| | Tokyo Ethmusica Tsukinagi-World Of Ethmusica Primi CD - Import Tokyo Ethmusica Discography of CDs
Tsukinagi-World Of Ethmusica Primi Music | List Price | $38.99 (You save $2.20) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 6998150 | | Catalog number | 609413 | | Discs | 1 | | Release Date | Nov 29, 2005 |
Tsukinagi-World Of Ethmusica Primi Review
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Purchase Tsukinagi-World Of Ethmusica Primi CD To buy, Click on price to add to cart | Joao Gilberto Amoroso/Brasil CD (1993)
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| | Eros Ramazzotti Eros (Italian) CD (1997) Italian
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$9.05 The Italian version of EROS contains 2 songs ...
| | Art Of Amalia Rodrigues CD (1998)
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| | Lawrence Welk World's Greatest Polkas CD (1986)
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| | Karunesh Global Village CD (2006)
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| | High Kings CD (2008) Digipak
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| | Nobody Soulmates CD (2000)
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| | Various Artists Prague CD (1999) (Import) Netherlands
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| | Renaud Bobino CD (1998) (Import) France
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| | Rock Against The Juke Box, Vol. 3 CD (2006)
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| | Alan Scott Bachman Kali Ma: Dances Of Transformation CD
Tsukinagi-World Of Ethmusica Primi music CDs
$15.19 "Kali Ma teaches us to laugh at our fears and dance through the fires in our lives. Kali Ma teaches us that death is an integral part of life. The fallen fruit decomposes in the winter and fertilizes new life in the spring. Kali Ma teaches us of the universal source of creation and destruction." Alan Scott Bachman"Great Music for Moments of Passion, December 24, 2008 I bought this album years ago while looking for appropriate music while in those moments of passion with the one you love. Quite simply, this is awesome music to have on while making love. Everyone I have played this for has been very impressed and pleased." Customer review on Amazon.Com, 12/2008 "One of the most contemporary-sounding devotional Goddess recordings we've heard. The artists call it New Age Tribal Fusion.) The title chant is soothing yet full of contained energy, while Rhea Kronia is all vibrant movement. Recommended!" ~ As reviewed by LadyslipperKali Ma Artist: Desert Wind Label: Alan Scott Bachman  Released: 1992 "The epitome of 'New Age Belly Dance Music', this is a great 'fusion music' CD. This is ethereal, and beautiful. Great for veil work. I especially like the Chiftitelli (Isis) track - really nice sounds. This is heavy on the synthesizer and contains mostly 'goddess' type music with big Middle ...
| | Vanilla Fudge Mystery CD (1984)
Tsukinagi-World Of Ethmusica Primi songs
$9.69 Quiet Riot's producer gives Vanilla Fudge -- whom producer Shadow Morton discovered in the late '60s -- a "bang your head" onslaught of big hair drums, compressed guitar, and tired homogenization. The fun psychedelic distortion of Vinny Martell is totally stripped away -- he is relegated to rhythm guitar on one song and backing vocals on three. That is a total travesty. It is one thing to have the leader of Beck, Bogert & Appice, one Jeff Beck, funk up "My World Is Empty," even under the disguise of J. Toad (shades of George Harrison in his L'Angelo Mysterioso garb), but this version of the Supremes is so far removed from what made Vanilla Fudge so special that, really, it should be included as a bonus track on a reissue of the 1973 Epic debut Beck, Bogert & Appice. One Ron Mancuso is listed under Martell in the credits, but he is the hip guitarist recruited for this calculated disc to replace Martell. His name might be in small print, but his sound is what is splashed all over this veteran group's comeback attempt. Proffer takes the once angelic voices and puts them through his machinery to come up with something that could be Patty Smyth's Scandal or even 38 Special. Clearly, this wasn't an attempt at former glories, but a stab at reinventing the band instead of putting their trademark arrangements on familiar tunes. This is everything fans of '60s music hate about the '80s. Whether it is the first track, "Golden Age Dreams," or the decent cover of Dionne Warwick's "Walk on By," or the song that took seven writers to compose, "Don't Stop Now," the drumbeat is incessant and is more Quiet Riot than Fudge. The worst track is probably "Hot Blood," which is Scott Sheets, Mark Stein, and Carmine Appice totally ripping off the chorus of Foreigner's 1978 hit "Hot Blooded." You can rest assured they would've been sued if this album sold, but where the covers are amusing, and some of the originals show sparks of ingenuity, "Hot Blood" is so bad that most bar bands would balk before sending it to an A&R man. That this was released on Foreigner's own label is even more appalling. The song that follows, "The Stranger," thankfully does not cop Billy Joel's riffs -- it is interesting because of the use of Vanilla Fudge's slow pace combined with metal of the day. Had the band gone totally heavy metal with this, perhaps taking a Black Sabbath signature tune like "Paranoid" and making it sound like their second Top 40 hit, the eternal "Take Me for a Little While," much of this could be excused. But ...
| | Paul Curreri Velvet Rut CD (2007)
Tsukinagi-World Of Ethmusica Primi album
$18.99 In show biz parlance, a velvet rut is a cushy but creatively unsatisfying job that it's hard to walk away from. Perhaps that's what Virginia-based singer/songwriter Paul Curreri thought his more conventional earlier folk-blues records were leading towards, because his fifth album finds him moving in the direction of Tom Waits' Swordfishtrombones by way of lo-fi alt-folkies like Smog and Bonnie "Prince" Billy. The apocalyptic opening track "Mantra" features layers of distortion and fuzz shifting under a vocal growled in a sub-Leonard Cohen baritone, followed by the palate-cleansing instrumental title track before the much more conventional folkie jam "A Song on Robbing." The appealingly peculiar "The Wasp" finally gets the balance right between the two extremes, setting a playful country tune against a rhythm track that sounds like it was created out of a repeatedly slammed door. The rest of The Velvet Rut pitches unsteadily between tradition and experimentation, with successes and failures in both directions. This is the textbook definition of a transitional album, which can often be among an artist's most interesting work (witness Neil Young's scattershot but often brilliant post-Harvest output), but also requires quite a bit more patience on the listener's part. ~ Stewart Mason
FROM MOJO: "5 STARS... SUPERB FIFTH ALBUM FROM VIRGINIA'S BEST KEPT SECRET.... Why Paul Curreri is not better known is a mystery, but if it is this fifth album that brings him the attention he deserves, that’s no bad thing; his talent has had time to mellow and ripen, but these songs still sparkle like stars on a cold night. On the one hand, Curreri plays six-stringed blues with a dexterity that puts him in line with John Fahey and Davy Graham. On the other, his rough-brushed voice, like his lyrics, is unaffected and romantic – as well as some great swearing, ...
| | Skavenjah El Ritmo De La Vida CD (2007)
Tsukinagi-World Of Ethmusica Primi CD music
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