Eminem - Curtain Call: The Hits MP3 Download

Curtain Call: The Hits album for sale THE SLIM SHADY LP won the 2000 Grammy Award for Best Rap Album. "My Name Is" was nominated for the 2000 Grammy Award for Best Rap Solo Performance. You'll need a well-developed sense of humor to fully appreciate the debut of Eminem aka Slim Shady. Produced by hip-hop super-producer Dr. Dre and released on Dre's Aftermath Records, the album features an infectious lead single, "My Name Is," a winning mixture of alternative rock and rap. One listen will have you hooked on the chorus, but future plays will reveal the lyrical gymnastics that Eminem kicks out so effortlessly. Obsessed with fantasies of sex, violence, drugs, and a general depraved indifference to life itself, Eminem's alter ego, Slim Shady, is constantly involved in a battle of good vs. evil leavened by a high degree of irony. Dre even drops in on an mind-blowing cameo playing the shoulder angel on "Guilty Conscience" to Eminem's devil. You'll need a few listens to absorb everything that Eminem is about lyrically. SLIM SHADY might offend the faint-hearted, but that's probably Eminem's intention. Parental Advisory Engineers include: Blumpy, Aaron Lepley, Alan Mason. Personnel: Dina Rae (vocals); Mel-Man (drum programming). Audio Mixers: Dr. Dre; Aaron Lepley; Michael Tuller; Jeff Bass; Richard Huredia; Alan Mason. Recording information: Dr. Dre's House; Mix Room. Photographer: Christopher McCants. Personnel includes: Eminem, Kristie Abete Swift, Dina Rae (vocals); Richard "Segal" Huredia (spoken vocals); Jeff Bass (various instruments); Mel-Man, DJ Head, Denine Porter (drum programming); Paul "Bunyan" Rosenberg, Zoe Winkler, Marky Bass, Aristotle, Royce Da 5'9". Producers include: Dr. Dre, M. Mathers, ...

Curtain Call: The Hits buy CD music THE MARSHALL MATHERS LP won the 2001 Grammy Award for Best Rap Album. "The Real Slim Shady" won the 2001 Grammy Award for Best Rap Solo Performance. THE MARSHALL MATHERS LP was nominated for the 2001 Grammy Award for Album Of The Year. A Caucasian rapper from Detroit, a Dr. Dre disciple with bright blonde hair--at first glance, Eminem seemed the unlikeliest of hip-hop stars. However, his debut, THE SLIM SHADY LP, contained clever rhymes and even the occasional innovation. His sophomore effort, THE MARSHALL MATHERS LP, proved that Eminem was no fluke, but instead a legitimate rap visionary. While his horror/shock rap can be unsettling, it's more often hilarious, as he and his Slim Shady character skewer anyone and everyone, notably the MTV-based world that surrounded him after the success of his first record. Few can come up with rhymes as consistently clever as this Motor City madman, and lines that will be repeated as long as this CD is spun. The most startling moment has to be "Stan," featuring haunting, ethereal guest vocals from Dido; an incongruously sublime track, it spins an O. Henry-meets-'60s teenage-death-song tale of obsessed fan worship gone terribly wrong. Producers include: Dr. Dre, The 45 King, Mel-Man, F.B.T., Eminem. Engineers: Richard "Segal" Huredia, Mike Butler, Aaron Lepley. Personnel: Eminem (vocals); Mike Elizondo (guitar, keyboards); John Bigham (guitar); Tom Coster, Jr., Camara Kambon (keyboards). Audio Mixers: Chris Conway; Mike Butler; Michelle Lynn Forbes; Akane Nakamura; Eminem; Rob Ebeling; Richard Huredia; Rick Behrens. Recording information: 54 Sound, Detroit, MI; Chung King; Encore Studios; Larabee Sound Studios; The Mix Room; The Record Plant, Los Angeles, CA. Photographer: Joe-Mama Nitzberg. Personnel: Eminem, Snoop, Xzibit, Nate Dogg, Sticky Fingaz (rap vocals); Dido (vocals); Jeff Bass, Steve Berman, Paul "Bunyan" Rosenberg (spoken vocals); Mike Elizondo (guitar, keyboards, bass); Sean Cruise, John Bingham (guitar); Tommy Coster, Jr., Camara Kambon (keyboards); DJ Head (programming). D-12: Kon Artis, Proof, Kuniva, Swifty, Bizarre (rap vocals).

