| | Lionel Hampton Jiving The Blues CD - Import Lionel Hampton Discography of CDs
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This is a companion disc to the previously issued CD featuring the great, late, Lionel Hampton called "Jam Band" (SOY #687) and features part of a concert held in Graz, Austria on the night of the Dec. 27th, 1954. This CD features Hampton on vibraphone o
Lionel Hampton: Jay Dennis (alto saxophone); Nat Adderley (trumpet); George Cooper (trombone); Dwight Mitchell (piano); Lionel Hampton (vibraphone). Lionel Hampton Jiving The Blues Songs Jiving The Blues Review
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Personnel: Susan Tedeschi (vocals, guitars, background vocals); Matt Slocum (piano, keyboards); Ted Pecchio (bass guitar); Tyler Greenwell (drums, percussion); Dave Yoke.
Additional personnel: Derek Trucks (guitars, slide guitar); Doyle Bramhall II, Gary Louris (guitars, background vocals); Josh Stewart, Brendan O'Brien (guitars); Kyle Newmaster, Jamie Hovorka (trumpet); Jeremy Levy (trombone); Robert Walter (keyboards); George Drakoulias (percussion, background vocals); Julia Waters, Maxine Willard Waters (background vocals); Robert Hardt, Alex ...
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Personnel: Al Kooper (vocals, keyboards); Mike Bloomfield, Carlos Santana (electric guitar); Roosevelt Gook (piano); John Kahn (bass); Skip Prokop (drums); Paul Simon (background vocals); Elvin Bishop.
Reissue producer: Bob Irwin.
Engineers include: Phil Macy, Fred Catero, Don Puluse.
Recorded live at Bill Graham's Fillmore Auditorium, San Francisco, California on September 26-28, 1968. Includes liner notes by Mike Bloomfield, Al Kooper and Tom Wheeler.
Recorded over three nights in 1968 at the Fillmore Auditorium in San Francisco, the follow-up to the acclaimed Super Session has its moments, but is mostly long on '60s noodly grooviness and lacking in focus and inspiration. It's notable (sort of) for Bloomfield's singing debut. ~ Cary Wolfson
One of the seminal live albums of the late '60s, Live Adventures of Al Kooper & Mike Bloomfield was a natural, organic offshoot of the hugely successful Super Session album from 1968, which contained performances by both of ...
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Also available in a 3-pack with SECOND WINTER and CAPTURED LIVE.
Audio Mixer: Eddie Kramer.
Audio Remasterers: Joseph M. Palmaccio; Vic Anesini.
Among white blues singers of the 1960s, there were some who studied the music so intently they amazed even the genre's creators with their technical mastery. A select few, however, seemed to be born oozing authenticity, sounding just as soulful as the greatest black bluesmen while forging a completely new sound. Johnny Winter belonged in the second category. A long-haired hippie albino, he astounded initially skeptical listeners with his Howlin' Wolf-like vocals and wild Johnny Guitar Watson-esque guitar stylings. THE WOODSTOCK EXPERIENCE showcases Winter's first taste of national exposure, first with his 1969 self-titled debut album, and then with his set at the Woodstock festival later the same year. The latter recording is the revelation here--a tornado of raging slide guitar and shouted vocals that sounds as if a late night Lone Star State roadhouse gig has been magically transported to the upstate ...
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Personnel: Mal Waldron (piano); Sahib Shihab, Jackie McLean (alto saxophone); John Coltrane (tenor saxophone); Bill Hardman, Idrees Sulieman (trumpet); Julian Euell (bass); Art Taylor, Ed Thigpen (drums).
Recorded in Hackensack, New Jersey on April 19 and May 17, 1957. Originally released on Prestige (7111) except tracks #4 and #5 released on New Jazz (8316).
Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkeley).
Before becoming an expatriate in 1965 and eventually settling in Munich, pianist Mal Waldron cut several stateside hard bop albums full of his idiosyncratic and Monk-ish piano work, and featuring choice contributions by some of the music's finest. For this 1957 date, Waldron worked with a stellar sextet interchangeably manned by John Coltrane, Jackie McLean, Idrees Sulieman, Art Taylor, and others. Bookended by the pianist's ebullient "Potpourri" and the avant-noir blues "One by One," the set also includes a fetching cover of Cole Porter's "From This Moment On" and a beautifully complex arrangement of Billie Holiday's ...
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Francis Hime's second album of the '70s, released four years after the first, finds the basic character of his music unchanged, despite a vastly different lineup. The biggest additions are lyrics and help on vocals from Chico Buarque and Francis' wife, Olivia Hime. The production and arrangements come from Guto Graça Mello and Francis Hime himself. The pair emulates the reflective mood of 1973's Francis Hime, replete with flute and other woodwinds as well as a bit more piano than before. Hime wrote four songs with Chico Buarque (their song of ten years earlier, "Atrás da Porta," had launched Hime's career) as well as one with ...
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Bushman and Burning Bushes Music are proud to present this exciting new release! GET IT IN YOUR MIND is Bushman's first independant release on his own label. Each of these songs were handpicked by Bushman from the many 45's he has recorded over the last few years in various studios. Many of the songs were recorded and mixed at Bushman's Green House studio in St Thomas, Jamaica.The 15 song compilation includes interludes, where Bushman gives his fans some personal introductions to a few of the songs. There is also a special DVD enhancement of the music video for a song called "Gun Ting".Song highlights include a version of Peter Tosh's "Buk-In-Hamm Palace". It's almost as if Bushman is channeling the Bushdoctor. Hard to tell for a minute that you aren't listening to Tosh himself. "Scent of A Man" a story about heartbreak that many can relate to. This song was written by Joe Gibbs son and Bushman sings it tenderly with his typical signature style."Born Fi Di Ting" a dancehall song that is getting much airplay in Jamaica! "Call on Jah" is an acoustic style - written by Prince Jabba. This ...
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