| | John Bishop Nothing If Not Something CD John Bishop Discography of CDs
First performing together in the early '90's, John Bishop's trio spent 8 years at a Seattle club where they developed their thoroughly melodic and fluid group aesthetic. Saxophonist Rick Mandyck's singular voice has been heard with Mark Murphy, Billy Har
Personnel: John Bishop (drums); Rick Mandyck (saxophone, alto saxophone); Jeff Johnson (bass instrument). Audio Mixer: Floyd Reitsman. Liner Note Author: Andrew Freund. Recording information: Studio Litho, Seattle, WA (08/23/2004). Photographer: Matt Jorgensen. The Seattle jazz drummer John Bishop leads his trio through a set of low-key instrumental meditations in which the alto saxophonist Rick Mandynck's creative and often exquisite solos are underpinned by Bishop's subtle accents and the bassist Jeff Johnson's sturdy and inventive patterns. This is the Seattle sound at its finest. The trio, led by Origin Records founder John Bishop, has a subtle touch. The sound is dignified, but isn't afraid to let the sax wail a little now and then. In large part, the music gains something distinctive over East Coast jazz in its lack of a drive to highlight talent and knowledge merely for the sake of showcasing. In leaving behind the need to take off with a massive reference-filled solo or match the masters in sheer power, the band frees itself up to spend its efforts on a more careful approach. The players get to pick through their massive respective ranges, finding the perfect pieces to put together in a conversational interplay between the instruments. With no piano or guitar, the sound can be a bit sparse at times, but it works well in this setting. The open spaces are utilized wonderfully. Every student of jazz can recite maxims about beauty being in the spaces between the notes, à la Monk, but it's rare that a trio can use the spacing of a composition so well in setting up phrasings to their fullest effect. This is very subtle music, but a rich endeavor. ~ Adam Greenberg
JazzTimes (p.124) - "On this adventurous, open-ended trio outing, the Seattle-based drummer and founder of Origin Records forges an extraordinary, freewheeling chemistry with kindred spirits Jeff Johnson on bass and Rick Mandyck on alto sax." Nothing If Not Something Music John Bishop Nothing If Not Something Songs Nothing If Not Something Review
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$13.39 Sunday night patrons didn't ride in on the Friday and Saturday night bandwagon. Sunday nights at Smalls were for listeners and people off the beaten path. They came to listen to the music and thumb their noses at Monday morning. For nine years, they came to Smalls every Sunday to hear Across 7 Street. The smart, dark-edged music of this quintessential New York jazz group was the perfect tonic, a reminder that there was intelligent life in the universe. The name of the group is an oblique reference to the unheralded passing of an underground legend, the late saxophonist Clarence "C" Sharpe, who performed with members of this group, and who made the abstract progression from the University of the Streets on one side of East 7th Street, to the Peter Jarema Funeral Home on the other side. The tribute might now be extended as well to the late Frank Hewitt. The members of Across 7 Street were all born and raised in NY. All were early standouts, establishing themselves on the New York jazz scene in their teenage years. Chris, Ari, Sacha, and Danny excelled in Barry Harris' workshops in their early years, and learned much from accompanying the elder players on the New York scene at the time, players such as C Sharpe, Frank Hewitt, Junior Cook, Lou Donaldson, Vernel Fournier, and Tommy Turrentine. John Mosca, who is also the director of the Vanguard Jazz Orchestra, is the consummate veteran soloist, ensemble player, and teacher, a longtime pillar of the NY jazz scene. It is the unique blend of influences from the rich New York scene that gives this group its flavor. Over the course of nine years of weekly Sunday night features at Smalls, Across 7 Street developed an impressive book of fifty or so original compositions to maturity. This volume ...
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