Curtain Call: The Hits songs With Recovery, it becomes obvious that Eminem's richest albums aren't necessarily his most structurally sound, which isn't much of a surprise when considering the rapper's full-on embrace of flaws and contradictions. This lean, mean, bipolar machine began life as Relapse 2, but when Shady decided he wasn't really Shady at the moment, and that he was no longer keen on Relapse -- or the last two albums, as he states on "Talkin' 2 Myself" -- it became Marshall Mathers time again, so damn any 11th hour issues. This results in an album where a shameless but killer Michael J. Fox punch line ("The world will stop spinnin' and Michael J. Fox`ll come to a standstill" from "Cold Wind") is followed by a song with another, less effective MJF joke ("Make like Michael J. Fox in your drawers, playin' with an Etch-A-Sketch"), although that song is the lurching heavy metal monster "Won't Back Down" with P!nk, and it could be used as the lead-in to "Lose Yourself" on any ego-boosting mixtape. Ignoring these contradictions, fans can feed on the energy, the renewed sense of purpose, and Marshall doing whatever the hell he wants, up to and including shoehorning a grand, D12-like comedy number ("W.T.P.," which stands for "White Trash Party") into this emotionally heavy album. It's fascinating when Em admits "Hatred was flowin' through my veins, on the verge of goin' insane/I almost made a song dissin' Lil Wayne" and then "Thank God I didn't do it/I'da had my ass handed to me, and I knew it," before sparring with said Weezy on the Haddaway-sampling "No Love." When the recovery-minded "Going Through Changes" gets back on the wagon by sampling Black Sabbath's very druggy "Changes," it's a brilliant and layered idea that's executed with poignant lyrics on top. Add the man at his most profound (the gigantic hit "Not Afraid") and his most profane ("You wanna get graphic? We can go the scenic route/You couldn't make a bulimic puke on a piece of corn and peanut poop" from "On Fire") plus one of thickest lyric booklets out of any of his albums and the fans who really listen are instantly on board. It may be flawed and the rapper's attitude is sometimes one step ahead of his output, but he hasn't sounded this unfiltered and proud since The Marshall Mathers LP, so to hell with refinement -- bring on the hunger and spirit of 8 Mile. ~ David Jeffries Recording information: Ajax, Ontario; Area 51 Studio; Avex Honolulu Studios, Honolulu, HI; Black Chiney Studios, Ft. Lauderdale, FL; Effigy Studios; Encore Studios, Burbank, CA; Parkland Playhouse, Parkland, FL; Shake 'Em Down Studios, Queens, NY; Sun Studios, Temple Bar. Photographer: Nigel Parry.

Curtain Call: The Hits CD music 50 Cent was nominated for the 2004 Grammy Award for Best New Artist. GET RICH OR DIE TRYIN' was nominated for Best Rap Album. "In The Club" was nominated for Best Male Rap Solo Performance and for Best Rap Song. 50 Cent was nominated for the 2004 Grammy Award for Best New Artist. GET RICH OR DIE TRYIN' was nominated for Best Rap Album. "In Da Club" was nominated for Best Male Rap Solo Performance and for Best Rap Song. With its inclusion on the mega-successful 8 MILE soundtrack, 50 Cent's "Wanksta" blew up in late 2002, calling out the hypocrisies of wannabe gangstas who boast of criminal exploits that exist only in their imaginations. If anyone has the right to speak it's 50 Cent; he made his mark in the streets (not to mention newspapers) long before Eminem inked the Queens rapper to his Shady Records. In between the occasional single and album, 50 Cent has been involved in many notorious hip-hop confrontations. The too-aptly titled GET RICH OR DIE TRYIN' (which includes "Wanksta") introduces his brash, talk-it-like-he-walks-it rap style to the world at large. 50 Cent blithely cites the Bible in "Many Men (Wish Death)" while crowing about the rival who famously shot him in 2000 only to be shot himself ("cuz he got hit like I got hit and he ain't...breathin'"). From that slice of ultra-reality, he shifts to the dance-pop anthem "In Da Club." Throughout GET RICH OR DIE TRYIN', 50 Cent presents a strikingly original, raw worldview, even by the well-traveled genre's bleak and violent standards. This Limited version includes a bonus documentary DVD disc. Personnel: Tracie Spencer (vocals); Mike Elizondo (guitar, keyboards); Ron Feemster (Fender Rhodes piano); Ruben Rivera, Luis Resto, Tom Coster (keyboards). Audio Mixers: Eminem; Steven King. Recording information: 54 Sound, Detroit, MI; Chung King Studio, NY; Encore Studios, Burbank, CA; Lobo Studios, Deerpark, NY; Teamwork Studios, Long Island, NY. Photographer: Sacha Waldman. Unknown Contributor Roles: Patrick Viala; Red Spyda. Personnel includes: 50 Cent, Eminem, Young Buck, Tony Yayo, Nate Dogg, Lloyd Banks. Producers include: Dr. Dre, Eminem, John Freeman, Red Spyda, Terence Dudley. 9

