't be described as relaxed. Then again, maybe "relaxed" isn't too far off, after all -- perhaps by playing a supporting role to the production's cast instead of driving the concept, the musicians were able to enjoy themselves a little more. ~ Joslyn Layne
Composer: John Zorn.
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