| | T G Sheppard I Love 'Em All CD T G Sheppard Discography of CDs
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This collection of smooth country pop points to the sources of T.G. Sheppard's popularity: his self-assured delivery, his deep country roots, and his guy-next-door appeal. Originally released in 1981, the impeccably produced I LOVE 'EM ALL is a collection of well-chosen romantic songs along the lines of the simple, sexy "Touch Me All Over Again" and "You Waltzed Yourself Right Into My Life," the latter of which comes in on just the right side of schmaltzy. "The State of Our Union" is a hymn to marital solidarity, while, in a nod to more familiar country music territory, "Party Time" is a traditional tears-in-your-beer rocker.
Photographer: Dick Zimmerman.
Arranger: Bergen White.
Personnel: T.G. Sheppard (vocals, guitar); Reggie Young , Byrd Burton (guitar); Jay Patten (horns); Tony Migliore, Bobby Emmons, Bobby Wood (piano); Larrie Londin (drums); Phil Forrest, Steve Pippin, Hurshel Wiginton, Buddy Killen (background vocals).
Recording information: Sound Shop Studio, TN.
T G Sheppard I Love 'Em All Songs I Love 'Em All Music Review Purchase I Love 'Em All CD To buy, Click on price to add to cart | Carter Family 1927-1934 CDs (2002) (Import) United Kingdom
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A comprehensive budget compilation by the dependable JSP label, the five-disc 1927-1934 fully covers ...
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Coming after the relative commercial disappointment of 2002's pop-oriented CRY--and, not at all coincidentally, Gretchen Wilson's ...
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As she churns out quality albums and engaging performances like clockwork, you have to wonder why Patty Larkin is one of the most overlooked, underrated singer/songwriters around. Perhaps she is destined to lead the "underground" folk movement alongside Ellis Paul, John Gorka, and Dar Williams, ...
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| | Alice Stuart All The Good Times CD (1964)
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Alice Stuart's first album was a typical effort from the tail end of the early-to-mid-'60s folk revival, devoted almost entirely to competent renderings of various facets of the folk repertoire. There were blues ("Stackerlee"), country (the title cut), old-time music ("Leavin' Home"), a Weavers tune ("Seven Daffodils"), "Once I Had a Sweetheart," the Tom Paxton song "I Can't Help but Wonder Where I'm Bound," and a lone Stuart original, the routine period topical song "Beatnik." The only accompaniment is Stuart's guitar and, occasionally, autoharp. Although these were sung pleasantly and reverently, there's nothing to make her interpretations stand out amid numerous sub-Joan Baez coffeehouse performers of the era; in fact, they're rather characterless. The 2002 CD reissue adds eight songs that draw from a similarly wide breadth of traditional sources, recorded at the same sessions; one song ("Frankie and Johnny") has live audience response, though it's not explained in the liner notes whether that's from a separate recording setup. ~ Richie Unterberger
Alice Stuart has been an inspiration to many in the last 40 years. She made her first recording in 1964, at age 22, for Arhoolie Records. Way ahead of her time, she blazed the trail for women in rock and roll as one of the only females in the country to write her own music, front a male band, and play lead guitar on national and international circuits during the 1970s. Blues Hall of Fame inductee Dick Waterman once remarked, "There would be no Bonnie Raitt without Alice Stuart." According to Taj Mahal, "Alice cut the road that Bonnie traveled." Alice spent the mid-70s, one of the most creative musical periods of the century, making music with some of the greatest artists of that time. She toured the US and Europe with Van Morrison, Commander Cody, Michael Bloomfield and John Prine. She appeared and recorded with such artists as Jerry Garcia, Albert King, Asleep at the Wheel, John Hammond, Richard Greene, Elvin Bishop, Dave Mason, Sonny Terry, Tower of Power, Bread, and Mark Naftalin. During this period, Alice also appeared on The Dick Cavett Show, and won rave reviews from Billboard, Guitar Player, and Rolling Stone magazines.Alice's LPs on Arhoolie and Fantasy Records from 1964, 1970 and 1972 are landmark recordings. Her original songs from this period have been recorded by Jackie DeShannon, Irma Thomas, ...
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