Curtain Call: The Hits buy CD music While Eminem has revealed levels of depth far beyond his Slim Shady persona, few could have anticipated 'Mosh,' the second single from his 2004 release, ENCORE. This song, by one of music's most controversial artists, features Em focusing his rage like never before, ultimately calling on the youth of America to rise up and vote. While his brilliantly scathing tirade against President George W. Bush didn't lead to the politician's defeat, it certainly captured the country's attention and attempted to raise listeners' political awareness. It also effectively increased the already huge stature of the expectation-defying Detroit rapper only a few weeks before his highly anticipated fourth record's release. ENCORE is far from a letdown, as Eminem's twisted mind continues to produce razor-sharp rhymes, whether examining the world (the aforementioned 'Mosh'), venting his spleen ('Puke'), exploring his soul ('Like Toy Soldiers') or just being plain silly ('My 1st Single'). While Em's inclination toward the shocking is well documented, other than 'Mosh,' the record is relatively toned down; he even apologizes for racist comments made on a 1993 underground tape. However, that's not to imply that the proceedings are low-key; ENCORE burns with the fire of a master lyricist letting his words loose on whatever crosses his mind. 2 CD;Bonus Disc Contains 3 Hard To Find Songs. Recording information: 54 Sound, Detroit, MI; Can-AM, Tarzana, CA; TransContinental Studios, Orlando, FL. Photographer: Anthony Mandler. Personnel: Eminem (rap vocals); D12, Dr. Dre, 50 Cent, Nate Dogg, Obie Trice, Stat Quo (rap vocals); Steven King (guitar, mandolin, keyboards); Mike Elizondo (guitar, sitar, keyboards); Luis Resto, Mark Batson (keyboards); Che Vicious (programming). Audio Mixers: Dr. Dre; Eminem; Tony Campana; Steven King.

Curtain Call: The Hits songs THE EMINEM SHOW was nominated for the 2003 Grammy Award for Album Of The Year. "Without Me" was nominated for the 2003 Grammy Awards for Record Of The Year and Best Male Rap Solo Performance. This deluxe limited edition includes a bonus DVD containing previously unreleased footage and interview with Eminem. As one of the most controversial figures in hip-hop history, Eminem can be forgiven for being somewhat self-obsessed. THE EMINEM SHOW's opening cut "White America" sums up the notorious rapper's self-defense by keenly observing that while the color of his skin has something to do with his widespread popularity it's also the reason his lyrics are examined so scrupulously by critics who otherwise wouldn't bother. "I could be one of your kids" he proclaims, getting right to the heart of the matter. Despite the abundance of introspection, Eminem doesn't back up a single step on any of the themes that made him such a hot property. He's still into glorifying violence, as on "Soldier" one of the many cuts where he waves his broken-home/dysfunctional upbringing like a flag to justify the hatred that seeps from every pore of THE EMINEM SHOW. Over the course of the album, he threatens to brutally murder so many members of his family that one begins to lose track, but this is just the kind of hard-ass image that's helped make him an icon. The aforementioned cut finds the former Marshall Mathers making one of his most telling statements; "I'll never be Marshall again." It's clear that the Eminem identity allows him to fully vent his rage and get lauded (by some) for it instead of imprisoned. In his continuing effort to show that he's as hardcore as any black rapper, he extends his rancor Professor Griff-stye to Jews on the skits "Paul Rosenberg" and "Steve Berman," the latter of whom we hear getting shot for whiningly taking Em's music to task. Love him or hate him, Eminem makes no apologies, and THE EMINEM SHOW is as strong a statement as he's made to date. THE EMINEM SHOW won the 2003 Grammy Award for Best Rap Album. Personnel: Jeff Bass, Mike Elizondo, Steven King (guitar, keyboards); Joe Perry (guitar); Ron Feemster, Luis Resto (keyboards); DJ Head, Denaun Porter (drum programming); Dina Rae, Conesha Owens, Shy Felder, Traci Nelson, Barbara Wilson (background vocals). Audio Mixers: Dr. Dre; Eminem; Steve Baughman; Steven King. Recording information: 54Sound; Encore Studios; Larabee West; Marshall's House; Sierra Sounds. Photographer: Jonathan Mannion. Unknown Contributor Role: Timbaland. Personnel includes: Eminem (rap vocals); Nate Dogg, Dr. Dre, Obie Trice, Hailie Jade, D-12, Dina Rae.