| | Bill Evans Live In Rome 1979 CD - Import Bill Evans Discography of CDs
 (1 Customer Review)
One of the last European concerts by Evans, who plays some of his compositions along with tunes he seldom played, like Miles Davis's 'Solar' and a poignant version of Jimmy Rowles's 'The Peacocks'. The bonus track is a rare trio performance recorded live during a jam session at Club Le Najadi, Pescara, the same time Evans gave a concert at the Pescara Jazz Festival. It features Eddie Gomez on bass and Marty Morell on drums. Disconforme. 2005. Bill Evans Live In Rome 1979 Songs | 1. | Re: Person I Know | |
| 2. | Laurie | $0.99 | |
| 3. | Very Early | $0.99 | |
| 4. | Peacocks, The | |
| 5. | On Green Dolphin Street  | $0.99 | |
| 6. | Morning Glory | |
| 7. | Solar | $0.99 | |
| 8. | My Romance | $0.99 | |
| 9. | So What | $0.99 | |
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Live In Rome 1979 Music Review Purchase Live In Rome 1979 CD To buy, Click on price to add to cart | Jim Hall Blues On The Rocks CD (2005) (Import) Spain
Live In Rome 1979
 $11.79
This CD features Jim Hall's complete trio recordings with bassist George Duvivier and drummer Chico Hamilton as heard on the album Blues On The rock recorded in Los Angeles on February 8, 1956. This release also includes the ...
| | Bill Evans Orchestra Brandeis Jazz Festival CD (2005) (Import) Bonus Tracks; Spain; Remastered
Live In Rome 1979
$13.59
The 1957 Brandeis Jazz Festival featured the work of 6 of the finest composers from the jazz and 20th Century Classical avant-garde. George Russell, Charles Mingus and Jimmy Giuffre represented the jazz contingency. These outstanding concerts featured the finest musicians of the day performing some extremely difficult and highly rewarding charts that tested theirs mettle as both improvisers and sight readers. Among the brightest stars of the concerts was pianist Bill Evans, whose considerable talents were tested in a variety of styles to great results. His excellent performances here gained him a reputation as a top-notch pianist which would directly lead to an invitation to join Miles Davis' legendary sextet. The 3 rare bonus tracks of Bill Evans with Don Elliott at the 1957 Newport Jazz Festival showcase the pianist's fluid versatility in an unusual quartet setting featuring Elliot alternating between the mellophone and vibraphone. Gambit. 2005.
This remastered, nine-track collection featuring legendary jazz pianist Bill Evans performing at 1957's Brandeis Jazz Festival includes "All About Rosie" and "On Green Mountain."
CD contains 3 bonus tracks.
Personnel: Bill Evans (piano); Charles Mingus (vocals); Barry Galbraith (guitar); Margaret Ross (harp); Manuel Zegler (bassoon); ...
| | Bill Evans Koln Concert 1976 CD (2005) (Import) Bonus Tracks; Spain; Remastered
Live In Rome 1979
$13.99
These long unavailable recordings from the Jazz master feature Eddie Gomez on bass and Eliot Zigmund on drums. A concert ...
| | Bill Evans Live In Paris 1972 CD (2006) (Import) Bonus Track; Spain; Remastered
Live In Rome 1979
$19.39
This CD contains ...
| | Bill Evans Live In Switzerland 197 CD (2008) (Import)
Live In Rome 1979
$13.99  
| | Louise Swedish singe Hoffsten Beautiful, But Why? CD (2000)
Live In Rome 1979
$20.95
The interesting arrangements on Louise Hoffsten's 1999 release Beautiful, but Why? are aerated nicely by the singer's breathy, bluesy vocal phrases, but too many lifeless sonic impediments and less-than-imaginative lyrics suffocate this recording. While the Swedish blue rocker was never known for her poetic prowess, lines like "Take those fingers of fire/Melt my butter and honey/Fan my flames of desire" from "Don't Take" have just about the same libidinal properties as a pitcher of ice water poured in your lap. The same could be said for the electronic (or processed acoustic) percussion parts that, while ...
| | Jane Monheit Taking A Chance On Love CD (2004) (Import) Bonus Track; Hong Kong
Live In Rome 1979
$26.49
While the early 2000s bore witness to a bevy of youthful standards singers with earnestly traditional vocals, New Yorker Jane Monheit preceded Norah Jones, Michael Buble, Katie Melua et al. She wowed the jazz world when she was barely out of her teens with her 2000 debut, NEVER NEVER LAND, and quickly ascended to stardom. Monheit's fourth record, 2004's TAKING A CHANCE ON LOVE, expresses her love for movie musicals of the 1930s and '40s.
From both Monheit's song choices and the fervor she pours into these selections, it's virtually impossible to challenge the sincerity of her affection. Monheit opens by finding a truly original, offbeat angle to the oft-visited Fats Waller classic "Honeysuckle Rose" and continues to connect throughout the 11 subsequent tracks. She teams up with the aforementioned ...
| | Mixed Bag 1st Album CD (1976)
Live In Rome 1979
$19.39
| | Best Hits In Japan-Best Of 60S CD (2005) (Import) Japan
Live In Rome 1979
$40.75
| | Glenn Miller Best Of The Big Bands CD (1997)
Live In Rome 1979
$6.29 
| | Classic Jazz Archive: Ella Fitzgerald CD (2006) (Import) United Kingdom
Live In Rome 1979
$22.05
| | Primeau Bernard Montreal Jazz Evolution CD (Import)
Live In Rome 1979
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| | Introducing John Coltrane CD (2006) (Import) England; Remastered; Digipak; Argentina
Live In Rome 1979
$10.49
While it's painfully obvious that John Coltrane needs no introduction at all to almost anyone, WEA International still needs to shovel out compilations and so we get this: a completely half-hearted attempt at a representative view of Coltrane's brilliant Atlantic years that misses some of his most important tunes in favor of placing enough cuts to make it seem like listeners are getting plenty -- they're not. To include merely the opening theme of Coltrane's genre-setting interpretation of "My Favorite Things" and call it "Pt. 1" is an insult. It's not part one, and it is barely the theme clocking in at under three minutes. Also missing from this collection is the dynamite, truly awe-inspiring "Olé," perhaps the finest moment of his artistry from those years after "My Favorite Things." What is here is quite good -- with the aforementioned exception -- including original versions of "Mr. P.C.," "Equinox," "Naima," "Aisha," etc. The problem is, it leans a little too hard on the ballads and not enough on the uptempo fusion of hard bop and modal music Coltrane was creating as a new model. There are better collections out there; seek one out. ~ Thom Jurek
While Coltrane ...
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