| | Thrillseekers Nightmusic Volume 1 CD Thrillseekers Discography of CDs
 (3 Customer Reviews)
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DJ: Thrillseekers.
Audio Remixer: Thrillseekers.
The Thrillseekers NIGHTMUSIC VOLUME 1 is a hefty dose of pulsing, palatable trance-groove electronica. Aptly named, the two-disc set might make the perfect soundtrack to a late-night jaunt across an expansive desert. Amidst its heavy blankets of lush synthesizer, the Thrillseekers can drift into the netherzone between new wave and new age, but fans of these sounds and bouncing, techno-inspired beats will find much to love here. A second disc full of remixes doubles the pleasure.
This two-disc compilation takes on two sides of the Thrillseekers. Disc one is a 15-song tour de force progressive house/trance DJ mix featuring tracks from Skyform, AR52, and the Thrillseekers themselves. Disc two focuses on remix work the Thrillseekers have done for such progressive house gurus as Armin van Buuren and Ferry Corsten. ~ Rob Theakston Nightmusic Volume 1 Music Thrillseekers Nightmusic Volume 1 Songs
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Click on the  buttons below to play song samples |
| | | | Nightmusic Volume 1 CD DISC 1: THE DJ: |
  | 1. | By Your Side - (featuring Gina Dootson) |
| 2. | Air For Life - (with Above & Beyond/Andy Moor) |
| 3. | Who's Knocking [Ferry Corsten Remix] - (Ferry Corsten remix, with FB, featuring Edun) |
| 4. | Piiska - (with AR52) |
| 5. | Alone - (with Kay Stone) |
| 6. | Infinite [Sunquest Remix] - (remix, with Skyform) |
| 7. | Starfighter - (with Haylon) |
| 8. | Blossom [Haylon Remix] - (Haylon remix, with Summer Sessions, featuring Michelle Smith) |
| 9. | Zonderland [B Wonders Remix] - (8 Wonders remix, with Acues/Elitist/Acues & Elitist) |
| 10. | Second Day [Martin Roth Remix] - (Martin Roth remix, with Jose Amnesia/Serp) |
| 11. | A.K.A. - (with Sander Van Doorn) |
| 12. | Shibuya [Got Drums? Remix] - (Got Drums? remix, with Orkan) |
| 13. | Lytec [Rank 1 Remix] - (Rank 1 remix, with Mr. Sam) |
| 14. | 1:1.618 - (with Mike Koglin) |
| 15. | Behind Silence - (with A Force/A-Force, featuring Yahel) |
| | Nightmusic Volume 1 Songs DISC 2: THE PRODUCER: |
| 1. | Square One - (with Pulser) |
| 2. | Morning After, The - (with 8th Wonder) |
| 3. | Eternity - (with Alibi/Armin Van Buuren) |
| 4. | Sincere For You - (with Lange) |
| 5. | Surreal - (with Free Radical) |
| 6. | Emotions In Motion - (with Witness Of Wonder) |
| 7. | Mr Blue - (with Usual Aspect) |
| 8. | Safe To Dream - (with Evolve) |
| 9. | Affinity - (with Hydra) |
| 10. | Can You Feel (What I'm Going Thru) - (with Matt Schwartz/Sholan) |
| 11. | Sublime - (with Ferry Corsten/DJ Ferry Corsten) |
| 12. | Calling Your Name - (with Jan Johnston) |
| Nightmusic Volume 1 Music Review Purchase Nightmusic Volume 1 CD To buy, Click on price to add to cart | Armin Van Buuren State Of Trance 2004 CDs (2004)
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DJ: Airwave.
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| | Audio Karate Space Camp CD (2002)
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The story of Audio Karate begins like that of most bands: suburban town, no all-age rock clubs, and four kids seeking an outlet for their punk enthusiasm. Rosemead, California is hardly the kind of town that cranks out punk bands, but in the summer of 1995 Rosemead would breed its first notable band and become home to the new sound of West Coast pop punk. Stealing older siblings' equipment, Gabriel Camacho and Justo Gonzalez began jamming together, influenced by the likes of NOFX, Screeching Weasel, Descendents, and Lagwagon. Later that year they would invite Junior High school classmate Art Barrios to play guitar with them. After the typical spell of personnel and name changes, Audio Karate finalized their image in the spring of 1998 by bringing in Gabriel's cousin Jason to join the band and fill in their sound with a second guitar. Audio Karate's first real gig was at the Santa Fe Springs Swap Meet Talent Show. While coming in second place to a Selena impersonator might bring most punk bands down, the AK boys ventured on and kept writing songs and honing their craft as pop-punk engineers. As their careers began to flourish, Art ran into Ataris lead singer Kris Roe and handed him a demo at one of their shows. Known for bringing bands Antifreeze and Useless I.D. to the Kung Fu roster, Kris has received enough demos at shows to start a library with. However, Kris is also known for being a stickler for good songwriting, and he took notice of the AK demo and sent it to Kung Fu Records owner and Vandals bassist Joe Escalante. A month later Art had a message on his answering machine from Joe saying he got the demo from Kris and wanted to meet with them right away. They met with Joe and Vandals guitarist Warren Fitzgerald, who would produce two more songs for their demo. Without any distribution, they were able to sell 2000 copies of a compilation of demos in a year. Over 2001 and into 2002 they played and toured extensively, opening for Social Distortion, Save Ferris, The Aquabats, The Vandals, The Ataris, RKL, Pulley, plus the 2002 and 2003 Warped Tours.Kung Fu Records signed Audio Karate in the fall of 2001 and will now put the full force of their extensive worldwide distribution behind "Space Camp," the band's exceptional full-length debut. Produced by Trever Keith of FACE to FACE, Space Camp will make punkers and critics alike rethink their definition of the "West Coast sound." Blending the hyperactive riffs of "Hoss"-era Lagwagon with the vocal and lyrical styles ...
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| | Grupo Super T El Lider De Las Bandas: Version USA CD (2004)
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| | Full Blast Contagious Movement Theory CD (2006)
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| | Grand Funk Railroad Born To Die CD (1976) (Import) Japan; Remastered; Mini LP Sleeve
Nightmusic Volume 1
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Digitally remastered Japanese pressing of this 1976 album packaged in a miniature LP sleeve featuring two previously unreleased Live Rehearsal takes: 'Bare Naked Woman' and 'Genevieve'. Rhino. 2006
Grand Funk Railroad: Mark Farner (vocals, guitar); Don Brewer (vocals, drums, percussion); Craig Frost (keyboards, background vocals); Mel Schacher ...
| | Treez Of A Different Soil Blair Bitch Projects CD (2003)
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It's been a long time waiting, but the wait is finally over. And that's the wait for us to have the full capability and access to fully expand our musical talents. We had to deal with part-time lovers of the music, jealous two faced individuals who wanted to keep the resources to them selfselves because they were afraid it might overshadow their pursuit to becoming the next..uh yeah..This project was different, because it noted the transformation of not knowing to learning the foundation of creating the type of sound we were looking for. As ususal, you have to go through hell to make things right. You have to go through the darkness to get to light. And you have to go through the Blair Bytch Projects to start understanding ...
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Nightmusic Volume 1
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