| | Winechuggers Grand Rapids CD Winechuggers Discography of CDs
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Our Price: $12.05 CDFor Sale Usually ships in 1-2 days (Only 1 available)
Our Price: $8.99
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Recording information: Indianapolis Garage; Midwest's Finest Living Rooms, Single-Bedroom Apartment.
Winechuggers: Bill Cameron (guitars, bass instrument); Carl Saff (guitars); Jeb Banner, Tyler Tribby (bass instrument); Ned Baugh (drums); LonPaul Ellrich.
Personnel: Bill Cameron (vocals, guitar, harmonica, keyboards, drums); Carl Saff (guitar, xylophone); Jeb Banner (piano, keyboards, drums, shaker, tambourine); Ned Baugh, LonPaul Ellrich, Tyler Tribby (drums).
Winechuggers Grand Rapids Songs Grand Rapids Review
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Purchase Grand Rapids CD To buy, Click on price to add to cart | Rod Stewart Soulbook CD (2009)
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$8.75 At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new recording she, once again, reminds you: "Listen to what I can do." Vocal gymnastics and Christmas songs are not often thought of as a compatible combination, but on MERRY CHRISTMAS Mariah jumps, climbs, crawls, twirls and dashes her way through both traditional fare and original ...
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$17.79 Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" ...
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$16.44 Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash ...
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| | Tom Lellis Southern Exposure CD (2003)
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$13.99 Tom Lellis is no stranger to Brazilian grooves; he's been making Rio-oriented records for a decade as of this writing. Southern Exposure is not so revolutionary in its aims -- despite the fact that it appears on the new and commendable Adventure Music label -- but in its execution it is flawless. Lellis uses Brazilians rhythms and harmonics as a hipster would, treading lightly with them, just enough to make sure you get the reference, but it's only one aspect in his bag of tricks. Like Ben Sidran 20 years ago, or Kurt Elling and Michael Franks in the early '70s, Lellis understands the depth of music in his phrasing, and makes it a polyrhythmic plank in his arsenal. His now-stunning pianism is another, with his nimble and eager right hand shifting through the middle register with tough ostinatos and glissandi. With help from the great Toninho Horta, and Frank Colon, Romero Lubambo, Kenny Werner, Kip Reed, Tony Marino, Dave Kikoski, and others -- including Jeremy Steig's soloing on flute on "Being Cool" -- Lellis creates a thoroughly modern jazz soundscape that is rooted in beautiful compositions. The man can write a song with the best of them -- check out the stunning bridge and verses in "From Tom To Tom," written for Jobim, or "Cancoes E Momentos," with its scatty version of an Indian lullaby chant, or the syncopated carnival funk in "Mixing/ Tomba in 7/4," and you get the idea of his fantastic reach. This isn't a purist's Brazilian jazz ...
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