| | Dave Davies Kinked CD Dave Davies Discography of CDs
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A compilation of latter-day Dave Davies solo tunes, this 2006 disc is particularly significant for presenting the first song that the Kinks guitarist wrote and recorded following his stroke in '04. (It's also notable that the collection was released around the same time as his brother Ray's official solo studio debut.) The track, "God in My Brain," is an intriguing composition that combines atmospheric keyboards, programmed beats, and Davies's typically edgy six-string playing, giving listeners an aural expression of his lengthy recovery period. Other highlights of the set include his own enthusiastic live take on the Kinks classic "Picture Book" (from 1997) and a loose, laid-back rendition of George Harrison's "Give Me Love, Give Me Peace on Earth." As an introduction to the '90s/'00s work of the "other" Davies, KINKED stands as a smartly selected overview.
Dave Davies: Dave Jenkins (6-string bass); Kristian Hoffman, Simon Davies .
Personnel: Dave Davies (vocals, guitar, keyboards); Dave Davies (various instruments); Jim Laspesa (vocals, drums); Kristian Hoffman (piano, keyboards); Mabel Dawn Davis (drums, programming); Simon Davies (drums); Dave Jenkins, Andrew Sandoval (background vocals).
Audio Mixer: Jeff Robinson.
Liner Note Author: Bill Crowley .
Recording information: Bottom Line, New York, NY (??/1996-01/2006); Hollywood, CA (??/1996-01/2006); Konk Studios, London, London, England (??/1996-01/2006); Laurel Canyon Studios (??/1996-01/2006); White Mirror Studios, Exeter, Devon, England (??/1996-01/2006). Purchase Kinked CD To buy, Click on price to add to cart | Trevor Rabin 90124 CD (2003)
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$10.49 Smooth are the performances and orchestration on this 1978 double-vinyl set. There is no date of this performance by Helen Reddy, recorded at the London Palladium. This expands her greatest-hits album and allows the entertainer to display her personality as well as some of her deeper album tracks. Of the 26 songs here, only Leon Russell and Harriet Schock share the distinction of having two compositions each covered by the songstress. Russell's "This Masquerade" and "Bluebird" follow Ralph Shuckett's "Rhythm Rhapsody" to start the concert off. Reddy sprinkles a hit or two per side until the medley, adding nuggets like Gale Garnett's timeless "We'll Sing in the Sunshine," which is a perfect selection for Reddy to sing and her audience to hear. Harriet Schock's "Mama" from the Music, Music album is one of the longest tracks at four minutes-plus, and gets a lengthy audience response. Cilla Black's 1964 hit "You're My World," like the aforementioned Gale Garnett hit from the same year, suits Reddy well. Live in London is a title used by scores of artists, from ...
| | Jessica Jacobs Chapter 2 CD (2003)
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$14.69 ****NEW BIO****On the surface, Jessica Jacobs' stunning sophomore release, Chapter 2, seems suitably titled, but upon digging deeper it quickly becomes apparent that the real story is just beginning. Recently freed from the fetters of major-label machination, Jacobs' tempestuous energies have found themselves altogether unhinged. With an arsenal of whip-smart songs now in full bloom - and her own indie-label venture to boot - the 23-year old Jacobs is proving herself not only inexhaustible, but living testimony to the theories of creation and evolution walking hand-in-hand.Jacobs' songwriting has long been prolific, and her piano skills impressive. By the age of eighteen she'd already penned a dizzying 60 songs, and with such inexhaustible creativity she quickly caught the eye of Hollywood Records, with whom she signed a 6-album deal. In 2000, and under her maiden name - Jessica Riddle - she released her debut CD, key of a minor, to widespread critical acclaim. Request magazine hailed the album as, "refreshingly direct and devoid of pretension," and the L.A. Daily News confirmed, "[her] songs are often personal and sarcastic, and even at their most optimistic, possess a provocative edge." The album's release also saw heavy radio promotion and national touring support as an opener for Savage Garden and BBMAK. Hollywood had brought her aboard under the pretense that, based upon her writing and potential, she'd be a member of the Disney family for some 20-odd years to come. But as the market became ever more saturated with Britney-esque trappings, execs were inclined to bank on the formula. Finding themselves perplexed by her potential market niche, the smart and scathing songwriting that had originally led to her signing increasingly became ... well ... a riddle. Pressure for tamed teen-pop co-writes was applied, and the deal soon collapsed.Enter Chapter 2. Jessica married, took her songs with her, and found herself embarking on an altogether new journey. Some of the material on the album developed from demos originally cut for Hollywood; the remainder she managed to muster with her own funds, utilizing the additional talents of the band members with whom she'd previously toured. ...
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