| | Tex Beneke Memories CD - Import Tex Beneke Discography of CDs
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Our Price: $15.79 CDFor Sale Usually ships in 1-2 days
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Because of the orchestra's original billing as "Tex Beneke And The Glenn Miller Orchestra," a considerable amount of erroneous conclusion was drawn, not only by the ballroom and radio audiences of that period, but also by certain "critics" who described Tex Beneke Memories Songs | 1. | Theme |
| 2. | Moonlight Serenade |
| 3. | Gal in Calico |
| 4. | Among My Souvenirs |
| 5. | Little Jack Frost Get Lost |
| 6. | My Buddy |
| 7. | Can't Help Loving That Man |
| 8. | There's a Small Hotel |
| 9. | Ali Baba |
| 10. | Man I Love, The |
| 11. | Hallelujah |
| 12. | Blue Skies |
| 13. | St. Louis Blues March, The |
| 14. | Closing Theme |
| Memories Review
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Purchase Memories CD To buy, Click on price to add to cart | Uncollected Charlie Spivak 1943-46 CD (1977)
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$15.95 This is a continuous in-the-mix CD compiled and mixed by DJ David Waxman.
Despite the rather unfortunate title, Ultra Chilled, Vol. 1 assembles some of the most established names in down-tempo electronica and trip-hop, mixing them with some relative unknowns. The flow from Dido to Gorillaz to St. Germain to Morcheeba is deceptively smooth, as is what will be most listeners' introductions to acts like Zero 7 and Goldfrapp, with each song seamlessly blending into one another. The sequencing on the two-disc set is a little predictable, with many of the better-known artists grouped near the front of each disc, but little glimmers of familiarity (like Alex Gopher's "The Child" on disc two or the impeccable inclusion of Badly Drawn Boy's "The Shining" on the first disc) ...
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$16.59 The blueprint for Ultra Chilled, Vol. 2 is the same as the solid first edition in Ultra's downbeat series -- which rose above the heap of substandard, commercialized chill-out compilations -- with compilers balancing a few downtempo tracks by a varying cast of vocal artists (Coldplay, the Specials, Black Box Recorder, Nelly Furtado, Bebel Gilberto, Radiohead) with electronica specialists (here, usual suspects like Boards of Canada, Groove Armada, Thievery Corporation, Tosca, Fila Brazillia, and Röyksopp). ~ John Bush
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| | Ultra Chilled 03 CDs (2002)
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| | John Cocuzzi Swingin' And Burnin' CD (2000)
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$14.49 John Cocuzzi is a versatile, talented multi-instrumentalist jazz musician who, with his quintet, stretches out for an entertaining 60 minutes-plus of solid, straight ahead jazz on this very good album. A Washington, D.C. native, Cocuzzi gained an appreciation of jazz at an early age listening to his record collection and to his father, who was a percussionist with the U.S. Marine Band. Initially studying piano and then drums after hearing Lionel Hampton, vibes were added to his arsenal of instruments. Swingin' and Burnin' revisits the small group swing of the '30s and '40s popularized by Benny Goodman, Hampton, Artie Shaw, and others. Cocuzzi adds his own flavor along with some artful arrangements to such warhorses from the past as "Slipped Disc," "Benny's Bugle," and "You're Nobody Till Somebody Loves You." On the latter, Cocuzzi shows off his vocal skills along with a boogie woogie piano. "Broadway" epitomizes the adroit swinging of the quintet, with each member of the group getting a chance to show their wares during the seven minutes they devote to this Teddy McRae/Bill Bird melody. The New Orleans idiom is represented on the CD as well with "What Did I Do to Be So Black and Blue?" This tune, a favorite of Louis Armstrong, is done slow drag featuring muted vibes' mallet by Cocuzzi working with a very soulful clarinet by Allan Vaché. This track is one of the highlights of the album.
This session is in no way limited to up beat "swingin' and burnin'" pieces. There's some pretty slow stuff here as well. "Ghost of A Chance" features electrically enhanced Cocuzzi vibes, coupled with some imaginative bass by John Previti. "Cheek to Cheek" belongs to veteran Washington D.C. guitar player, Steve Abshire. Abshire, who has graced the albums of jazz diva Ronnie Wells, plays in a calm, flowing fashion bringing out the best this lovely melody has to offer. "Things Ain't What They Used to Be', another slow piece, spotlights a bluesy Cocuzzi piano with Big John Maher's drums laying a solid foundation. Vaché and Cocuzzi, on clarinet and vibes respectively, combine ...
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